Claude Debussy (1862-1918) was a French composer who is often associated with the early Impressionist movement. He is best known for his evocative Piano compositions from which these Two Pieces For ClarinetAnd Piano have been transcribed. The Golliwog’s Cakewalk is taken from a suite of works inspired by Debussy’s daughter and her toys. The cakewalk was a popular dance in the 1890’s and 1900’s andis reflected in the syncopated ragtime style.The Girl With Flaxen Hair is taken from Debussy’s first book of preludes. Its title character is inspired by a poem about a Scottish maiden who is supposed tosymbolise tranquillity and simplicity aspects which are reflected in both the melody and harmony.

Trois Esquisses Symphoniques-Claude Debussy's La Mer is an impressionistic work through and through. The three symphonic sketches that make up the work were composed between 1903-1905 however Debussy refined this work up until at least 1913. These corrections are found in a score which the composer gave to his wife as a present for her private library in 1913.The new scholarly-critical edition draws on several important sources previously unavailable to musicologists resulting in an array of new readings and corrections. In addition there are many changes especially in terms of articulation and dynamics.This new edition includes the famous ?fanfare? inMovement III clearly marked in small print and brackets. This fanfare was excised in the 1910 reissue of the work but was reinstated by a number of great conductors who knew Debussy i.e. Monteux Münch Mitropoulos and Ansermet. They felt that the excision was a misunderstanding and that the fanfare was necessary for the structure of the movement. And so the Bärenreiter edition presents the revival of a performing tradition which is committed to the fanfare.New Urtext edition with numerous corrections in comparison to other editions.Important sources which were previously inaccessible have been taken into account.Score and orchestral parts in large format (25.5 x 32.5cm).Score and orchestral parts with an impeccable generous layout.Includes an informative introduction (Eng/Fr/Ger) facsimiles source descriptions and a Critical Commentary (Eng).

Clair de Lune, le troisième et le plus célèbre mouvement de la Suite Bergamasque de Debussy, est désormais disponible pour Trombone avec accompagnement de piano. Composée en 1890 lorsque Debussy avait 28 ans, ce chef d'oeuvre ne fut publiée qu'en 1903. Clair de Lune a été présenté dans les films, les publicités et émissions de télévision depuis des décennies. Il a récemment connu un regain dans les films populaires tels que Eleven et crépuscule de l'océan.Ecrit à l'origine pour le piano, ce classique difficile est conçu pour trompette, clarinette, sax alto, trombone, flûte ou violon avec accompagnement de piano. Ce solo de trombone intermédiaire est destiné à impressionner. Il est idéal pour des récitals, des auditions et des concerts.Il est largement admis que Debussy a été inspiré par le poème du même nom de Paul Verlaine. Le calme, la mélodie de roulement et de la nature fantastique de l'ambiance évoque parle au paysage onirique qui fait référence à un-Verlaine paysage où costumés danse de chiffres et de jouer au clair de lune. / Trombone Et Piano

This piece probably the young Debussy?s best known Piano piece was the slow third movement of his Suite Bergamasque (HN 381) in four movements. Although it is conventional as far as the harmony is concerned thetonal and melodic details already anticipate Debussy?s later Piano style.The suite was only published in 1905 although Debussy had made it clear by adding the date of composition ?1890? to the proofs thatit was an earlier work. The fact that he agreed to its publication shows that he still identified with this piece from a period whose style he had long since left behind him.

L'admiration de Ravel pour la pièce pour orchestre de Debussy était sans limite. Dans une interview, il déclara même que son souhait le plus profond était de mourir au son de ce 'miracle unique dans toute la musique'. Bien que Debussy en eût publié lui-même une version pour deux pianos, Ravel entreprit en 1910 un arrangement pour piano à 4 mains qui parut la même année chez Fromont à Paris, offrant une lecture personnelle de l'oeuvre. Pour l'édition Henle-Urtext qui repose pour la première fois sur l'ensemble des sources disponibles, nous avons pu rallier la collaboration de Denis Herlin, spécialiste de Debussy. Les doigtés sont d'Andreas Groethuysen, du célèbre duo Tal and Groethuysen. / Piano 4 Mains Et Plus

Trois Esquisses Symphoniques-Claude Debussy's La Mer is an impressionistic work through and through. The three symphonic sketches that make up the work were composed between 1903-1905 however Debussy refined this work up until at least 1913. These corrections are found in a score which the composer gave to his wife as a present for her private library in 1913.The new scholarly-critical edition draws on several important sources previously unavailable to musicologists resulting in an array of new readings and corrections. In addition there are many changes especially in terms of articulation and dynamics.This new edition includes the famous ?fanfare? inMovement III clearly marked in small print and brackets. This fanfare was excised in the 1910 reissue of the work but was reinstated by a number of great conductors who knew Debussy i.e. Monteux Münch Mitropoulos and Ansermet. They felt that the excision was a misunderstanding and that the fanfare was necessary for the structure of the movement. And so the Bärenreiter edition presents the revival of a performing tradition which is committed to the fanfare.New Urtext edition with numerous corrections in comparison to other editions.Important sources which were previously inaccessible have been taken into account.Score and orchestral parts in large format (25.5 x 32.5cm).Score and orchestral parts with an impeccable generous layout.Includes an informative introduction (Eng/Fr/Ger) facsimiles source descriptions and a Critical Commentary (Eng).

