For SATB and String Quartet. Par WOLFE JULIA. / Date parution : 2023-07-31/ Répertoire / Chant et Piano

A beloved hymn is gracefully arranged and offered as an affirmation of God's faithfulness. This immortal melody rises like a prayer, carrying the hope of eternity and His merciful watch care over our lives. A beautiful piano part and well-crafted choral writing make this an indispensable anthem for choirs of any size. The appearance of the final stanza of Amazing Grace is an inspired moment!

Choralkantate. Par CRUGER JOHANN / MENDELSSOHN-BARTHOLDY FELIX. also contains an arrangemet for organ During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. / Date parution : 1979-02-01/ Répertoire / Choeur SATB, 2 Violons, Alto et Violoncelle ou Con

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists./ Répertoire / Choeur SATB, 2 Violons, Alto et Violoncelle ou Con

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists./ Répertoire / Choeur SATB, 2 Violons, Alto et Violoncelle ou Con

Choralkantate. Par CRUGER JOHANN / MENDELSSOHN-BARTHOLDY FELIX. also contains an arrangemet for organ During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. / Date parution : 1979-06-01/ Répertoire / Choeur SATB, 2 Violons, Alto et Violoncelle ou Con

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists./ Répertoire / Choeur SATB, 2 Violons, Alto et Violoncelle ou Con

Choralkantate. Par CRUGER JOHANN / MENDELSSOHN-BARTHOLDY FELIX. also contains an arrangemet for organ During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. / Date parution : 1979-06-01/ Répertoire / Choeur SATB, 2 Violons, Alto et Violoncelle ou Con

Laetatus Sum. Par VIVALDI ANTONIO. The 121st Psalm of the Vulgata forms part of the Roman Catholic liturgy for Vespers on the feast da of a virgin [namely, the Virgin Mary]. Vivaldi's setting, given its first edition, is one of his simplest psalm statements that have come down to us. / Psaumes / Date parution : 1984-08-01/ Répertoire / Choeur SATB, Violon, Alto et Basse Continue

Laetatus Sum. Par VIVALDI ANTONIO. The 121st Psalm of the Vulgata forms part of the Roman Catholic liturgy for Vespers on the feast da of a virgin (namely, the Virgin Mary). Vivaldi's setting, given its first edition, is one of his simplest psalm statements that have come down to us. / Date parution : 1984-08-01/ Répertoire / Choeur SATB, Violon, Alto et Basse Continue

Tonalité : F-Dur - Kraus, Eberhard (Arr.) - Kv 33. Par MOZART WOLFGANG AMADEUS. the first 18 bars come from a joint autograph of Leopold and Wolfgang Amadeus Mozart / Messe / Répertoire / Choeur SATB, 2 Violons, Alto, Violoncelle/Basson/C

Tonalité : G-Dur -. Par SILCHER FRIEDRICH. Kirchenlieder, Sätze, Weltliche Chorsätze - Langue : Allemand / Hymnes et chorals / Répertoire / Choeur SATB, 2 Violons, Alto et Violoncelle ou Con

Tonalité : G-Dur -. Par SILCHER FRIEDRICH. Kirchenlieder, Sätze, Weltliche Chorsätze - Langue : Allemand / Hymnes et chorals / Répertoire / Choeur SATB, 2 Violons, Alto et Violoncelle ou Con

Aus: Herz Und Mund Und Tat Und Leben. Par BACH JOHANN SEBASTIAN. Tonalité : G-Dur - BWV 147 #6 und 10 / Musique religieuse / Répertoire / Choeur SATB (2 Violons, Alto et Violoncelle ou Con

Aus: Herz Und Mund Und Tat Und Leben. Par BACH JOHANN SEBASTIAN. Tonalité : G-Dur - BWV 147 #6 und 10 / Musique religieuse / Date parution : 1974-09-01/ Répertoire / Choeur SATB (2 Violons, Alto et Violoncelle ou Con