Symphonic Fragment for Orchestra. Par SHCHEDRIN RODION. Emotional depth and riveting virtuosity - these elements are what characterise many compositions by Rodion Shchedrin. Even though he has been a cosmopolitan for a long time, the Moscow-born Shchedrin has remained an original Russian composer whose bond with the musical folklore and poetry of his home country has never been severed. This 'Symphonic Fragment', premiered by Mariss Jansons with the Symphony Orchestra of the Bavarian Radio, refers to the life of Beethoven and the first major existential crisis of the then 31-year-old composer from Vienna. Even if Shchedrin fails to include explicit quotations, suggestions of Beethoven's 'Eroica' can well be found. The study score on sale now allows one to become thoroughly acquainted with Shchedrin's masterly skills as a composer and his virtuoso treatment of the orchestra in this work./ Répertoire / Orchestre

Leichte Bearbeitungen für Klavier - Die Komponistenserie für Kinder-Little Amadeus & Friends - die Komponistenserie für Kinder - stellt berühmte Komponisten und deren Werke vor.Dieses Spielheft ist dem bedeutenden Musikgenie und Vollender der Wiener Klassik Ludwig van Beethoven (1770-1827) gewidmet.Als Comicfigur und einer von Little Amadeus' Freunden führt er durch dieses Buch und erzählt in einer spannenden Geschichte aus seinem Leben.Daran anschließend folgen zwanzig seiner beliebtesten Werke in leichten Bearbeitungen für Klavier. Und wiederum ist es der Komponist der hier viele interessante Tipps und Informationen zu seinen Kompositionen beisteuert. Am Schluss gibt es noch einBeethoven-Quiz mit dem auf unterhaltsame Weise das Erlernte abgefragt wird. Auf der beigefügten CD sind alle Musikbeispiele im Original zu hören. Außerdem mit vielen Bildern zum Ausmalen.Inhalt:Beethoven - Sein Leben Klaviermusik:Für Elise Klavierstück a-Moll WoO 59Pathétique Klaviersonate Nr. 8 c-Moll op. 13 2. Satz Mondscheinsonate Klaviersonate Nr. 14 cis-Moll op. 27 Nr. 2 1. SatzDie Wut über den verlorenen Groschen G-Dur op. 129 Konzerte:Klavierkonzert Nr. 3 c-Moll op. 37 3. Satz Klavierkonzert Nr. 5 Es-Dur op. 73 2. Satz Violinkonzert D-Dur op. 61 3. Satz Romanze für Violine und Orchester Nr. 2 F-Dur op. 50 Sinfonien:Sinfonie Nr. 3 Es-Dur op. 55 Eroica 1. Satz Sinfonie Nr. 5 c-Moll op. 67 1. Satz Sinfonie Nr. 8 F-Dur op. 93 2. Satz Sinfonie Nr. 9 d-Moll op. 125 4. Satz Orchester- & Vokalwerke:Türkischer Marsch aus Die Ruinen von Athen op. 113 Deutscher Tanz Nr. 1 WoO 8 Deutscher Tanz Nr. 9 WoO 8 Kontretanz Nr. 7 WoO 14 Kammermusik & Lieder:Frühlingssonate für Klavier und Violine F-Dur op. 24 1. Satz Septett für Streicher und Bläser Es-Dur op. 20 3. Satz Marmotte op. 52 Nr. 7Oper:Mir ist so wunderbar aus der Oper Fidelio op. 72Beethoven-Quiz

Vokalmusik von Haydns Schöpfung bis zu Beethovens Neunter. Par STEINER STEFANIE. / Méthode / Divers

for Pianoforte and Orchestra op. 37-Urtext edition reflecting the latest musicological research.With many corrections in the solo part and Orchestral parts.Piano reduction with a separate solo Piano part.A must for Pianists Orchestras and Beethoven scholars.Beethoven’s Piano Concerto No.3 is the only concerto where no authentic manuscript exists for the solo part. The autograph of the score is available whereby the articulation dynamics and pedal markings are for the most part absent. However Beethoven oversaw the first printed edition of the solo part (1804) with great diligence. Plate corrections bear witness to the care with which Beethovenplaced slurs and pedal markings in order to be consistent and unambiguous. By means of a thorough examination of the sources this new Urtext edition presents many corrections in terms of articulation dynamics and notes. In particular the Orchestral parts have been corrected for the first time since Beethoven’s lifetime.

Between 1996 and 2000 Bärenreiter published scholarly-critical editions of Beethoven's Nine Symphonies edited by the first class musicologist Jonathan Del Mar.The editorial process was a huge undertaking because of the complex source situation regarding Beethoven's Symphonies culminating in the Choral Symphony (No.9) which came down to us in nearly 20 different sources. So it was not surprising that Bärenreiter's new Urtext edition caused a considerable stir in the music world.Since publication Del Mar's edition enjoys the unabashed praise of conductors performers and critics alike and has become the most widely used publication of the BeethovenSymphonies which can be heard not only every day in concert halls but also on CD recordings by John Eliot Gardiner David Zinman Jos van Immerseel and Claudio Abbado.Full scores study scores and complete performance material to Beethoven’s Nine Symphonies are available for sale.

Between 1996 and 2000 Bärenreiter published scholarly-critical editions of Beethoven's Nine Symphonies edited by the first class musicologist Jonathan Del Mar.The editorial process was a huge undertaking because of the complex source situation regarding Beethoven's Symphonies culminating in the Choral Symphony (No.9) which came down to us in nearly 20 different sources. So it was not surprising that Bärenreiter's new Urtext edition caused a considerable stir in the music world.Since publication Del Mar's edition enjoys the unabashed praise of conductors performers and critics alike and has become the most widely used publication of the BeethovenSymphonies which can be heard not only every day in concert halls but also on CD recordings by John Eliot Gardiner David Zinman Jos van Immerseel and Claudio Abbado.Full scores study scores and complete performance material to Beethoven’s Nine Symphonies are available for sale.

