ED. G.F. Malipiero. Par VIVALDI ANTONIO. Testo Latino (Malipiero)/ Répertoire / Matériel D'Orchestre

Laetatus Sum. Par VIVALDI ANTONIO. The 121st Psalm of the Vulgata forms part of the Roman Catholic liturgy for Vespers on the feast da of a virgin (namely, the Virgin Mary). Vivaldi's setting, given its first edition, is one of his simplest psalm statements that have come down to us. / Date parution : 1984-08-01/ Répertoire / Choeur SATB, Violon, Alto et Basse Continue

Motette. Par MOZART WOLFGANG AMADEUS. Motet of an unknown arranger [ca. 1820], based on th Adagio of the Serenade KV 361 [Gran Partita]. The motet Quis te comprehendat, K-Anhang 110, is based on the Adagio in Mozart’s Wind Serenade K. 361, the “Gran Partita. ” The arrangement of this instrumental movement with the addition of a four-part choir deserves to be regarded as a successful example of the practice of parody, on a higher level than many less accomplished arrangements of the period. As in most of those cases the identity of the arranger is unknown, but his sensitive treatment of the original points to a gifted musician. Characteristic accompanying figures are given to the strings, while the solo violin andthe organ appear melodically. The homophonic choral setting, whose Latin words are a religious song of praise with no specific liturgical connection, is based on the works harmonic substance. The vocal parts follow the framework and compactly fill out the accompanying instrumental writing. / Mottet / Répertoire / Choeur SATB, 2 Cors, Violon Solo, 2 Violons, Alto,

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists./ Répertoire / Choeur SATB, 2 Violons, Alto et Violoncelle ou Con

Laetatus Sum. Par VIVALDI ANTONIO. The 121st Psalm of the Vulgata forms part of the Roman Catholic liturgy for Vespers on the feast da of a virgin [namely, the Virgin Mary]. Vivaldi's setting, given its first edition, is one of his simplest psalm statements that have come down to us. / Psaumes / Date parution : 1984-08-01/ Répertoire / Choeur SATB, Violon, Alto et Basse Continue

Kantate Zum 1. Advent. Par TELEMANN GEORG PHILIPP. In der vorliegenden Kantate ist die Idee des Erklingens mehrerer Kirchenlieder in einem einzelnen Werk präsent. Im Eingangssatz, wo Telemann neben der zeilenweise von Sopran und Alt vorgetragenen Melodie von 'Kommt her zu mir, spricht Gottes Sohn' in den von Tenor und Bass ausgeführten Zwischenspielen die einzelnen Melodiezeilen des Liedes ' Nun komm, der Heiden Heiland' eingeflochten hat. Und am Ende der Sopranarie 'Ich bin ja dessen gar nicht wert' wird das Lied 'Nun komm, der Heiden Heiland' ein weiteres Mal aufgegriffen. / Date parution : 2001-09-01/ Répertoire / Choeur SATB, 2 Violons, Alto et Basse Continue

Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloists (AB) Chorus (SATB) Flute 2 Oboes 2 Trumpets Strings Continuo BA 4263I will magnify thee HWV 250b for Soloists (SATB) Chorus (SATB) Oboe Strings Continuo BA 4264As pants the hart HWV 251e for Soloists (SAATBB) Chorus (SAATB) 2 Oboes Strings Continuo BA 4265Let God Arise HWV 256b for Soloists (AB) Chorus (SATB) Oboe Strings Continuo BA 4266Handel?s four anthems were all composed during his London period in the Chapel Royal. ?As pants the hart? his fifth setting of this Psalm text waswritten in March 1738 for performance at a benefit concert for the King?s Theatre in the Haymarket.Until just before Handel?s first visit to England the only instrument permitted to accompany the service in the Chapel Royal was the organ. These four works with their orchestral accompaniments thus represent something akin to a new genre in English church music.The four anthems are presented in clearly laid out vocal scores with straightforward piano reductions based on the Urtext from the Halle Handel Edition. Their enticingly varied and self-sufficient orchestral writing provides a suitable framework for the festive chorus and equally festive solo numbers. Today they sound as splendid as ever!The full scores and vocal scores also contain a German translation along with the original English text.

Mozart's short (46 bar) motet celebrating the feast of Corpus Christi was composed in 1791 while in the middle of writing his opera Die Zauberflöte. Scored for SATB chorus strings and organ lasting only about 3 minutes its serene simplicity makes it universally popular and it is considered to be one of the most beautiful pieces of music ever written.

Birthday Odes For Queen Mary Part II (Hardback)-Hardback Edition. Paperback edition available: NOV151024. Edited under the supervision of the Purcell Society by Bruce Wood.

The offertory “Misericordias Domini” K.222 (205a) has a special place among Mozart’s minor ecclesiastical works. A letter from Wolfgang to Padre Martini dated 4 September 1776 informs us that the piece was written in January or February 1775 in Munich at the request of the Prince Elector of Bavaria and was performed there on 5 March. Drawing closely on the carefully wrought works of Mozart’s Salzburg predecessors and incorporating a motif from Johann Ernst Eberlein’s “Benedixisti Domine” this contrapuntal masterpiece unites polyphony with expressive tension-laden harmonies. Unfortunately as the copy sent to Padre Martinicannot be located in Bologna the authenticity of the viola part is still open to question. - Urtext of the New Mozart Edition - Full score performance material (BA4789) and vocal score (BA4789-90) available for sale.

(Paperback)-Part one of the Royal Welcome Songs Purcell Society Volume 15. Edited under the supervision of the Purcell Society. Full Score. Instrumental and chorus parts are available on hire from the publisher. Hardback edition available: NOV151102-01.

Sacred Music Part 6 (Original Engraving)-Purcell Society Edition No.30 in original engraving.