Arrgt: Jean Louis Couturier. Par SAINT-SAENS CAMILLE. Formation : Musique de Chambre, Quatuor - Instrumentation : 3 Trombones 1 Trombone Basse - Niveau de Difficulté : 3/6 - Intermédiaire - Durée : 8 mn 00 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Camille SAINT-SAENS - Arrangeur : Jean Louis COUTURIER / Niveau : Intermédiaire / Classique / Répertoire / 3 Trombones et Trombone Basse

Par SAINT-SAENS CAMILLE. Saint-Saëns' etudes for the left hand were written in 1912 at the request of his pianist friend Caroline Montigny-Rémaury de Serres, who had suffered an injury to her right hand. These etudes which were printed in 1913 were originally entitled 'Petites pieces' by Saint-Saëns in his manuscript and indeed the cycle, which the composer himself described as 'charming' and 'amusing', lacks any rigour of an etude collection. Particularly the 'Bourrée' quickly enjoyed great popularity. The edition is based on the musical text from 'Saint-Saëns ' 'uvres instrumentales complètes', volume IV/3. An insightful Foreword (Fr/Eng/Ger) on the genesis and interpretation, a Critical Commentary (Eng) as well as an elegant music engraving make this collection of little gems the perfect addition to the piano repertoire. - First Urtext edition - Musical text based on 'Camille Saint-Saëns ' 'uvres instrumentales complètes' - With an insightful Foreword (Fr/Eng/Ger) on the genesis and interpretation and a Critical Commentary (Eng) / Date parution : 2022-11-29/ Etude / Piano

Conducteur Ba 10927 et Ba 10928. Par SAINT-SAENS CAMILLE. Ludwig van Beethoven's overpowering legacy caused many subsequent composers to avoid writing string quartets at all. Saint-Saëns was no exception in this respect and waited until 1899 and 1918 to produce his two contributions to the genre. Couched in classicism, they relate in form and style to early 19th-century French quartets and to a titan of the genre: Joseph Haydn. Saint-Saëns' string quartets appear here for the first time in a scholarly-critical edition. It is also the first edition to contain the original version of the Finale to String Quartet No. 2 in score and parts. An informative Introduction is included in the study score to complete this volume of important French chamber music, based on the Urtext from 'Camille Saint-Saëns - Complete Edition of the Instrumental Works”./ Répertoire / Quatuor à Cordes

Studyscore - BATP779. Par SAINT-SAENS CAMILLE. Ludwig van Beethoven's overpowering legacy caused many subsequent composers to avoid writing string quartets at all. Saint-Saëns was no exception in this respect and waited until 1899 and 1918 to produce his two contributions to the genre. Couched in classicism, they relate in form and style to early 19th-century French quartets and to a titan of the genre: Joseph Haydn. Saint-Saëns' string quartets appear here for the first time in a scholarly-critical edition. It is also the first edition to contain the original version of the Finale to String Quartet No. 2 in score and parts. An informative Introduction is included in the study score to complete this volume of important French chamber music, based on the Urtext from 'Camille Saint-Saëns - Complete Edition of the Instrumental Works”./ Répertoire / Quatuor à Cordes

Par SAINT-SAENS CAMILLE / BUSSER. Camille Saint-Saëns (1835-1921) is best known for his Carnival of the Animals and Organ Symphony. Yet, his Fantasy in E flat major arranged for Cornet or Trumpet and Piano remains popular in the advanced repertoire for the instruments. Saint-Saëns entered the Paris Conservatoire at the mere age of thirteen, where he studied Organ and composition. He then went on to have a successful career as an organist and composer, writing his Fantasy in E flat major in 1857. The piece was originally composed for the Organ, but Henri Busser (1872-1973) recognised the work's significance and arranged it for Cornet or Trumpet with Piano accompaniment. To this day, Fantasy in E flat majorremains prominent in the advanced brass player's repertoire./ Répertoire / Trompette ou Cornet en Sib ou Trompette en Do et P

