Par TELEMANN GEORG PHILIPP. Each sonata is written in a three movement form (fast-slow-fast), and are equally successful and satisfying when played by any two instruments of matching pitch.Editorial metronome markings, articulation and dynamics have been suggested throughout. They, along with trills and other ornaments, may be adjusted as desired. The music should be interpreted in strict Baroque style. / Niveau : Avancé / performance score / Répertoire / 2 Saxophones

Contest And Festival Performance Solos for Alto Saxophone contains 12 beloved solos that appear on numerous state contest and performance lists. This collection features solos by noted saxophonists and arrangers Sigurd M. Rascher Larry Teal and Daniel Dorff. It contains such solos as Gavotte by Johann Sebastian Bach Eccles' Sonata and Pachelbel's CanonComplete with Piano accompaniments - both printed music within the book and as accompaniment audio tracks on the included CD - allowing soloists and students to practise effectively with a professional pianist.

L'oeuvre musicale qui a pour support une Partition a pour titre Sonata For Eb Alto Sax & Piano O. Nelson. C'est une partition musicale qui est destinée aux joueurs de Saxophone. Le détail de l'instrumentation Saxophone vous permettra de savoir si cette partition correspond bien à ce que vous cherchez. Son style Jazz & Blues vous permettra de découvrir ô combien la musique Jazz & Blues est belle et enrichissante. / Saxophone / Partition

Référence unique par son ISBN 73999912609 cette partition musique de Muczynski Robert n'est autre que Muczynski Sonata Op.29 For Alto Sax

Instrumental Play-Along-Great solo arrangements of beloved melodies from Bach Beethoven Brahms Gounod Debussy Handel Rossini Satie and more! Contains: Ave Maria ' Brandenburg Concerto No. 5 ' Caro Mio Ben ' Clair de Lune 'Funeral March of a Marionette ' Gymnopédie No. 1 ' Hallelujah Chorus ' Hungarian Dance No. 5 ' Minuet ' Piano Sonata No. 14 ('Moonlight') ' Pomp and Circumstance ' Symphony No.5 ' William Tell Overture.

after the quartet no. 15 in A minor for violin, viola, violoncello and guitar. Par PAGANINI NICCOLO. This beautiful Sonata for alto saxophone and piano by the ECHO Klassik Award winner Raaf Hekkema is a valuable addition to the saxophone repertoire. The piece is an arrangement of Niccolò Paganini's Quartet No. 15 in A minor (originally scored for violin, viola, violoncello and guitar)./ Répertoire / Saxophone Alto et Piano

Par YOSHIMATSU TAKASHI. D’une durée de 15 mn, Fuzzy Bird Sonata a été écrite par Takashi Yoshimatsu pour Saxophone Alto et Piano. Relativement difficile, cette pièce en trois mouvements conviendra à tout récital ou audition./ Répertoire / Saxophone en Mib et Piano

Sonata in three movements. Par LIEBMAN DAVID. Sonata In Three Movements/ Répertoire / Saxophone Soprano et Piano

Piano Reduction including solo part. Par DENISOV EDISON. The catalogue of Edison Denisov's works includes 16 concertos. It was a genre to which he returned time and again throughout his life, from the Concerto for Cello and Orchestra of 1972 to the Double Concerto for Flute, Clarinet and Orchestra of 1996. In Denisov's music the role of the soloist, or rather the protagonist, is extraordinarily important, not so much for its virtuosity as for its confessional character. The solo part is a monologue distinguished by poetic diction and a very personal message from the composer. The dramaturgical conception of the Concerto for Saxophone and Orchestra, a reworking of the Viola Concerto of 1986, draws on traditional sonata form, thereby reaffirming the ubiquitous classicism in Denisov's thought. In this late work, we find all the typical features of his style: sinuous melodic lines layered into dense contrapuntal textures, and an interplay of orchestral colours, with pure sonorities contrasting with complex mixtures of sounds. It is a perfect dramaturgy that governs the evolution of the music to the very end. The first movement assumes the role of a sonata-allegro, with the standard formal sections of exposition, development, recapitulation and coda. The second movement is an Adagio for strings. The third takes the form of a little contrasting intermezzo that introduces both new thematic material and a new range of colours. Here tunefulness gives way to pointillism enriched with sonic effects. The only movement with a virtuosic solo part, its nervousness and inner tension set it worlds apart from the second and fourth movements that surround it. The fourth movement assumes the traditional form of a final set of variations. It is the dramaturgical and semantic heart of the concerto. The theme of the variations is Franz Schubert's Impromptu in B-flat major, op. 142, which in this case is 'born' from the celesta as the product of a dodecaphonic string cluster. This finale represents Denisov's homage to his great mentor, Schubert's music being for him a symbol of eternal and universal beauty. 'The attentive listener', Denisov stressed, 'will recognise that the Impromptu theme is already suggested very slowly in the course of the three preceding movements, not only thematically, but also psychologically. That's what makes the appearance of the Schubert theme sound so natural.' The variations relate to the variation genre less in their form than in their spiritual and conceptual metamorphoses. It is, one might say, 'music round about Schubert'. (Ekaterina Kouprovskaia-Denisova)/ Répertoire / Saxophone Alto et Piano

The CD in this book/CD pack is playable both on your CD player and computer and it is also enhanced wtih tempo adjustment software for CD-ROM use. Contents: Allegro Appassionata (Saint-Saëns) ? Bourrée (Bach)? Cantilena (Goltermann) ? Hungarian Dance No. 1 (Brahms) ? Lament (Dvorák) ? Minuetto (Schubert) ? Playera (Granados) ? Romance (Schumann) ? Sarabande (Debussy) ? Scherzo (Beethoven)? Sleighride (Tchaikovsky) ? Song Without Words (Mendelssohn) ? Spanish Dance (Moszkowski) ? Violin Sonata (Grieg).

pour Alto Saxophone seul. Par RUEFF JANINE. Composed by Jeanine Rueff, Sonata for Alto Saxophone solo is a piece for advanced players lasting 12 and a half minutes. Written in 9 pages, this piece, quite challenging (tempo, key ranges), would be perfect for musicians of advanced level and above, while requiring some serious work to obtain the correct result. Wonderfully composed, very technical yet very lyrical, this piece is really enjoyable and can be used for recital or contests. Jeanine Rueff composed numerous pieces for Saxophones that were often used in contests, as well as many pieces for Saxhorn, Clarinet, Horn and Cornet./ Répertoire / Saxophone en Mib