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Richard Rodney Bennett: Suite Francaise For Flute And Piano: Flute: Score and
15.99
Richard Rodney Bennett: Suite Francaise For Flute And Piano: Flute: Score and
Flûte traversière et Piano
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Novello & Co Ltd.
The four songs arranged here manifest composer Richard Rodney Bennett?s omnivoro...
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The four songs arranged here manifest composer Richard Rodney Bennett?s omnivorous musical sourcework. La belle Au Pied De La Tour was set by Poulenc in his Chansons Francaises. L?amour De Moi is an old Gallic tune that entered the French popular song canon with recordings in the 1970?s by several French singers. La Chaine was frequently sung by chanteuse Damia over the decades of her career from the early 1900?s onward. La Pauvre Mariée tells of the hardships of marriage but is set to a jolly gigue. Movements may be played separately.Composer performer and arranger Richard Rodney Bennett was internationally respected for his serious music and many award-winning film scores(Murder on the Orient Express Nicholas and Alexandra) as well as his works for children and his religious pieces. In addition this markedly versatile musician frequently performed as a jazz pianist and arranger.
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Antonio Vivaldi: Salve Regina RV 616 RV 617 RV 618: Vocal: Score
15.50
Antonio Vivaldi: Salve Regina RV 616 RV 617 RV 618: Vocal: Score
Piano, Voix
[Vocal Score]
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Intermédiaire
Ricordi
Ed. critica di M. Talbot - Riduzione per canto e pianoforte di A. Frigé-The pre...
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Ed. critica di M. Talbot - Riduzione per canto e pianoforte di A. Frigé-The present volume contains all three settings by Vivaldi of the Marian antiphon Salve Regina that have come down to us. All three are for solo voice: soprano in the case of RV 617 and contralto in that of RV 616 and RV 618. The last two settings are scored for two instrumental cori and introduce woodwind instruments respectively a flute and a pair of oboes whereas the instrumentation of the first is confined to strings disposed in a single coro although a solo violin is employed in three movements. RV 617 preserved in a non-autograph source in Brno belongs to Vivaldi's first period of sacred music composition at the Pietà (1713-1717) while RV 616 and RV 618 are works of his maturity dating from the years around 1730. RV 617 is laid out in four movements RV 616 and 618 in six movements. All three works are noteworthy for the tenderness of their expression and skilful writing for both the voice and the instruments. The Introduction and Critical Commentary for these vocal scores prepared by Antonio Frigé are closely based on those of the Critical Editions by Michael Talbot published in 1998 1990 and 1994.
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Stephen Covello: Arioso for Flute and Piano: Flute: Score and Parts
4.99
Stephen Covello: Arioso for Flute and Piano: Flute: Score and Parts
Flûte traversière et Piano
[Partition]
Schirmer
Stephen Covello's Arioso for Flute and Piano. Score and part.An excellent repert...
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Stephen Covello's Arioso for Flute and Piano. Score and part.An excellent repertoire piece for intermediate players. The range is playable by most 4th year students and the piano accompanimentincludes minor editing.
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Aulis Sallinen: Mistral Music (Flute And Piano): Flute: Score and Parts
10.99
Aulis Sallinen: Mistral Music (Flute And Piano): Flute: Score and Parts
Flûte traversière et Piano
[Partition]
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Intermédiaire
Novello & Co Ltd.
Written for flute and piano. Opus 90.
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Jazzin' The Blues (COROZINE VINCE)
28.80
Jazzin' The Blues (COROZINE VINCE)
Piano seul
Mel Bay
Par COROZINE VINCE. Designed to introduce the young intermediate-level pianist t...