Opera In Three Acts. Par SAINT-SAENS CAMILLE. Today, 'Samson et Dalila? is undoubtedly one of the best-known of Camille Saint-Saëns's thirteen operas, being more present in the repertoire of international stages than most other French 19th century compositions. During Saint-Saëns's lifetime, the opera was already regarded as the pinnacle of his dramatic stage works. The fact that the work's genesis and first performances nonetheless posed substantial difficulties is shown in this edition by Andreas Jacob and Fabien Guilloux (libretto edition). A detailed recount of this complex history, based on meticulous comparisons of all libretti and other musical sources, is the great merit of this critical edition. The edition contains the full score, edited versions of both original libretti, a historical Foreword (Fr/En/Ger), a Critical Commentary (Eng), facsimile pages of 'Livret de mise-en-scène? from the first Paris production, and a musical appendix containing the 'Air de Ballet? (which was inserted before the Bacchanale in act 3 for performances at the Paris Opéra). The underlaid text in the score is presented in two languages and contains the libretto text by Ferdinand Lemaire as well as the text of the Weimar premiere by Richard Pohl (1877), a performance that was initiated by Franz Liszt./ Répertoire / Chant et Orchestre

pour chant et piano. Par SAINT-SAENS CAMILLE. Tout au long de sa carrière, Camille Saint-Saëns compose quelque cent cinquante mélodies. Peu de temps avant de sa mort en 1921, il fait ses adieux à la mélodie en nous livrant les Trois Vieilles Chansons. Avec les Cinq Poèmes de Ronsard, composés en 1921, ce recueil nous montre Saint-Saëns revenant à la poésie des XVe et XVIe siècles à laquelle Charles Gounod, Georges Bizet ou encore Jules Massenet avaient déjà puisé. / Date parution : 2022-01-14/ Répertoire / Chant et Piano

extrait du Carnaval des animaux. Par SAINT-SAENS CAMILLE. A flowing, gliding piece in which Saint-Saens perfectly evokes the elegant and dignified movements of a Swan. Perhaps the best known of his outstanding suite of tone poems, Carnival of Animals. This transcription for Cello and Piano accompaniment./ Répertoire / Violoncelle et Piano

In E-flat major Op.102. Par SAINT-SAENS CAMILLE. The second half of the 19th century represented something of a ?Golden Age? of the violin sonata in France: influential violin sonatas such as those by Franck, Fauré and Saint-Saëns were among the successful works of this genre, inspiring many further compositions. Saint-Saëns? Violin Sonata No.2 was written in 1896 during a stay of several months by the composer in Egypt: he began the main themes of all four movements as well as the canonic trio in Luxor and Aswan. The sonata was then completed on the Nile journey back to Cairo. That same year the sonata was premiered by Saint-Saëns and Pablo Sarasate in a concert celebrating the composer?s fiftieth stage anniversary. Astoundingly, he had first appeared on stage when he was only ten years old. This performing edition edited by Fabien Guilloux and François de Médicis is based on ?Saint-Saëns ? ?uvres instrumentales complètes?, volume III/4. It reflects the most up-to-date state of research on this work which the edition presents in a spacious engraving. - With a detailed Foreword (Fr/Eng/Ger) on the genesis and performance history - Performing edition based on the Urtext of the ?Saint-Saëns ? ?uvres instrumentales complètes? - Optimum layout in the violin part and piano score / Date parution : 2022-11-08/ Répertoire / Violon et Piano

Par SAINT-SAENS CAMILLE. Non, ce n'est pas seulement Bach/Gounod lorsqu'il entend l'Ave Maria : Camille Saint-Saëns (1835-1921), trop, définir ce texte à la musique plusieurs fois - par exemple, pour orgue (sans pédale) et deux voix identiques. L'orgue peut même être remplacé par un piano, le p vocal/ Répertoire / 2 Sopranos (Soprano/Alto) et Orgue

Par SAINT-SAENS CAMILLE. 'Get to know classical masterpieces': Within this series you will find a simple arrangement for piano of The Carnival of the Animals, a wonderful composition by Camille Saint-Saëns. As they are presented in this 'great zoological fantasy', we hear the animals getting together to celebrate a carnival party. With explanatory texts and fully coloured illustrations, the edition is aimed at young and adult pianists. The easily playable arrangements and original pieces provide an ideal introduction to this work. / Date parution : 2022-05-17/ Répertoire / Piano