This 60-page collection includes nine of our best-selling arrangements of recent years all for 3-5 octaves Level 2+. These solid traditional settings come from an array of composers and arrangers represent a wide range of styles and are useful throughout the church year. Single copies of these titles exceed the cost of one book which you can then reproduce for all your ringers! This 60-page collection includes nine of our best-selling arrangements of recent years all for 3-5 octaves Level 2+. These solid traditional settings come from an array of composers and arrangers represent a wide range of styles and are useful throughout the church year. Single copies of these titles exceed the cost of one book which you can then reproduce for all your ringers!

for 2-Octave Handbells-A step-by-step approach to the art of handbell or chime ringing for the non-reader or experienced musician.

A memorable earworm countermelody unifies three stanzas of the familiar hymn tune BROTHER JAMES' AIR. In the middle minor section the melody moves to the bass against thumb-damped treble chords. Then the countermelody returns and leads us to a final triumphant statement. This compelling arrangment assures us that the Lord truly is our Good Shepherd making it ideal for the Easter season as well as general occasions. A memorable earworm countermelody unifies three stanzas of the familiar hymn tune BROTHER JAMES' AIR. In the middle minor section the melody moves to the bass against thumb-damped treble chords. Then the countermelody returns and leads us to a final triumphant statement. This compelling arrangment assures us that the Lord truly is our Good Shepherd making it ideal for the Easter season as well as general occasions.

Opening with the ethereal sound of singing bells and suspended malleted bells this setting takes listeners and performers on a musical journey. The inspirational original 'B' section originates from the melody itself and leads to the return of the melody for a final stanza. This time accompanied by optional arpeggiated chimes. The composition concludes just as it started completing the musical journey with the heavenly sounds of the singing bell. Opening with the ethereal sound of singing bells and suspended malleted bells this setting takes listeners and performers on a musical journey. The inspirational original 'B' section originates from the melody itself and leads to the return of the melody for a final stanza. This time accompanied by optional arpeggiated chimes. The composition concludes just as it started completing the musical journey with the heavenly sounds of the singing bell.

A collection of 15 new compositions and arrangements as composed and arranged by Brian Balmages Quincy C. Hilliard and Les Taylor.

This is a perfect selection to open a worship service. The tune OLD 100TH better known to most people as the Doxology is given suitable Level 1 techniques of LV echo shake and martellato in this delightful setting in which everyone gets a turn at playing the melody at some point. This is a perfect selection to open a worship service. The tune OLD 100TH better known to most people as the Doxology is given suitable Level 1 techniques of LV echo shake and martellato in this delightful setting in which everyone gets a turn at playing the melody at some point.

I Wonder As I Wander based on John Jacob Niles's 'I Wonder As I Wander' and 'Kings Of Orient' by Jerome Hopkins arranged for Handbells (3-5 octaves) by Fred Gramann. Duration: 3minutes.

Sure to create a wonderful thought-provoking moment during Lent this setting provides a reflective backdrop for contemplating Christ's suffering and death on the cross. While rhythmically simple the haunting text is fully expressed through dynamics the inclusion of handchimes and incidental changes in tempo. Beginning and developing ensembles will have no trouble polishing this Level 1+ piece in limited rehearsal time. Sure to create a wonderful thought-provoking moment during Lent this setting provides a reflective backdrop for contemplating Christ's suffering and death on the cross. While rhythmically simple the haunting text is fully expressed through dynamics the inclusion of handchimes and incidental changes in tempo. Beginning and developing ensembles will have no trouble polishing this Level 1+ piece in limited rehearsal time.

This original composition sparkles as syncopated rhythms shakes and stopped techniques make your toes tap and your feet want to dance. Mallets martelatte thumb damp and shakes bring this song alive making it a perfect festival or worship opener. This original composition sparkles as syncopated rhythms shakes and stopped techniques make your toes tap and your feet want to dance. Mallets martelatte thumb damp and shakes bring this song alive making it a perfect festival or worship opener.