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Par COROZINE VINCE. Designed to introduce the young intermediate-level pianist to playing the blues, Jazzin' the Blues presents fifteen original blues compositions in various keys, styles and grooves together with downloadable recordings of 40 of the 50 examples in the book. The audio tracks are presented both with and without the lead piano part, so the student can play along with a professional rhythm section which includes piano, vibraphone, alto flute, drums, and bass.Historical and performance notes are provided with each blues composition. The author enlisted the skills of jazz pianist Charlie Freeman in editing the book and providing fingering for both the treble and bass piano parts,making these pieces more accessible to novice players. If your knowledge of blues theory or terminology is lacking, this is the book for you! Author Vince Corozine thoroughly explores and demonstrates: blues and pentatonic scale theory, blue notes, grace notes, pedal-points, tremolos, trills, syncopation, anticipation, delayed beats, slash chords, boogie-woogie left-hand patterns, walking bass, stride piano style, straight eighths, swing eighths, passing tones, rolled chords, riffs, 'filler' chords, substitutions, and comping styles. This book also includes essential blues chord theory as well as tips on tasteful chord voicing presented in the context of accompanying a soloist (comping): in addition, the chord progressions represented by the written notation are carefully annotated in every example in the book. The Appendix includes helpful tips on comping, practice, and jazz soloing, plus a list of noteworthy jazz pianists, a key to chord symbols, and a glossary of jazz terms used in the book.If you are not a competent blues pianist when you first pick up this book, you will be by the time you complete it! Includes access to online audio. Designed to introduce the young intermediate-level pianist to playing the blues, Jazzin' the Blues presents fifteen original blues compositions in various keys, styles and grooves together with downloadable recordings of 40 ofthe 50 examples in the book. The audio tracks are presented both with and without the lead piano part, so the student can play along with a professional rhythm section which includes piano, vibraphone, alto flute, drums, andbass. Historical and performance notes are provided with each blues composition. The author enlisted the skills of jazz pianist Charlie Freeman in editing the book and providing fingering for both the treble and bass pianoparts, making these pieces more accessible to novice players. If your knowledge of blues theory or terminology is lacking, this is the book for you! Author Vince Corozine thoroughly explores and demonstrates: blues andpentatonic scale theory, blue notes, grace notes, pedal-points, tremolos, trills, syncopation, anticipation, delayed beats, slash chords, boogie-woogie left-hand patterns, walking bass, stride piano style, straight eighths, swingeighths, passing tones, rolled chords, riffs, 'filler' chords, substitutions, and comping styles. This book also includes essential blues chord theory as well as tips on tasteful chord voicing presented in the context ofaccompanying a soloist (comping) - in addition, the chord progressions represented by the written notation are carefully annotated in every example in the book. The Appendix includes helpful tips on comping, practice, and jazzsoloing, plus a list of noteworthy jazz pianists, a key to chord symbols, and a glossary of jazz terms used in the book. If you are not a competent blues pianist when you first pick up this book, you will be by the time youcomplete it! Includes access to online audio. / Jazz / Etude / Piano
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Music Of Paul Hindemith
Flûte Traversière (2 Flûtes Traversières Ou Flûte Traversière Et Piano)
Schott
/ Flûte Traversière (2 Flûtes Traversières Ou Flûte Traversière Et Piano)
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Edward Gregson: Aztec Dances (Flute/Piano): Flute: Instrumental Work
19.99
Edward Gregson: Aztec Dances (Flute/Piano): Flute: Instrumental Work
Flûte traversière et Piano
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Aztec Dances was commissioned by Christopher Orton with the assistance of the B...
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Aztec Dances was commissioned by Christopher Orton with the assistance of the BBC Performing Arts Fund. The first performance was given by Christopher Orton (recorder) and Magdalena Nasidlak (piano) at a concert in the Manchester Midday Concerts series at the Bridgewater Hall Manchester in March 2010.The version for flute and piano was premiered by Wissam Boustany (Flute) and Aleksander Szram (Piano) at St James?s Church Piccadilly on Thursday 19 May 2011.1. Ritual/Pastorale2. Fertility Dance3. Ghost Dance/Song4. Sacrificial Dance Composer's Note The idea for the genesis of thiswork and indeed its title and individual movements came after visiting an exhibition at the British Museum entitled Moctezuma ?Aztec Ruler. The exhibition traced the events following the election in 1502 of Moctezuma as Supreme Ruler of the Aztecs and the subsequent invasion of 1519 by a Spanish expedition led by Hermán Cortés ? an event that was to eventually lead to the demise of the Aztec civilisation.Part of the exhibition explored the role that music and dance played in Aztec life. The primitive recorder together with trumpets and drums were used as an important part of the formal ritual ceremonies (including rather gruesomely human sacrifice) that took place to appease the many Gods which the Aztecs worshipped as well as for other more informal occasions in their social and cultural life.I have tried to reflect some of these highly contrasting and dramatic ideas in this four movement work. Edward Gregson
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Edward Gregson: Aztec Dances (Treble Recorder/Piano): Treble Recorder:
19.99
Edward Gregson: Aztec Dances (Treble Recorder/Piano): Treble Recorder:
Flûte à bec Alto, Piano
[Partition]
Novello & Co Ltd.
