Matériel : Partition
This huge collection offers instrumentalists the chance to play 101 classical themes, including: Ave Maria (Bach/Gounod and Schubert) - Bist du bei mir (You Are with Me) (Stözel) - Canon in D (Pachelbel) - Clair de Lune (Debussy) - Dance of the Sugar Plum Fairy (Txhaikovsky) - 1812 Overture (Tchaikovsky) - Eine Kleine Nachtmusik (' Serenade”), First Movement Excerpt (Mozart) - The Flight of the Bumble Bee (Rimsky-Korsakov) - Funeral March of a Marionette (Gounod) - Für Elise (Beethoven) - Gymnopedie No. 1 (Satie) - Jesu, Joy of Mans Desiring (Bach) - Lullaby (Brahms) - Minuet in G (Bach) - Ode to Joy (Beethoven) - Piano Sonata in C (Mozart) - Pie Jesu (Fauré) - Rondeau (Mouret) - Swan Lake (Tchaikovsky) - Wedding March (Mendelssohn) - William Tell Overture (Rossini) - and many more./ Recueil / Saxophone Ténor
SKU: AP.IFM0230CD
ISBN 9780757997334. UPC: 654979045427. 9x12 inches. English.
These traditional carols and Christmas classics will work perfectly for any Holiday event, services, concerts and more. The CD has both demonstration and play-along tracks. Titles include: Gesu Bambino, Themes from The Nutcracker Suite, Folk Carol Suite, Celebration Medley (Hallelujah Chorus, Joy to the World) and more. Also available: Piano accompaniment - Book only (AP.IFM0225).
SKU: FL.FX071385
During the short ternary intro, the two themes are depicted and then immediatly developped in binary with a mix of Jazz and Jazz Rock styles. The Twinning is exploited to make the most of it: in the title, the metric, the major tone and its relative minor, the themes, the chords, the characters attribute and the repeated notes in the melody. Listen to it !
SKU: BT.9780713670462
ISBN 9780713670462.
T en classical themes by the greatest composers have been arranged for a young Recorder ensemble. A selection of melodies by Mozart, Boccerini, Weber, Beethoven and more are presented here in full score for four descantRecorders with Piano accompaniment. The four parts vary in difficulty to suit a mixed-ability classroom group. An audio CD provides exemplary quality backing tracks and example performances for use in rehearsal or in concert.
Furthermore, a CD-ROM is also provided which is packed with parts for other Recorders, including 3 parts for treble/sopranino, 3 parts for tenor and bass parts for any C instrument.The selectionofworks will give young students vital first-time experience of Classical music-playing, and the pack contains everything you need for even the most unusual combination of instruments and abilities.
SKU: PR.411411980
UPC: 680160690671.
I love classic literature and movies based on the classics. Great plot lines, complex characters, and the power of love across social and economic boundaries displayed in multilayered stories. (And, of course, the corsets and crinoline.) Recent TV series like Netflix’s Bridgerton have succeeded in bringing these kinds of stories back to mainstream audiences, illustrating that their universal themes endure even today.Each sung monologue in LOVE AND LONGING is drawn from a climactic moment in a work of classic literature. “Whatever our souls are made of†contrasts Cathy’s frozen commitments to social expectation and detached feelings toward her fiancé Edgar Linton with her overwhelming love for Heathcliff in Wuthering Heights. In “Mr. Rochester,†Jane Eyre declares her feelings for her employer with uncommon familiarity and boldness. Finally, Mr. Darcy’s proposal to Elizabeth in Pride and Prejudice is reimagined with a Gilbert and Sullivan-like rhyme scheme, as Darcy humorously enumerates the reasons it would be foolish and improper for him to marryElizabeth, while asking for her hand. The first two texts are taken almost verbatim from passages in the novels, while the lyrics for “Darcy Proposes†are original, freely adapted from several passages.LOVE AND LONGING was conceived as a single work in three parts, to be performed in succession by three different singers. However, performances of the set by two singers instead of three, or of monologues as standalone pieces, are also permissible. The parts were originally written for soprano, mezzo-soprano, and baritone respectively, with alternate versions for mezzo-soprano, soprano, and tenor added later.These arias are well within reach for college students and young professionals, and draw on multiple musical traditions. Performer’s interpretations of the monologues will of course be enriched by reading the novels, and by watching the movies they inspired.