Par DEBUSSY CLAUDE / HINZE GUDRUN (Arr.). Clair de Lune from Suite Bergamasque by Claude Debussy, arranged for Three Piccolos and Two Flutes by Gudrun Hinze. Clair de Lune is the third movement of Debussy's Suite Bergamasque, originally composed for piano. The title means 'moonlight' in French and is taken from the poem by Paul Verlaine, 'Clair de lune.' / Date parution : 2022-11-29/ Répertoire / 5 Flûte Traversières

Clair de Lune is one of the most famous Piano works by Claude Debussy. Strictly speaking it is the third movement of the four-movement 'Suite bergamasque'. Due to its fascinating tonal poetry and its moderate technical demands it soon became one of the most popular and most frequently performed individual pieces by Debussy which is why the Wiener Urtext Edition now publishes a separate edition on the occasion of the composer's 150th birthday. Debussy's music reflects the poem of the same name 'Clair de Lune' by Paul Verlaine which outlines the landscape of the soul of a faraway Arcadia in which reminiscences of the ancient'fêtes galantes' of the 'ancien régime' are combined with the modern sound experiments of the fin de siècle. In this edition Verlaine's poem is printed not only in the original French version but also in German and English translations preceding the musical text.

'Clair de Lune' est l'un des plus célèbres oeuvres pour piano de Claude Debussy. Strictement parlant, il est le troisième mouvement de la quatre-mouvement 'Suite bergamasque'. En raison de sa poésie sonore fascinant et ses exigences techniques modérées il est vite devenu l'un des plus populaires et les plus fréquemment réalisée pièces individuelles de Debussy, ce qui explique pourquoi le Wiener Urtext édition publie désormais une édition séparée à l'occasion du 150e anniversaire du compositeur. La musique de Debussy reflète le poème du même nom, 'Clair de Lune', par Paul Verlaine, qui décrit le paysage de l'âme d'une Arcadie lointaine où des réminiscences de l'ancienne 'fêtes galantes' de 'l'ancien régime' sont combinés avec l'expérimentations sonores modernes de la fin de siècle. Dans cette édition, le poème de Verlaine est imprimé non seulement dans la version originale française, mais également dans les traductions précédant le texte musical allemand et anglais. / Piano

The first volume of Debussy's Préludes for piano (HN 383) was published in 1910 and was soon followed by arrangements for various scorings commissioned by the original publisher. Debussy personally transcribed only one Prélude, Minstrels, which was released in 1914 in a version for violin and piano. Back at that time, 'Minstrels? was the name given to comedians who performed in blackface and caricatured the alleged behaviour of Blacks in America. The arrangement is of interest not only to pianists, since Debussy intervened in the original musical text by adding variants, but also to violinists, who will discover charming and rewarding music of medium difficulty (5 of 9). / Violon Et Piano

Trois Esquisses Symphoniques-Claude Debussy's La Mer is an impressionistic work through and through. The three symphonic sketches that make up the work were composed between 1903-1905 however Debussy refined this work up until at least 1913. These corrections are found in a score which the composer gave to his wife as a present for her private library in 1913.The new scholarly-critical edition draws on several important sources previously unavailable to musicologists resulting in an array of new readings and corrections. In addition there are many changes especially in terms of articulation and dynamics.This new edition includes the famous ?fanfare? inMovement III clearly marked in small print and brackets. This fanfare was excised in the 1910 reissue of the work but was reinstated by a number of great conductors who knew Debussy i.e. Monteux Münch Mitropoulos and Ansermet. They felt that the excision was a misunderstanding and that the fanfare was necessary for the structure of the movement. And so the Bärenreiter edition presents the revival of a performing tradition which is committed to the fanfare.New Urtext edition with numerous corrections in comparison to other editions.Important sources which were previously inaccessible have been taken into account.Score and orchestral parts in large format (25.5 x 32.5cm).Score and orchestral parts with an impeccable generous layout.Includes an informative introduction (Eng/Fr/Ger) facsimiles source descriptions and a Critical Commentary (Eng).

Debussy wrote his solitary Violin Sonata in the closing days of his life plagued by the distress of the ongoing Great War financial difficulties and health issues of a terminal cancer. Shortly afterits completion in April the first performance took place on May 5th 1917 with Debussy himself at the Piano. This was the composer?s last public appearance before his death in 1918.The Sonata For Violinand Piano was the third and final composition in a cycle intended to consist of six sonatas for various instruments. It has an overall atmosphere of melancholy while also capturing contradictory characteristics such asjoy and silliness presented in a form closer to a fantasia than a sonata. The three expressive movements (Allegro vivo Intermede and Finale) are written in a French nationalistic spirit withdistinctive influences from Spanish and gypsy music throughout. This ambiguousness and ambivalence in form sound and character all attribute to Debussy?s innovative language of ?musical impressionism? which has become afavourite of musicians and audiences alike.The comments at the end of this Urtext edition provide detailed information on the sources and alternative readings while the preface by François Lesure in German English andFrench gives historical and biographical context. Two copies of the Violin solo are included as separate inserts.

pour clarinette en sib et piano. Par DEBUSSY CLAUDE. Les Editions Durand présentent une nouvelle gravure de l'une des ?uvres les plus célèbres de Claude Debussy : la Première Rhapsodie pour Clarinette et Piano. Cette pièce, constituée d'un seul mouvement d'environ 8 minutes, est un pilier du répertoire pour clarinette. Composée en 1909-1910 et publiée pour la première fois chez Durand, l'éditeur initial de Debussy, l'?uvre est dédiée à Prosper Mimart, professeur de clarinette au Conservatoire de Paris. Cette réédition comprend désormais une introduction historique en français et en anglais rédigée par le clarinettiste Pierre Génisson. / Date parution : 2023-03-11/ Répertoire / Clarinette [Bb] et Piano