Aztec Dances was commissioned by Christopher Orton with the assistance of the B...
(+)
Aztec Dances was commissioned by Christopher Orton with the assistance of the BBC Performing Arts Fund. The first performance was given by Christopher Orton (recorder) and Magdalena Nasidlak (piano) at a concert in the Manchester Midday Concerts series at the Bridgewater Hall Manchester in March 2010.The version for flute and piano was premiered by Wissam Boustany (Flute) and Aleksander Szram (Piano) at St James?s Church Piccadilly on Thursday 19 May 2011.1. Ritual/Pastorale2. Fertility Dance3. Ghost Dance/Song4. Sacrificial Dance Composer's Note The idea for the genesis of this work and indeed its title and individual movements came after visiting an exhibition at the British Museum entitled Moctezuma Aztec Ruler. The exhibition traced the events following the election in 1502 of Moctezuma as Supreme Ruler of the Aztecs and the subsequent invasion of 1519 by a Spanish expedition led by Herm?n Cort?s an event that was to eventually lead to the demise of the Aztec civilisation.Part of the exhibition explored the role that music and dance played in Aztec life. The primitive recorder together with trumpets and drums were used as an important part of the formal ritual ceremonies (including rather gruesomely human sacrifice) that took place to appease the many Gods which the Aztecs worshipped as well as for other more informal occasions in their social and cultural life.I have tried to reflect some of these highly contrasting and dramatic ideas in this four movement work.????????Edward Gregson
19.99 GBP - vendu par Musicroom GB
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Piano Playbook Classical Favourites P/V/G
29.30
Piano Playbook Classical Favourites P/V/G
Piano seul
-
Avancé
Amsco Wise Publications
Compilations regroupant les plus grands titres d'un genre musical spécialement ...
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Compilations regroupant les plus grands titres d'un genre musical spécialement regravées en piano, voix et diagrammes d'accord guitare ou en piano solo en format A4 spiralé afin qu'il reste 'plat' sur le support du piano.Titres : Miserere mei, Deus [Allegri] - Sarabande [Arnold, Malcolm] - Aria from Goldberg Variations [Bach, J.S.] - Badinerie (from Orchestral Suite #2 in B Minor) [Bach, J.S.] - Prelude #11 in F Major (from The Well-Tempered Clavier) [Bach, J.S.] - Solfeggietto in C Minor [Bach, C.P.E.] - Symphony #7 - II. Allegretto [Beethoven] - Two Turtle Doves (from Partridge Pie) [Bennett, R.R.] - Prelude #6 (from Six Preludes) [Berkeley, Lennox] - Prelude from L'Arlésienne [Bizet] - Polovtsian Dances (from Prince Igor) [Borodin] - Wiegenlied (Lullaby) [Brahms] - Violin Concerto #1 - II. Adagio [Bruch] - Piano Concerto #1 - II. Larghetto (Romance) [Chopin] - Prelude in C Minor, Op.28 #20 [Chopin] - Waltz in A-flat Major, Op.69 #1 [Chopin] - Les Baricades Mistérieuses [Couperin] - The Little Shepherd (from Children's Corner) [Debussy] - Sarabande [Einaudi, Ludovico] - Snow Prelude #2 [Einaudi, Ludovico] - Nimrod (Var IX from 'Enigma' Variations) [Elgar] - Homenaje (Le Tombeau de Claude Debussy) [de Falla] - Agnus Dei (from Requiem in D Minor, Op.48) [Fauré] - Sicilienne, Op.78 [Fauré] - The North Pole (from Frozen Planet) [Fenton, George] - Prelude #1 (from Three Preludes For