Par DUPARC HENRI. 13 pieces for Medium Voice and Piano by Henri Duparc. / Niveau : Moyen / Répertoire / Chant et Piano

By Popular Request includes thirteen superb arrangements of classic popular songs for mixed voice choirs. The selection covers a wide range of styles and moods so choirs will be sure to find the right piece to provide a light selection in a concert programme or simply as an encore!Selected and edited by Ralph Allwood one of the UK's most distinguished choral directors.

Ed. critica di M. Talbot - Riduzione per canto e pianoforte di A. Frigé-The present volume contains all three settings by Vivaldi of the Marian antiphon Salve Regina that have come down to us. All three are for solo voice: soprano in the case of RV 617 and contralto in that of RV 616 and RV 618. The last two settings are scored for two instrumental cori and introduce woodwind instruments respectively a flute and a pair of oboes whereas the instrumentation of the first is confined to strings disposed in a single coro although a solo violin is employed in three movements. RV 617 preserved in a non-autograph source in Brno belongs to Vivaldi's first period of sacred music composition at the Pietà (1713-1717) while RV 616 and RV 618 are works of his maturity dating from the years around 1730. RV 617 is laid out in four movements RV 616 and 618 in six movements. All three works are noteworthy for the tenderness of their expression and skilful writing for both the voice and the instruments. The Introduction and Critical Commentary for these vocal scores prepared by Antonio Frigé are closely based on those of the Critical Editions by Michael Talbot published in 1998 1990 and 1994.

Lat. partition vocale. Cette édition est basée sur l'édition complète de Schubert Breitkopf and Härtel qui a été révisée et meublées avec texture critique par e. Mandyczewki. Hormis l'articulation et le souffle marques, qui doivent être prises comme suggestions facultatives marquages seules, editorial quant à l'exécution ont été évités. Les marquages dynamiques ont été ajoutées dans quelques cas isolés où implicite par des indications de Schubert. / Travaux Pour Choeurs

Ed. Critica M. Talbot - Riduzione Per Canto E Pianoforte Di A. Frigé. Par VIVALDI ANTONIO. RV 588 is Vivaldi’s ‘other’ Gloria, a composition having many parallels with Vivaldi’s better-known setting of the same text (RV 589). It dates similarly from the period 1713-1717, when the composer was acting choirmaster at the Ospedale della Pietà in Venice. It even borrows from the same work, a slightly earlier Gloria by the Venetian amateur composer Giovanni Maria Ruggieri, for its closing fugue. However, the present Gloria, RV 588, departs from its more famous counterpart in ingeniously combining its opening movement with the final movement of a specially designed introductory motet, Jubilate o amoeni chori (RV 639/639a), for solo contralto (or soprano) and strings, although Vivaldi makes it possible, through optional cuts indicated in the autograph manuscript in Turin, to perform the Gloria alone. With or without its Introduzione, RV 588 is a masterly work with many memorable moments, not least in its heartfelt second movement set to the words “Et in terra pax”. The Introduction and Critical Commentary for this vocal score prepared by Antonio Frigé are closely based on those of the Critical Edition by Denis Arnold and Michael Talbot, published in 1990. / Niveau : Intermédiaire / Répertoire / Voix et Piano Réduction

Par JANSSON MARTEN. “De sancto Pelagio et sancto Theodolo” is a transcription of a composition originally conceived for choir and large orchestra. The texts, which stem from the liturgical chants “Cantionale” by Thomas Kress, serve as a medieval sacred counterpart to the texts of Carl Orff’s “Carmina Burana”. The composition tries to capture the same archaic feel as “Carmina Burana” but with a more solemn sacral atmosphere. / Niveau : 3 / Feuillet / Choeur Mixte (SATB) et Orgue

Par PERGOLESI GIOVANNI BATTISTA. Scored for Solo Voices, Mixed Chorus and Orchestra. This edition prepared by Virginia Stroh and Buryl Red. / Niveau : Intermédiaire / Musique religieuse / Répertoire / Voix

Motet for 4 Voices, 2 Violins, Viola, Bass and Org. Par MOZART WOLFGANG AMADEUS. Motet For 4 Voices, 2 Violins, Viola, Bass And Org / Niveau : 3 / Classique / Répertoire / SATB + Accompagnement

Chanteur et compositeur italien Gregorio Allegri est probablement mieux connu pour son réglage de Miserere mei, Deus, pour neuf voix. Un travail relativement simple mais satisfaisante, cette édition comporte le texte original latin. / Voix

Arr. Jurjen Hempel. Par MOZART WOLFGANG AMADEUS. / Niveau : 3 / Classique / Répertoire / TTBB et Piano

L'oeuvre musicale qui a pour support une Partition a pour titre Mendelssohn On Wings Of Song Voix/Piano. C'est une partition musicale composée par Mendelssohn Felix et qui est destinée aux joueurs de Chant/Vocal/Choeur. Le détail de l'instrumentation Chant Et Piano vous permettra de savoir si cette partition correspond bien à ce que vous cherchez. Son style Classique vous permettra de découvrir ô combien la musique Classique est belle et enrichissante. / Chant Et Piano / Partition

20Th Century French Art Songs For High Voice And Piano. Mélodies françaises du XXe siècle est un recueil de la collection ' Musique vocale française ', dédiée au grand répertoire vocal français et destinée aussi bien aux étudiants qu'aux professeurs et chanteurs professionnels. Les plus celèbres mélodies françaises du XXe siècle y sont présentées, dans leur tonalité originale ou bien transposées. / Niveau : Intermédiaire / Recueil / Voix Hautes et Piano