EDITION : SCORE INSTRUMENTATION : TREBLE RECORDER, VIOLIN (FLUTE) AND BASSO CONTINUO DATE OF COMPOSITION: 1728 DURATION : 11' DATE OF PUBLICATIONS : 30/06/1976 NUMBER OF PAGES : 30 ARRANGER : DOFLEIN, ERICH SERIES : CONCERTINO

J.S. Bach: Violin Sonatas & Partitas arr. for Treble Recorder Solo by J.C. Veilhan - Volume 2.   Contains 3 Partitas: BWV1002 BWV1004 and BWV1006.

The names of the composers included here read like a ?Who is Who? of the heyday of Bohemian musicians and composers from the 18th and beginning of the 19th century. They include F. Benda J. Stamitz J. L. Dussek and J. B. Vanhal in their time names that were known throughout Europe and who predominantly worked at noteworthy courts in different countries. Today their music is largely overshadowed by that of Haydn Mozart and Beethoven. Yet the Bohemiansparticularly excelled as far as the violin sonata was concerned. Our two volume edition will provide the curious (and indeed already quite advanced) violinist with a colourful bouquet of worthwhile discoveries.

Concerto G-Dur, RV 312R für Flautino (Sopranino-/Altblockflöte oder Querflöte) und Klavier (Jean Cassignol) Das Flautino lässt sich heute in den drei authentischen Konzerten RV 443, 444 und 445 aller Wahrscheinlichkeit nach als eine Sopraninoblockflöte in f² identifizieren. Im Manuskript des authentischen dreisätzigen Violinkonzertes RV 312 ist die ausgestrichene Skizze eines Ur-Flautinokonzertes mit musikalisch anspruchsvollen Passagen erhalten geblieben. Eine Rekonstruktion im Bachschen Sinne von dem französischen Musikwissenschaftler und Blockflötisten Jean Cassignol liegt seit 1999 vor und ist nun als Klavierauszug erhältlich.

nach der Violinsonate F-Dur HWV 370. Par HAENDEL GEORG FRIEDRICH / HOFMANN KLAUS (Arr.). / Date parution : 2021-12-09/ Répertoire / Flûte à Bec Alto et Basse Continue

Sonate BWV 1014
Die sechs Sonaten für Violine und Obligato-Cembalo BWV 1014-1019 komponierte Bach vermutlich in seiner Köthener Zeit.
Es sind besondere Sonaten, denn sie sind in erster Linie für das Cembalo gedacht, mit Begleitung eines Melodie-Instruments. Nun hat Clémence Grégoire die Sonate BWV 1014 für Altblockflöte und Cembalo eingerichtet und so transkribiert, dass sie perfekt auf die Gegebenheiten der Blockflöte passt.
/ Partitions classique / Bois / Flûte à bec / HEINRICHSHOFEN

8 Easy To Intermediate Play-Alongs Of Well-Known Pieces From Ireland, Scotland, Wales, Cornwall And Brittany. Martin Tourish is an accordionist, composer and musicologist from Co. Donegal, now based in Dublin. Celtic music is in his blood, for his ancestors were noted collectors of dance music manuscripts dating back to the 19th century. With many recordings to his credit, he now offers his expertise to performers wishing to explore the rich culture of Irish and other Celtic music on a variety of instruments. 'World Music - Celtic” presents material from the Irish, Scottish, Welsh, Cornish and Breton traditions. It makes no great technical demands on the players, but Tourish points out that notation of this music is often 'skeletal”, hence it is important to gain a knowledge of the individual traditions in question and, naturally, he offers plenty of information on performance practice. The collection spans three centuries, from the blind bardic harpists of the 18th century to the international performers of the present day. Tourish accepts that this volume can only scratch the surface of a multi-faceted genre but hopes you will see it as a stepping stone to delve deeper into recordings, festivals and the very communities whence this music comes. 'World Music - Celtic” is available in eight formats, each with complete recordings and backing tracks on CD: as solo versions for violin, violoncello, flute, clarinet, saxophone, recorder or trumpet (with piano) and in an ensemble version for two melodic instruments (C, Bb or Eb), piano, guitar, bass and bodhrán. In addition to the alto recorder part, this edition also contains a part for soprano or tenor recorder. / Niveau : Facile à Intermédiaire / Recueil / Flûte à Bec Alto

Par VIVALDI / VEILHAN. As one of the great Baroque composers, Antonio Vivaldi 's (1678-1741) compositions remain hugely popular to this day. The Four Seasons is his best-known work and therefore, Jean-Claude Veilhan 's transcription for Recorder was well-received for making the highly acclaimed work more accessible. Vivaldi 's Four Seasons were originally published in 1725 as a Violin Concerto. Each movement's texture varies depending on which season it depicts. Veilhan 's adaption for Recorder includes articulation, phrasing and performance directions necessary to the instrument. For all aspiring solo Recorder players of the Baroque genre, Veilhan 's transcription of Vivaldi 's Four Seasons cannotbe missed./ Répertoire / Flûte à Bec Alto

These pieces have for the most part been taken from collections compiled and arranged by Alfred Moffat for Violin and Piano. Originally composed during the periond when the Recorder was a favourite instrument in England it can be assumed that many of these pieces were actually composed for the instrument.

These three pieces can serve perfectly well as a suite of sonatas - a coherent but varied whole - although in their original form they are unrelated. The adaptations have been kept to a minimum so that the true Bach is still abundantly present in the music. Contains: Prelude XXII from The Well-Tempered Clavier • Adagio (originally from the Sonata for violin and obbligato harpsichord in B minor BWV 1014) • Allegro from the Sonata for viola da gamba and harpsichord BWV 1028.

Famous classical pieces for Melody Instrument in C (Violin/Recorder/Flute/Oboe) with accompaniment CD / Instrument En Ut

for Violin Solo-J.S. Bach's 11 Movements From The Sonatas And Partias BWV 1001-1006 arranged for Treble Recorder.

For Treble Recorder (Flûte, Violin) And Basso Continuo. Par VERACINI FRANCESCO MARIA. / Répertoire / Flûte à Bec Alto ou Flûte Traversière ou Violon et