Piano) [Gershwin, George] - Metamorphosis Five [Glass, Philip] - Opening Piece from Glassworks [Glass, Philip] - Piano Concerto, Op.16 - I. Allegro Moderato (opening) [Grieg] - Hornpipe (Alla Danza) (from Water Music) [Handel] - Symphony #94 'The Surprise' - II. Andante [Haydn] - Consolation #5 [Liszt] - Paganini Variations (excerpts) [Lutoslawski, Witold] - Hebrides Overture ('Fingal's Cave') [Mendelssohn] - Overture to The Marriage of Figaro [Mozart] - Piano Concerto #21 in C Major - II. Andante [Mozart] - Promenade (From Pictures At An Exhibition) [Mussorgsky] - Big My Secret (from The Piano) [Nyman, Michael] - Jerusalem [Parry] - Sonata For Flute - 2nd Movement [Poulenc] - Mouvements Perpétuels - #1 [Poulenc] - Nessun Dorma (from Turandot) [Puccini] - Rondeau (from Abdelazer) [Purcell] - Piano Concerto #2 - II. Adagio Sostenuto [Rachmaninoff] - Rhapsody on a Theme of Paganini - Var XI and XVIII [Rachmaninoff] - Vocalise (No.14 from Fourteen Songs, Op.34) [Rachmaninoff] - Pavane (from Mother Goose) [Ravel] - Written On The Sky [Richter, Max] - The Elephant (from The Carnival Of The Animals) [Saint-Saëns] - Sonata in E Major, L.23 K.380 [Scarlatti, Domenico] - Unfinished' Symphony - I. Allegro Moderato [Schubert] - Sicilienne (from Album For The Young) [Schumann] - Prelude, Op.11 #15 [D-flat major] [Scriabin] - Romance in D-flat (No.9 from 10 Pieces for Piano, Op.24) [Sibelius] - The Firebird Suite - Finale [Stravinsky, Igor] - The Lamb [Tavener, John] - 1812 Overture [Tchaikovsky] - Dance of the Sugar Plum Fairy (from The Nutcracker Suite) [Tchaikovsky] - Dies Irae (from Requiem) [Verdi] - Autumn (1st movt) (from The Four Seasons) [Vivaldi] - Ride of the Valkyries [Wagner] - Vltava (The Moldau) (from Má Vlast) [Smetena] / Piano/Vocal/Guitare (PVG)
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Suite Dansante D'Autrefois (Flûte, Cor Et Piano)
18.00
Suite Dansante D'Autrefois (Flûte, Cor Et Piano)
En Français
Cor et Piano
[Partition]
Fertile Plaine Editions
La partition Suite dansante d'autrefois ( Flute,cor et piano ) de Hulin Eric a ...
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La partition Suite dansante d'autrefois ( Flute,cor et piano ) de Hulin Eric a été composée pour Cor et plus particulièrement pour Cor Et Autres Instruments. Cette partition musicale est éditée par une des nombreuses maisons d'édition française à savoir Fertile Plaine. Cette oeuvre musicale fait partie intégrante des oeuvres de style Classique. / Cor Et Autres Instruments / Partition
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Flûte Encores For Flûte And Piano
33.00
Flûte Encores For Flûte And Piano
En Français
Flûte traversière et Piano
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Avancé
Chester
Une collection de flûte Encores pour l'interprète avancée par Kohler, Briccia...
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Une collection de flûte Encores pour l'interprète avancée par Kohler, Briccialdi, Tershak, Reichert et Bach. Edité par Trevor Wye. Comprend l'accompagnement au piano. / Flûte Traversière
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Duo (HOPKINS JOHN)
25.00
Duo (HOPKINS JOHN)
Flûte traversière et Piano
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Intermédiaire
Ricordi London
For Flute and Piano / set of 2 playing scores. Par HOPKINS JOHN. English / Nivea...
