La Lune Est Morte is a piece for SATB containing the score for Mixed voices or Equal voices on music by Georges Liferman. With lyrics by Jacques Mareuil this lyrical piece is quite melancholy: “Cry Pierrots Poets and Black cats the Moon is dead” being the main recurrent sentence. The chorus is sung by all voices while the verses lyrics are only sung by the Tenor and the Bass accompanied by a melody of “o” by the two other voices. Georges Liferman is a French composer and writer. His work includes French songs and French musicals mainly with very famous interpretationsin France by artists such as France Gall Juliette Gréco and Yves Montant.

Julie Lyonn Lieberman a inventé une méthode de chant basée sur le contrôle musculaire. Elle vous la présente dans ce DVD. En anglais. / Voix / Dvd

The first book of its kind in the world The Creative Band & Orchestra provides conductors directors and educators with over one hundred ideas techniques exercises and musical examples. Through this book you will be able to: enliven ensembleinteraction; introduce five approaches to improvisation heighten listening skills stimulate new brainstyles develop innovative scores incorporate rotational seating implement motivational ideas present playing healthy techniques and more!?If youre a music educator struggling to maintain your students interest this book is right up your alley. Presenting alternatives to the mainstream approaches to teaching music Lieberman gives us a host of techniques games and approaches thatwill horrify your stuffy music theory teacher. But get this: kids might actually enjoy them!?? Jazz Times

Par LIEBERMANN ROLF. / Date parution : 1905-07-02/ Répertoire / Violon et Orchestre

The Path to Mastery and Individuality (For All Instruments). Imagine if you could HEAR a musical phrase, VISUALIZE its layout on your instrument by seeing and feeling the fingerings and/or embouchure in your mind's eye, KNOW the names of the notes as well as the degrees of the key and FEEL the dynamics you want to include. All simultaneously, in a millisecond, and without moving a muscle ... and in any key! Welcome to the twelve-key approach for all instruments and levels. Twelve-key practice applies the latest breakthroughs in brain biomechanics to facilitate technical mastery. Practicing in all twelve keys has never been sequenced or taught through the lens offered within these pages. The exercises in this book span a number of styles,brain skills and practice technique - all presented using a kaleidoscopic learning style. Julie Lyonn Lieberman's previous eight books and six DVDs have garnered rave reviews from a wide array of music magazines as well as renowned musicians from aroudn the world. Imagine if you could hear a musical phrase, Visualize its layout on your instrument by and ldquo - seeing and rdquo - and and ldquo - feeling and rdquo - the fingerings and/or embouchure in your mind's eye, know the names of the notes as well as the degrees of the key and feel the dynamics you want to include. All simultaneously, in a millisecond, and without moving a muscle ... and in any key! Welcome to the twelve-key approach for all instruments and levels. Twelve-key practice applies the latest breakthroughs in brain biomechanics to facilitate technical mastery. Practicing in all twelve keys has never been sequenced or taught through the lens offered within these pages. The exercises in thisbook span a number of styles, brain skills and practice technique and ndash - all presented using a kaleidoscopic learning style. Julie Lyonn Lieberman's previous eight books and six DVDs have garnered rave reviews from a wide array of music magazines as well as renowned musicians from around the world. Julie's and ldquo - Twelve-Key Practice and rdquo - takes you on a journey to freedom one step at a time and before you know it, you begin to experience that wonderful feeling of making music instead of just recreating someone else's music. You will become the well-rounded musician which is what we all aspire to be. and ndash - Jamey Aebersold, jazz saxophonist and educator, publisher of Aebersold Play-Alongs Mastering an instrument and ndash - or a tune, scale, or riff and ndash - in all twelve keys remains the ultimate standard of fluency. Why? Because it works. When comprehensive knowledge combines with ease, comfort, and flexibility, your anxieties disappear, your ears become open and receptive, and you are ready for any collaborative situation. Julie Lyonn Lieberman has created a remarkably organized, stylistically diverse, and holistic path for developing your ears, eyes, and fingers. By constantly changing variables and adding new layers, your mind remains active and receptive as it grows ever more capable and ndash - even in the / Formation musicale / Etude / Tout Instrument

Par . The famous Arban duets are now available in a complete edition - and you decide which part you want to play. This is a must for any serious trumpeter, a vital part of the development of a mature performer. Includes a high-quality printed music score, including both primo and secondo parts, and a compact disc featuring each piece in split-channel stereo: by lowering either the left or right channel, you can eliminate the primo or secondo trumpet part of the duet and play along. Performed by Harold Lieberman, 1st trumpet Accompaniment: Harold Lieberman, 2nd trumpet/ Recueil / Divers

Par VERDI GIUSEPPE. Four sacred pieces by Giuseppe Verdi, for Voice and Piano - edited for this volume by G. Luporini. Latin Text. Four sacred pieces by Giuseppe Verdi, for Voice and Piano - edited for this volume by G. Luporini. Latin Text./ Répertoire / Choeur

Composer : Stamitz, AntonInstrumentation : Va,KlavEdition : Piano and soloEditor : Lebermann, W.;Haverkampf, U.

Part. Par STAMITZ ANTON. Editeur(s) d'origine: Lebermann, Walter/ Répertoire / Alto et Orchestre

Eines der lebendigsten Dokumente aus dem musikalischen Alltag der Familie Bach als originalgetreue Faksimile-Ausgabe. Die Notenbüchlein, die Johann Sebastian Bach für Mitglieder seiner Familie anlegte, sind für uns deshalb so wertvoll, weil sich hier Kunst und Leben spürbar durchdringen. Bach hat für seine zweite Frau Anna Magdalena zwei Notenbücher angelegt. Das erste 1722 ist nur fragmentarisch erhalten, das zweite entstand 1725. Von Bachs eigener Hand enthält das Notenbüchlein zu Beginn zwei große Partiten, die wohl als Widmungseintrag für seine Frau gedacht waren. Die Auswahl der übrigen Stücke stammt wahrscheinlich von Anna Magdalena selbst, deren Schrift im Notenbüchlein überwiegt. Aber auch kindlich Unbeholfenes ist zu sehen, so etwa in der Aria von der ?Tabakspfeife?, die die Handschrift des ältesten Sohnes von Anna Magdalena, Gottfried Heinrich Bach, zeigt. So ?führt uns das Klavierbüchlein mit seinem farbigen Nebeneinander von Ernst und Heiterkeit, von Zufall und tieferem Sinn lebendig in die Alltagswelt des Thomaskantors ein? (Georg von Dadelsen). Die farblich getreue Nachbildung macht das Notenbüchlein als Faksimile allen Liebhabern der Bachschen Musik zugänglich.

Written for the violinist who longs to leave the confines of the written page Improvising Violin is a comprehensive guide to the art and science of successful string improvisation.With clear step-by-step explanations and instructions acclaimed teacher and performer Lieberman breaks down all of the components necessary to master improvisation in jazz blues swing folk rock and new age styles offering dozens of helpful tips on theory and technique along the way.