'Close Harmony' offers unaccompanied arrangements of a variety of well-loved songs from the 1920's to the 1970's. Performances should work equally well with choirs or just four voices. Arranged by Nicholas Hare for SSAA. Helpful performance notes are included for each of the songs and the arrangements are notated on two staves for easy piano rehearsal.

Mbiri kuna Mwari est composée dans l'esprit de la musique chorale, entendue à la cathédrale épiscopale à Harare, au Zimbabwe, au cours de l'été 1993. Shona est la tribu de la majorité au Zimbabwe et sa langue. Le texte est la traduction Shona de la section d'ouverture de la Gloria de l'ordinaire de la messe. / 3 Parties Voix Aigues (SSAA) (En Partition Percussions)

Hamba Lulu is a fantastic addition to the choral repertoire in the Choral Programme series. It is a breath of fresh air in the classroom and for any choir wanting a new challenge. These stirring songs are additive so you can tailor performances to local resources increasing technical demand according to the experience of the choir. Easy to learn and sure to make an instant impact on audiences the songs tap into the rich seam of African culture and rhythmn. Set for SSAA upper voices with the option of adding percussion depending on your resources.

With the opportunity to feature several soloists, this arrangement is filled with inspiration and great energy from the beginning to the end. 'There's a great camp meetin' in the Promised Land!? / Choeur SSAA A Cappella

This poignant story about a young life lost too early touched listeners around the world when released by The Band Perry. This contemporary a cappella setting is an appropriate choice for those more reflective concert occasions. / Choeur SSAA A Cappella

Here is the treasured Franz Gruber folk carol as arranged by Philip Lawson for the King's Singers. Includes original German and optional English texts. Arranged for SSAA choir.

The intertwining of women’s voices in Gustav Holst’s Tears Idle Tears will lend an elevated atmosphere to any performance giving this secular piece an almost sacred character. It was written for a cappella female chorus (SSAA) in 1905 as the 3rd movement of the 5-movement suite ‘Songs From The Princess’ which was based on 5 thematic short poem’s from the British poet Tennyson’s long narrative poem ‘The Princess’ (1847). Performance time is approximately 2 minutes.As an experienced instrumentalist and orchestra member English composer arranger and teacher Gustav Holst understood music from the standpoint of his players and madesure that however challenging their parts were always practicable a compositional characteristic still well received and appreciated by performers and audiences today.

Rollo Dilworth Choral Series-Kevin A. Memley's The Time Of Roses for SSAA choir a cappella. This buoyant madrigal-like setting of the Thomas Hood text offers a wonderful opportunity for choirs to practice light andarticulate singing. There is wonderful contrast between the lively passages and lyrical legato sections.

Designed to showcase that special soloist in your choir this spiritual gets an upbeat a cappella treatment that allows for an optional audience sing- or snap-along. For SSAA a cappella this traditional piece has been beautifully arranged by Kirby Shaw.Also available for SATB a cappella - Catalogue No.: HL08666112

Newly arranged for SSAA choirs! Using jazz articulation in an exuberant spiritual style this original provides an exciting dimension to choral programming! Performance Time: Approx. 2:30.