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For Flute and Piano / set of 2 playing scores. Par HOPKINS JOHN. English / Niveau : Intermédiaire / Répertoire / Flûte Traversière et Piano
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Wilhelm Popp: Wilhelm Popp Sonatine Op. 388 No 2: Flute: Score
7.50
Wilhelm Popp: Wilhelm Popp Sonatine Op. 388 No 2: Flute: Score
Flûte traversière et Piano
[Partition]
Spartan Press
Susan Milan discovered the charming Popp Sonatinas Op. 388 while researching 19t...
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Susan Milan discovered the charming Popp Sonatinas Op. 388 while researching 19th century flute repertoire in the British Museum Library. These beautifully crafted works are all without exception a delight to play and suitable for a broad level of player. They are a lovely example of Classical style and detailed in a way that makes them a joy to perform and as they are less than 10 minutes long they are a perfect addition to a short recital programme. Wilhelm Popp studied with the great Louis Drouet in the 1850s and wrote many charming works for the flute thisamong them. Susan Milan acclaimed soloist and teacher has edited this elegant edition. Susan Milan writes: 'I discovered the charming Popp Sonatinas Op. 388 while researching 19th century flute repertoire in the British Museum Library. They were first published in Hamburg in 1888. These beautifully crafted works are all without exception a delight to play and suitable for a broad level of player. They are a lovely example of Classical style and detailed in a way that makes them a joy to perform and as they are less than 10 minutes long they are a perfect addition to a short recital programme. In editing the Sonatinas I have tidied some of the articulation making the flute part consistent. Discrepancies between markings in the flute and piano part have been corrected. I have occasionally added some slurs where I feel the lyrical nature of a section might be enhanced shown as 'dotted' slurs. Where staccati appear to be missing I have added them. I have not on the whole added expression marks. I have not changed or removed original markings.'
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Wilhelm Popp: Sonatine Op. 388 No. 5: Flute: Score
Flûte traversière et Piano
[Partition]
Spartan Press
Susan Milan discovered the charming Popp Sonatinas Op. 388 while researching 19t...
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Susan Milan discovered the charming Popp Sonatinas Op. 388 while researching 19th century flute repertoire in the British Museum Library. These beautifully crafted works are all without exception a delight to play and suitable for a broad level of player. They are a lovely example of Classical style and detailed in a way that makes them a joy to perform and as they are less than 10 minutes long they are a perfect addition to a short recital programme.Wilhelm Popp studied with the great Louis Drouet in the 1850's and wrote many charming works for the flute this among them. Susan Milan acclaimed soloist and teacher has edited this elegant edition.SusanMilan writes....'I discovered the charming Popp Sonatinas Op. 388 while researching 19th century flute repertoire in the British Museum Library. They were first published in Hamburg in 1888. These beautifully crafted works are all without exception a delight to play and suitable for a broad level of player. They are a lovely example of Classical style and detailed in a way that makes them a joy to perform and as they are less than 10 minutes long they are a perfect addition to a short recital programme. In editing the Sonatinas I have tidied some of the articulation making the flute part consistent. Discrepancies between markings in the flute and piano part have been corrected. I have occasionally added some slurs where I feel the lyrical nature of a section might be enhanced shown as 'dotted' slurs. Where staccati appear to be missing I have added them. I have not on the whole added expression marks. I have not changed or removed original markings.'
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Wilhelm Popp: Sonatine op. 388 No. 4: Flute: Score
7.50
Wilhelm Popp: Sonatine op. 388 No. 4: Flute: Score
Flûte traversière et Piano
[Partition]
Spartan Press
Susan Milan discovered the charming Popp Sonatinas Op. 388 while researching 19t...
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Susan Milan discovered the charming Popp Sonatinas Op. 388 while researching 19th century flute repertoire in the British Museum Library. These beautifully crafted works are all without exception a delight to play and suitable for a broad level of player. They are a lovely example of Classical style and detailed in a way that makes them a joy to perform and as they are less than 10 minutes long they are a perfect addition to a short recital programme.Wilhelm Popp studied with the great Louis Drouet in the 1850s and wrote many charming works for the flute this among them. Susan Milan acclaimed soloist and teacher has edited this elegant edition.SusanMilan writes....'I discovered the charming Popp Sonatinas Op. 388 while researching 19th century flute repertoire in the British Museum Library. They were first published in Hamburg in 1888. These beautifully crafted works are all without exception a delight to play and suitable for a broad level of player. They are a lovely example of Classical style and detailed in a way that makes them a joy to perform and as they are less than 10 minutes long they are a perfect addition to a short recital programme. In editing the Sonatinas I have tidied some of the articulation making the flute part consistent. Discrepancies between markings in the flute and piano part have been corrected. I have occasionally added some slurs where I feel the lyrical nature of a section might be enhanced shown as 'dotted' slurs. Where staccati appear to be missing I have added them. I have not on the whole added expression marks. I have not changed or removed original markings.'
