Matériel : Partition + CD
Deluxe 2-CD Set-This book/CD pack provides a wonderful introduction to Baroque chamber music for the amateur or professional musician. Features sonatas and trios by Telemann Loeillet and Sammartini ideal for alto recorder flute violin or oboe. Contains printed music score and two compact discs (with accompaniments only) in stereo. Accompaniment: LaNoue Davenport and Mark Davenport alto recorders Judith Davidoff viola da gamba Edward Smith harpsichord
SKU: HL.49003829
ISBN 9790001038348. UPC: 073999854268. 11.0x7.5x0.09 inches.
SKU: HL.48188229
UPC: 888680854638. 7x10.5 inches.
25 Duos from the 16th to the 18th Century.
SKU: HL.48188232
UPC: 888680854669. 7.0x10.5x0.244 inches.
28 Duos from the 14th to the 18th Century.
SKU: FZ.50501
ISBN 9782841691692. 17.00 x 24.00 cm inches.
Delve into the memory of music with the Mnemosis collection from Anne Fuzeau Classique. The recorder enjoyed its golden age from the late 17th century to the first half of the 18th century. Not only was the instrument part of the orchestra of kings and the theatre companies of major town in Europe, but it also contributed to the enjoyment of small, intimate performed in the Chateaux and residences of the flourishing bourgeoisie who were eager to listen to music. it is mainly for this public that an enormous number of scores were printed in order to satisfy the growing circles of music lovers. Everything was printed, from erudite to fashionable music, from church to chamber music, to please all tastes and styles. until now, no bibliography of music for the flute, printed during the period when this instrument enjoyed so much popularity, has been published. This bibliography helps to identify over one thousand titles of works composed directly or indirectly for the recorder. this work makes it possible to locate and, therefore, learn all about a vast musical repertory that has been lying dormant on the shelves of librairies, just wainting to be discovered. Summary: Introduction. Liste des abreviations. Liste des bibliotheques avec leur abreviations. A : Oeuvres pour la flute a bec. B : Oeuvres qui peuvent aussi se jouer sur la flute a bec. C : Recueils. D : Oeuvre didactiques. Index par instrument. Bibliographie.
SKU: GI.G-M585
English.
This major band method by James O. Frosethhas it all:* Artist performers set musical standards in sound with more than 80 great performanceson CD for every instrument, and one CD lasts for the entire book! Performers include Michael Henoch (Chicago Symphony Orchestra), Randall Hawes, Jeffrey Zook, Sharon Sparrow, Kevin Good (Detroit Symphony Orchestra), Albert Blaser (Cleveland State University), Brian Bowman (Duquesne University), Timothy McAllister (Crane School of Music, SUNY at Potsdam), Steve Houghton (LA percussion recording artist and clinician), Donald Sinta, Richard Beene, Bryan Kennedy, Debra Chodacki, Fritz Kaenzig (University of Michigan), Kristin Beene (Toledo Symphony Orchestra), and Jean Moorehead Libs (Plymouth Symphony Orchestra).* Professional studio backgrounds capture the rich diversity of American music culture with a repertoire of American, Latin American, African, European, and Far Eastern styles.* Music of other times includes 12th-century conductus, 15th-century Dance of the Bouffons, 16th-century French branle, 18th- and 19th-century folk songs and dances, 1940s and '50s jazz, blues, and rock-and-roll.* The repertoire and recorded contexts are motivating, informative, and entirely musical.* Every song includes text, providing information about phrasing, rhythm, style, affect, emotion, history, and culture.* A unique Rhythmic Pattern Dictionary allows students to “look it up” and “listen up.”* An individualized format allows students to progress at different rates with a “themeand-variation” format.* Ear training and improvisation are integral parts of the lesson format.* A 550+ page teacher's resource edition and musical score provides options galore, including a double CD with “listen and play” exercises for group instruction, supplementary exercises for technical development, and resource material for improvisation and composition. All the resources needed for teaching to the National Standards for Music are provided. (Coordinates with rhythm flashcards)* Book 2 features innovative but optional use of world percussion instruments, as developed by percussion educator Steve Houghton.
SKU: HL.49011285
ISBN 9790001113151. UPC: 073999650266. 9.25x12.0x0.097 inches.
These four suites are attractive easy pieces from the first half of the 18th century.
SKU: HL.50511771
ISBN 9790080144770. UPC: 888680917272. 9.0x12.0x0.253 inches. Hungarian, English, German, French. Janos Bali.
An ABRSM syllabus title, 2014-21, Grade 6. Although the recorder was a popular instrument in France at the beginning of the 18th century, relatively few original French pieces for recorder have survived. One reason for this is that the repertoire of the recorder players of that time was largely taken from the flute literature, the pieces being transposed a third higher because of the difference in pitch between the flute and the recorder. Six of the seven suites in this volume - works by Caix d.Hervelois, Dornel, Pierre Philidor, Hotteterre, Naudot and de la Barre - are indeed flute music transposed in accordance with the custom of the period, one suite, however, is an original work for recorder by Dieupart written for the B flat descant recorder and transposed for the C descant recorder in use today. In selecting the works our aim was to provide a stylistic panorama of the French music of the period, featuring the various types of suite.
SKU: HL.49013785
UPC: 073999629149. 9.0x12.0x0.095 inches.
For descant recorder, strings and basso continuo. For descant recorder, strings and basso continuo. With these new editions, all six recorder concertos of John Baston are now available, each with score, piano score and parts. The thoroughly edited scores follow essentially the first edition printed by John Walsh in London in 1729. Baston was regarded as an excellent recorder and flute player who worked with London opera orchestras in the early 18th century. His easy concertos anticipating the elegant melody of the early classical period enjoy great popularity representing a rewarding task for music school orchestras and advanced recorder players.
