Par CAVALLI FRANCESCO. In 1662, Cavalli’s career was at its zenith. The two dozen operas he had written for Venice had helped establish Venice as the world’s first operatic superpower. “Scipione Affricano” (Venice 1664), Cavalli’s first opera after returning from France, was one of his most successful compositions. In a period that valued new works over familiar ones, “Scipione” was one of a handful of operas to live on after its premiere season: it was revived eight times and chosen to inaugurate Rome’s Teatro Tordinona in 1671. Cavalli’s librettist, Nicolò Minato, was inspired by historical accounts of the life of the Roman general Scipio, whose defeat of Carthage in 202 BCE earned him the honorary agnomen “Africanus.” In setting Minato’s libretto, Cavalli drew upon the lyrical gifts that have made operas like “La Calisto” and “Giasone” so popular today. But at the same time “Scipione Affricano” also shows the composer embracing aspects of his two years in France, and responding to musical changes that, in the 1660s, were rapidly altering the face of Italian opera: the growing dominance of arias, a clearer sense of aria organization, and increased interplay between voice and instruments. The first goal of this edition is a practical one: to develop a version of the opera suited to the needs of both professional and student performers. A second goal is to reconstruct the opera’s complete performance history. An amply documented appendix reconstructs earlier versions of 21 arias. Other appendices print the surviving additional music from revivals in Rome and Venice. The edition is framed by a substantial Introduction, covering the drama, the musical style, the composition, premiere, and revivals, and a guide for performance today, plus a detailed “decoding” of the sources. - series Francesco Cavalli – Opere / Date parution : 2022-11-08/ Répertoire / Opéra

Par CAVALLI FRANCESCO. La Calisto is an opera by Francesco Cavalli from a libretto by Giovanni Faustini based on the mythological story of Callisto. This is the vocal score and piano reduction, with English translation by Geoffrey Dunn and German translation by Karl Robert Marz.  / Vocal Music / Répertoire / Voix

Par CAVALLI PIER FRANCESCO. Francesco Cavalli's beautiful Salve Regina, arranged here for ATTB Chorus with Keyboard Continuo. This Vocal Score edition has been edited by Raymond Leppard./ Répertoire / Basse, Alto, Ténor et Piano

La plupart des enseignants de la voix et des chanteurs préfèrent toujours la pianistique, merveilleusement gratifiante arrangements de ce matériau italien début faite par Alessandro Parisotti dans les années 1880. Cette nouvelle édition, nouvellement fait des recherches et gravé, comprend l'original Schirmer 24 'plus quatre chansons supplémentaires : Sento nel core (a. Scarlatti), O leggiadri occhi belli (anonyme), Intorno all'idol mio (Cesti), Delizie contente, che l'Alma beate (Cavalli). Avec IPA, mot pour mot traductions et des informations historiques sur chaque chanson et compositeur. Le CD comprend des accompagnements piano et enregistré les leçons de la prononciation. / Chant Et Piano

La plupart des enseignants de la voix et des chanteurs préfèrent toujours la pianistique, merveilleusement gratifiante arrangements de ce matériau italien début faite par Alessandro Parisotti dans les années 1880. Cette nouvelle édition, nouvellement fait des recherches et gravé, comprend l'original Schirmer 24 'plus quatre chansons supplémentaires : Sento nel core (a. Scarlatti), O leggiadri occhi belli (anonyme), Intorno all'idol mio (Cesti), Delizie contente, che l'Alma beate (Cavalli). Avec IPA, mot pour mot traductions et des informations historiques sur chaque chanson et compositeur. Le CD comprend des accompagnements piano et enregistré des leçons de prononciation / Chant Et Piano / Partition + Cd

L'incoronazione di Poppea, Claudio Monteverdi's final opera, had a formative impact on the evolution of this genre. Yet its convoluted source situation makes it one of music history's great enigmas. There are practically no references to the original version that Monteverdi performed in Venice in 1643, as the score has not survived.To celebrate the 450th anniversary of Monteverdi's birth, this operatic masterpiece is appearing in an edition close to the presumed original. The new edition is based on the score prepared in Venice and found among the possessions of Francesco Cavalli. This scholarly edition came about due to a remarkable project at the University of North Texas - it was compiled and edited by Hendrik Schulze and his students on the basis of the latest research findings concerning source evaluation, performance practice and the historical context. - Detailed Introduction to questions regarding sources and interpretation (Eng/Ger) - Extensive critical apparatus (Eng) - Libretto edited by Nicola Badolato with text translations (Ital/Eng/Ger) - Appendix with alternative readings from the Naples source / Voix Et Orchestre

Par CAVALLI PIER FRANCESCO. Raymond Leppard's realization of Cavalli's Magnificat for double chorus and orchestra of trumpets, trombones, strings and keyboard continuo./ Répertoire / Chorale

Par CAVALLI PIER FRANCESCO. Stage Works Vocal Scores/ Répertoire / Voix

Par CAVALLI PIER FRANCESCO. Mass for double SATB soli or semi-chorus, SATB chorus, 2 cornetti, 3 trombones, harpsichord, 2 organs and strings. Text: Latin./ Répertoire / SATB

Par CAVALLI PIER FRANCESCO. Wonderful string writing from Monteverdi's successor. / Niveau : Difficile / Répertoire / Musiclet Publications

Par CAVALLI PIER FRANCESCO. Stage Works Vocal Scores/ Répertoire / Voix

EDIZIONE CRITICA A CURA DI FRANCESCO BUSSI / Voix Et Piano

/ Conducteur

Wonderful string writing from Monteverdi's successor. / Ensemble A Cordes

Wonderful string writing from Monteverdi's successor. / Ensemble A Cordes

Wonderful string writing from Monteverdi's successor. / Ensemble A Cordes

Par LEOPOLD SILKE / REDEPENNING DOROTHEA / STEINHEUER . / Livre / Divers

Acteurs : Ivor Bolton, Luca Pisaroni, Veronica Cangemi, Anna Bonitatibus, Anna Maria Panzarella Réalisateurs : David Alden Format : Couleur, Sous-titré, NTSC Langue : Français, Italien, Allemand, Anglais Région : Toutes les régions Rapport de forme : 1.78:1 Nombre de disques : 2 Studio : Opus Arte Date de sortie du DVD : 28 janvier 2010 Durée : 261 minutes

Editée au début de l'année 2011, la partition ayant pour titre LIRICHE - ART SONGS: ARIE ANTICHE - VOLUME 4 (PARISOTTI) PER CANTO E PIANOFORTE est appréciée par tous les amateurs de Chant/Vocal/chOeur. A découvrir sans plus attendre!!! / Chant Et Piano / 72 pages / Partition + Cd

Most voice teachers and singers still prefer the pianistic, wonderfully gratifying editions made by Alessandro Parisotti (1853-1913) of early Italian arias. This newly researched edition, with updated composer attributions, features new, clean music engravings. The collection includes the original contents of 24 Italian Songs and Arias of the Seventeenth and Eighteenth Centuries plus four additional Parisotti editions. Also includes international phonetic alphabet for each song text, word for word translations for study, historical introduction for each aria, and a preface on Parisotti and his approach to this music. This compilation includes the High, Medium High, Medium, Medium Low, and Low editions in one book, perfect for teacher reference. / Voix Et Piano

/ Voix Et Piano