Par PETERSON MEG. La musique Gospel est ancré dans la tradition populaire de l'Amérique. C'est la musique de l'âme et et apparaît partout où les gens se réunissent pour exprimer leur joie spirituelle. Instruments folk tels que la guitare, banjo, mandoline, ukulélé et autoharpe prêtent à ce genre de chant de groupe. Ils peuvent fournir des accompagnements simples ou transporter la mélodie dans un petit groupe d'un renouveau complet. Les mélanges de harpe à bien avec l'esprit et les harmoniques de ces hymnes. La première section de cet ouvrage est contre pour pianoter simple. La seconde section est organisée pour la mélodie, jouer, avec les numéros de la chaîne indiquée. Une collection populaire qui comprend 69 chansons ! / Niveau : Débutant à Intermédiaire / Sacred - Songbooks / Recueil / Harpe

Par BLUESTEIN EVO. La partie i de cette méthode hautement considérée comprend la théorie de la musique de base et les détails de la méthode de 4 étapes facile d'Evo. Partie deux comprend rythmique pianoter des instructions, des changements de corde de mélodie, et paroles de 18 well-known American folk songs et sud fiddle tunes dans les clés de G, F, ut majeur et un modal (clés qui sont fournis sur la norme 12, 15 et 21 bar harpes). Instructions pour transposer aux autres clés sont également inclus. Toutes les chansons sont inclus sur un CD solo performance aux fins de formation de l'oreille et de l'accompagnement. / Niveau : Débutant / Acoustic Music - Methods / Méthode / Harpe

Une collection cueillies à la main des plus beaux airs anciens et danse tunes provenant des pays ' Celtic '. La musique a été aménagée pour harpe facile, mais elle est adaptée pour Piano et clavier ou la plupart des autres instruments mélodie. Une grande variété de styles et de saveurs sont inclus dans ce livre, et c'est un complément parfait du répertoire d'un musicien qui s'intéresse à la musique de la harpe. Cela représente les différents modes et approches de musiciens en Irlande, Bretagne, Angleterre, pays de Galles, Cornwall et l'île de Man. / Harpe Celtique

Cette belle collection se compose de vingt-cinq des meilleurs airs écossais et Dance Tunes. Synonyme de l'Ecosse et les Highlands, ce sont des pièces évocatrices et agréable et un merveilleux ajout au répertoire de tous musicien. Arrangé pour piano facile, Claviers, harpe ou accordéon, mais les réglages simples signifie pas qu'ils peuvent être lus par la plupart des instruments mélodiques. Inclus dans ce livre sont faits saillants tels que O Waly, Waly, Les Hoose Auld et Song Loch Tay bateau. / Clavier / 36 pages / niveau : Facile / Partition

Book 2-Christopher Norton is well-known throughout the world for his compositions for piano particularly the Microjazz series published by Boosey and Hawkes and Connections for Piano published by 80 Days Publishing. His music is popular with piano students as well as professional performers because he writes well for the piano has a subtle blend of jazz pop and classical influences and has a distinctive style of writing that appeals to a wide range of audiences. The Microjazz Collection books have for many years been a favourite with teachers because they contain such a variety of styles some specific some quirky combinations of the composer???s own devising. The melodiesare attractive and sometimes unpredictable with modal and pentatonic elements often featured. These arrangements from the Microjazz Collection for lever harp will bring these stimulating pieces to a whole new audience.

The original version for solo soprano and SATB choir appeared on Patrickâ??s debut album Blue in Blue. It was subsequently recorded by Hayley Westenra for her Number-One-selling album Odyssey and in 2014 by Voces8 choir to produce a version for them which featured on their Number-One-selling album Eventide. Arranged here for lever harp from the piano version by Elinor Evans the music reflects the heartfelt longing for the joys of heaven a happiness to be shared in a future moment of meeting expressed in the words.

versione originale per arpa. Milan, 1990 I was writing a series of piano pieces. I had a goal: to remove, and leave space. The title refers to the poetic stanzas but also to invisible spaces to be inhabited with the mind. One day my friend Cecilia Chailly calls me and asks me if I have a harp piece for her to play. I give her Vega to try. Two days later I go to her house to listen and, with mutual enthusiasm, I give her all the pieces that we will soon be recording. Cecilia will perform them in concert on various and memorable occasions. Here, I would like to express my profound thanks for her heartfelt help in correcting this new harp edition. (L. Einaudi)

Yiruma is a popular pianist and composer from South Korea. This beautiful Piano composition was originally released on his 2001 album entitled ?First Love ? and has become an international hit. This sheet music includes two solo Harp arrangements by Sylvia Woods. The first is in the key of G and can be played on a Pedal Harp or a Lever Harp with 2 octaves below middle C. The arrangement in the key of C can be played on various size Harps.

A flexible album of popular melodies for solo Harp or Flute/Oboe/Recorder/Violin/Harp with Harp/Piano accompaniment. Re-typeset in 2015 for this new edition.

The original version for solo soprano and SATB choir appeared on Patrickâ??s debut album Blue in Blue. It was subsequently recorded by Hayley Westenra for her Number-One-selling album Odyssey and in 2014 by Voces8 choir to produce a version for them which featured on their Number-One-selling album Eventide. Arranged here for pedal harp from the piano version by Elinor Evans the music reflects the heartfelt longing for the joys of heaven a happiness to be shared in a future moment of meeting expressed in the words.

Two solos in jazz idiom for pedal or non-pedal harp-Two solos in the jazz idiom for Pedal or Non-Pedal Harp by Stewart Green. Stewart Green began writing music for the Piano at an early age. Taking up the Viola and Oboe in his teens he later went to the University College of North Wales (Bangor) where he studied composition with among others William Matthias and Reginald Smith Brindle. Gaining a B. Mus. (hons) degree in 1960 he returned to his old school in Richester to teach class and instrumental music. Four years later he enlisted as oboist to the Band of HM Coldstream Guards which opened many doors including performances of his compositions and arrangements in many National venues on discand broadcast by the BBC on Radios 2 & 3. His years at Bangor had enabled him to fulfil a childhood dream of learning the Harp which he was later able to develop when he left the army and moved with his wife Sue and young family to Lowestoft as a peripatetic woodwind tutor for Suffolk County Music Service. His Flights Of Fancy and Blistering Along! appear on ABRSM and Trinity College Harp examination syllabuses while the Spartan Press publication Saxofun is on Suffolk's own exam syllabus. Since 1999 Stewart has been senior Woodwind Tutor for Suffolk and since 2002 Harp tutor as well! Stewart's recent publication She'll Be Comin' Round The Mountain was written for the North Suffolk String Orchestra as was Haunted House. Spookily this received its first performance at Lowestoft accompanied by a July Thunderstorm!

Par DEFAYE JEAN-MICHEL. 5'30 / Niveau : Cycle 3 / Musique Instrumentale / Répertoire / Harpe