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Peter Maxwell Davies: Strathclyde Concerto No. 6 (Flute Part): Flute: Score
19.99
Peter Maxwell Davies: Strathclyde Concerto No. 6 (Flute Part): Flute: Score
Flûte traversière et Piano
[Partition]
Chester
Strathclyde Concerto No. 6 (Flute Part)-The solo flute here is kept in high prof...
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Strathclyde Concerto No. 6 (Flute Part)-The solo flute here is kept in high profile by the absence from the orchestra not only of other flutes but also of violins and oboes; in addition the trumpets are used sparingly (they do not for instance play in the slowmovement) so that for much of the time the flute is playing against a mellow ensemble of clarinets horns bassoons and low strings. If this is nevertheless one of Davies's most open-spirited pieces that comes partly from theready flights of the soloist partly from its glockenspiel accompaniments in the outer movements (replaced by ticking claves in the Adagio) partly from the dancing character of so much of the music and partly from the harmonicclarity in a light region not far from C minor.Flute part with piano reduction of the orchestral score.
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Jazz Piano Solos Series Vol.24
34.20
Jazz Piano Solos Series Vol.24
Piano seul
-
Intermédiaire
Hal Leonard
Jazz Piano Solos Series Volume 24: John Coltrane dispose de 20 sélections des p...
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Jazz Piano Solos Series Volume 24: John Coltrane dispose de 20 sélections des plus grands airs de 'Trane' dans les accords de piano solo avec symboles d'accord.Jazz Piano Solos Series Volume 24: John Coltrane a été organisé pour les pianistes de niveau intermédiaire et comprend la chanson tels que All or Nothing at All, Central Park West, Giant Steps, Lush Life, My Favorite Things, Song Flute Syeeda et plus. / Piano
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Paul Taffanel: Andantino and Andante: Flute: Instrumental Album
6.95
Paul Taffanel: Andantino and Andante: Flute: Instrumental Album
Flûte traversière et Piano
[Conducteur et Parties séparées]
Pan Educational Music
Two charming sight-reading pieces for Flute and Piano written for the examinati...
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Two charming sight-reading pieces for Flute and Piano written for the examinations at the Paris Conservatoire by Paul Taffanel. Composed between 1883 and 1884 and once thought to be lost these were re-discovered in the Conservatoire library and reworked by the Taffanel scholar and BBC Proms producer Edward Blakeman. Part of the French Flute Encores Series and suitable for Grades 6 - 7.
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Reynaldo Hahn: Var. Pour Flûte et Piano Sur Un Theme de Mozart: Flute: Score
Flûte traversière et Piano
Heugel
Variations Sur Un Thème De Mozart is a piece composed by Reynaldo Hahn and dedi...
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Variations Sur Un Thème De Mozart is a piece composed by Reynaldo Hahn and dedicated to Philippe Gaubert. Composed after a tune by Mozart and scored for the Flute this piece features a main theme and a total of seven variations which follow one another. The Flute score features many trills especially in the Variation 2 some fast rhythms and up to 6 flats on the key for the Variation 4. It would require a good mastery of techniques for these challenging parts. Reynaldo Hahn was a naturalised French composer conductor theatre director and singer. Best known as a composer of songs he also wrote many piecesand melodies for different instruments.
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Peter Warlock: The Curlew: Tenor: Study Score
10.99
Peter Warlock: The Curlew: Tenor: Study Score
Voix Tenor, Piano
[Conducteur d'étude / Miniature]
Thames Publishing
Peter Warlock's The Curlew is a setting of the text by W.B. Yeats written for Vo...
