Soprano lirico/drammatico - Lyric to Full Soprano-A selection of 36 arias for voice and piano with plot synopses and translations in Italian and English.A selection of 36 arias for voice and piano with plot synopses and translations in Italian and English.

Basso - Bass - A cura di - Edited by Ilaria Narici-A selection of 38 arias for voice and piano with plot synopses and translations in Italian and English.

Duets for Classical Guitar 1. Solo guitar arrangements of classical works are often so complex that they exceed the capabilities of most guitarists. Fabian Payr's Duets for Classical Guitar avoids this pitfall by sharing the original work between two guitars. In so doing, famous compositions'from stylistically varied periods and for a range of original instrumentations'are in some cases accessible to guitarists for the first time. The collection also includes well-known pieces from the demanding solo guitar repertoire that can be worked on by less advanced players thanks to this sharing approach.

Boccherini Respighi Mascagni Spazzoli. This series presents some of the most significant works of European and Latin American music from the last three centuries transcribed for chamber guitar ensemble (in formations ranging from duo to quartet). The works contained in each volume have been selected both for their intrinsic artistic value and their potential to enhance sound production and playing technique. All of the transcriptions are strictly faithful to the original texts and have been reworked in order to make them suitable for players at all levels, from novice to professional. 'Guitar Ensemble' is therefore an effective aid for the study of ensemble music from middle and high school up to a conservatory level. Italian Portrait is a selection of works of the Italian composers Luigi Boccherini (1743-1805), Ottorino Respighi (1879-1936), Pietro Mascagni (1863-1945) and Alessandro Spazzoli (1964).

GIAMPIERI A. - PASSI DIFFICILI E 'A SOLO' VOL.2 - CLARINETTE / Clarinette / Ricordi

Riduzione per canto e pianoforte. Par . On 17 November 1868, Verdi made a proposal to Tito Ricordi to form a commission to select thirteen of the most representative composers of the era, asking each of them to compose a movement of the mass to be performed on the first anniversary of the death of the composer from Pesaro. The first performance, scheduled for the following November in Bologna, had to be cancelled because of disputes and organizational differences. The manuscript of the Rossini Mass lay largely forgotten in the archives of Casa Ricordi until 1970, when it caught the attention of the musicologist David Rosen. This was followed by various studies aimed at reconstructing the performance materials, carried out by musicologists, musicians and institutions, including the Istituto Nazionale di Studi Verdiani and Casa Ricordi itself. / Date parution : 2021-12-09/ Répertoire / Chant et Piano

Les éditions Ricordi continuent d'apporter leur précieuse contribution à l'histoire de l'édition musicale, avec ici la publication de Ricordi Opera Anthology, une collection en six volumes qui rassemble quelques un des plus grands arias pour chant et piano, compilés et édités par Ilaria Narici. Ces anthologies sont disponibles pour une variété de types de voix. Chaque aria inclut un synopsis de l'intrigue en italien et en anglais, avec les paroles dans la langue d'origine et en anglais. Destinés aux étudiants, chanteurs et professeurs de chant, ces volumes constituent la référence idéale pour les auditions. Certains de ces arias ont déjà figuré dans les meilleures ventes de répertoire opératique des éditions Ricordi, dont beaucoup sont généralement chantés par des étudiants ; cependant, ces recueils contiennent également un grand nombre d'arias tout aussi importants et qui conviennent à tous types de voix.

What is being presented here is the piano vocal score of Le Villi, Giacomo Puccini’s first stage work, the full score of which was published by Casa Ricordi (NR 141755) in 2020.The premiere of Le Villi took place at the Teatro Regio in Turin on 27 December 1884, and was followed by a Milanese performance at Teatro alla Scala on 24 January 1885: both productions were quite well received by critics and public alike.The critical edition by Martin Deasy is based on the autograph score that Puccini initially prepared for the one-act version (Willis), and later modified for the two-act, revised version (Villi). Pursuing a groundbreaking philological approach, the editor has, furthermore, taken into proper consideration the contemporaneous printed editions of the piano vocal score, which constitute, in his view, the principal collateral sources, if one is to consider the particular genesis of this work. For it is certain that Puccini, upon entering the Sonzogno competition, submitted a score of Willis that lacked proper orchestration in a few pages and displayed, above all, incomplete vocal lines. However, he also provided a manuscript reduction for piano and vocal score (now lost, except for the final Number of Willis) that was undoubtedly more detailed, as far as the vocal lines were concerned. The editor demonstrates that the vocal material realized for the first performance of Willis was not derived from the autograph score, but from the lost score reduction. The latter also served as the basis for the preparation of Ricordi’s printed edition of the piano vocal score. / Partitions classique / Vocale - chorale / Voix solo - piano / RICORDI