Between 1996 and 2000 Bärenreiter published scholarly-critical editions of Beethoven's Nine Symphonies edited by the first class musicologist Jonathan Del Mar. The editorial process was a huge undertaking because of the complex source situation regarding Beethoven's Symphonies culminating in the Choral Symphony (No.9) which came down to us in nearly 20 different sources. So it was not surprising that Bärenreiter's new Urtext edition caused a considerable stir in the music world. Since publication Del Mar's edition enjoys the unabashed praise of conductors performers and critics alike and has become the most widely used publication of theBeethoven Symphonies which can be heard not only every day in concert halls but also on CD recordings by John Eliot Gardiner David Zinman Jos van Immerseel and Claudio Abbado. Full scores study scores and complete performance material to Beethoven’s Nine Symphonies are available for sale.

Opus 67-Beethoven is presumed to have completed his 5th Symphony in early 1808; today it is one of the most famous works of classical music of all. Its nickname ?Fate Symphony? was given to it posthumously byBeethoven?s biographer Anton Schindler; a title which no longer plays a role in modern-day Beethoven scholarship.Based on the recently published musical text of the Beethoven Complete Edition andsupplied with a new preface by editor Jens Dufner one of the most vibrant and stimulating orchestral works of the standard repertoire is now available in a practical format for travel study or the concert hall.

F minor A major C major-Bärenreiter continues its Urtext edition of the complete Beethoven Piano sonatas. They begin with the frequently played Op.2 Sonatas (Nos. 1-3) (BA10859) which stem from his early yet mature oeuvre when he was developing an independent style from the legacy of Mozart and Haydn. They then proceed to the lyrical D major Sonata Op.28 (BA11814) from his middle period (nicknamed ?Pastorale? by the publisher of the original edition) and finally to the Sonata Op.101 (BA11811) Beethoven?s first sonata specifically intended for the ?hammerklavier? and the one that introduced his esoteric late style to the Piano sonatas.The acclaimedBeethoven specialist Jonathan Del Mar has consulted every known source for these critical Urtext performing editions. In addition he has analysed various copies of the prints published during Beethoven?s lifetime. The results of his accurate research are presented in a meticulously edited musical text at the cutting edge of scholarship together with a detailed Critical Commentary.All volumes stand out in terms of their elegant and well-presented layout. Special emphasis has been placed on optimum page-turns and on the consideration of the flow of the music. The highly informative Introductions on the genesis and significance of the works are supplemented by valuable notes on historical performance practice.New critical performing editions at the cutting edge of scholarship.Optimum page-turns.Introductions with valuable notes on historical performance practice (Eng/Ger) and Critical Commentaries (Eng).

Between 1996 and 2000 Bärenreiter published scholarly-critical editions of Beethoven's Nine Symphonies edited by the first class musicologist Jonathan Del Mar.The editorial process was a huge undertaking because of the complex source situation regarding Beethoven's Symphonies culminating in the Choral Symphony (No.9) which came down to us in nearly 20 different sources. So it was not surprising that Bärenreiter's new Urtext edition caused a considerable stir in the music world.Since publication Del Mar's edition enjoys the unabashed praise of conductors performers and critics alike and has become the most widely used publication of the BeethovenSymphonies which can be heard not only every day in concert halls but also on CD recordings by John Eliot Gardiner David Zinman Jos van Immerseel and Claudio Abbado.Full scores study scores and complete performance material to Beethoven’s Nine Symphonies are available for sale.

Les flûtistes sont toujours heureux de trouver des 'uvres pour musique de chambre dont l'instrumentation originale comprend leur instrument. Ainsi se réjouiront-ils sans doute de la présente édition urtext du trio pour piano flûte et basson de Beethoven. Cette édition s'appuie sur la partition de la nouvelle édition complète des 'uvres de Beethoven. Beethoven a probablement écrit ce trio concertant virtuose dès l'âge de 15 ans. La singularité de cette formation s'explique par le fait que la composition était destinée à la famille Westerholt-Gysenberg. Le baron Westerholt-Gysenberg jouait du basson son fils de la flûte et sa fille Maria Anna Wilhelmine était l'élève deBeethoven au piano. De la musique de chambre ravissante!

String Quartet F major op. 135-Beethoven’s Op. 135 one of the last works he composed is equally famous for its compositional clarity and for the inadequacy of previous editions. The problem lies in the surviving sources forBeethoven’s autograph score contains a great many contradictions compared to his autograph set of parts. In 1827 after Beethoven’s death the German publisher of the first edition posthumously ironed out thesediscrepancies as he saw fit and later editions simply adopted his interventions. Rainer Cadenbach’s volume is the first attempt to produce an authoritative text for Op. 135. Beethoven’s contradictoryformulations are laid bare allowing musicians to make their own decisions.

Between 1996 and 2000 Bärenreiter published scholarly-critical editions of Beethoven's Nine Symphonies edited by the first class musicologist Jonathan Del Mar.The editorial process was a huge undertaking because of the complex source situation regarding Beethoven's Symphonies culminating in the Choral Symphony (No.9) which came down to us in nearly 20 different sources. So it was not surprising that Bärenreiter's new Urtext edition caused a considerable stir in the music world.Since publication Del Mar's edition enjoys the unabashed praise of conductors performers and critics alike and has become the most widely used publication of the BeethovenSymphonies which can be heard not only every day in concert halls but also on CD recordings by John Eliot Gardiner David Zinman Jos van Immerseel and Claudio Abbado.Full scores study scores and complete performance material to Beethoven’s Nine Symphonies are available for sale.