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Peter Warlock's The Curlew is a setting of the text by W.B. Yeats written for Voice Flute Cor Anglais and String Quartet. This study score features a two-stave reduction of the instrumental material. The setting was initially composed as a song-cyle for which the composer recieved a Carnegie Trust Award.
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Classic Rags for Flute and Piano: Flute and Accomp.: Instrumental Album
15.99
Classic Rags for Flute and Piano: Flute and Accomp.: Instrumental Album
Flûte traversière et Piano
[Partition + CD]
Music Minus One
Performed by Anne Barnhart flute Accompaniment: Jeff Barnhart piano This extr...
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Performed by Anne Barnhart flute Accompaniment: Jeff Barnhart piano This extraordinary Music Minus One collection of ragtime classics arranged for flute and piano provides a unique opportunity for flutists of varying technical abilities to explore one of the greatest original American musical forms - ragtime - presented by flute-and-piano duo Anne and Jeff Barnhart who have given new life to a spectacular collection of time-honored rags while remaining true to the composers' original intentions and the spirit of the rag genre. This new digital recording includes complete versions of each rag for reference and listening pleasure followed by accompaniment versionsminus the soloist for a performance opportunity that any flutist will love. The newly engraved solo part is presented on luxurious acid-free natural/ivory paper stock. Both professional and student flutists will desire this splendiferous edition containing some of the most sought-after pieces in the ragtime genre for its lively and authentic performances sonic clarity and carefully arranged solo part. Presented in MMO's new bound-in book format with beautiful glossy cover flap-protected compact disc and fascinating historical notes. Includes a newly engraved authoritative printed music score with orchestral reduction historical notes and performance suggestions printed on high-quality ivory paper; and a compact disc containing a complete version with soloist in digitally recorded stereo; then a digital stereo version of the orchestral accompaniment minus the soloist.
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Journey Through The Classics - Piano Duets
38.00
Journey Through The Classics - Piano Duets
2 Pianos, 4 mains
[Partition]
Hal Leonard
58 Essential Masterworks. Par . Featuring 58 carefully curated classical duets f...
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58 Essential Masterworks. Par . Featuring 58 carefully curated classical duets from elementary to intermediate, this 1 piano, 4 hands collection is a must-have for every piano studio. Features comb-binding for easy page turns. Includes works by Brahms, Czerny, Gurlitt, Lully, Schubert, Tchaikovsky, and many more. The graded pieces are presented in a progressive order from elementary through to intermediate level. The authentic repertoire is ideal for lessons and recitals, and every level includes a reference chart with the key, composer, and challenge elements listed for each piece. The Beckman/True Duo has been performing together since 2000 in national and international venues. Presenting both standard and contemporary works from 1900 to present day, their programs include music for duo pianos and piano duet. They have released multiple recordings and are also committed teachers who have taught workshops for experienced teachers and young musicians. They have adjudicated and performed in venues across the globe. / Date parution : 2021-12-09/ Recueil / 2 Pianos
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The Piano Bench Of Easy Classical Music
30.20
The Piano Bench Of Easy Classical Music
Piano seul
[Sheet music]
-
Facile
Music Sales
The Piano Bench Of Easy Classical Music is a tremendous piano collection contain...
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The Piano Bench Of Easy Classical Music is a tremendous piano collection containing 400 pages of great music literature, specially selected and edited for the developing pianist who loves classical music. Here you will find the world's favorite preludes, minuets, sonata movements, nocturnes, waltzes, gavottes, mazurkas, romantic short pieces, impressionistic works, and light classics- as well as themes from the great symphonies, chamber works, operas, and ballets by the master composers of the past four centuries. / Piano
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Really Easy Piano 101 Top Hits
32.60
Really Easy Piano 101 Top Hits
Piano seul
-
Facile
Amsco Wise Publications
This songbook contains 101 top hits, arranged for easy Piano. Featuring pieces f...
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This songbook contains 101 top hits, arranged for easy Piano. Featuring pieces from many different genres, Really Easy Piano: 101 Top Hits includes songs by Elton John, Snow Patrol, Frank Sinatra, Beyoncé, Abba and many more well-known artists. / Piano
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