Jazz Play-Along Vol.13. Par ADDERLEY CANONBALL. Intermediate level, c'est un album avec un son heureux ! La section rythmique vraiment prend en charge et ouvre la voie, ce qui rend chaque piste vraiment swing. Tous les membres de la section des ryhthm trois ont joué avec le quatuor de Cannonball Adderley, donc vous sont d'obtention de la source de l'aut ! Mélodies accrocheuses, bluesy riffs et changements de hanches sont la caractéristique de cet ensemble. Découvrez ce que ' groovin 'est vraiment tout ce sujet ! C'est vraiment un plaisir ensemble et il n'est pas difficile de faire la grève un sillon tout en jouant avec l'enregistrement. Ronnie Mathews, piano - ones, bass - et Louis Hayes à la batterie ont tous joué avec le Quintette du boulet de canon. / Rép International / Recueil / Tout Instrument

for Pianists and Jazz Musicians-The Art of Modulating is a treatise originally intended for the harp but this edition has been edited for use by intermediate keyboardists and other musicians who have an understanding of basic music theory.In its pages you will find: table of intervals; modulation rules; modulation formulas; examples of modulation; extensions and cadences; ten fragments of dances; five characteristic pieces; and more.

Intermediate/Advanced. 15 jazz favorites recorded on one of the finest jazz labels. Captures the spirit, sound, and soul of the Blue Note* era a variety of tunes spanning the entire spectrum of a standard jazz player's bag. Composers include John Coltrane, Wayne Shorter, Stanley Turrentine, Freddie Hubbard, Joe Henderson, Chick Corea, and more! Includes selected written harmony parts. Rhythm Section: Hal Galper (p) Steve Gilmore (b) Bill Goodwin (d), Drums Includes: # Recorda-Me # El Toro # One For Daddy-O # Blue Train # Shirley # Lazy Bird # Inner Urge # Moment's Notice # Locomotion # Isotope # Home At Last # Marie Antoinette # Crisis # Ceora # Chick's Tune # and more! *BLUE NOTE is a registered trademark of Capitol Records, Inc. Used by permission.

Intermediate/Advanced. Harmonically speaking, Bill Evans remains one of the most influential musicians and composers in jazz. His compositions are among the richest and most original, laced with beautiful, lush alterations and passing chords. This set represents a sampling of Bill's illustrious career from Waltz For Debby, written in 1954, to Laurie, composed in 1979. Others provide unique challenges and give valuable insight into Bill's creative genius. The rhythm section skillfully plays each composition in the Bill Evans style, including his favorite piano voicings. All to provide you with a realistic sense of the Bill Evans mystic. Rhythm Section: Dan Haerle (p) Todd Coolman (b) Steve Davis (d) Includes: # Waltz For Debby # Walkin' Up # Laurie # Peri's Scope # Funkallero # Turn Out The Stars # Very Early # Interplay # Time Remembered