Matériel : Partition
Tonalité : F-Dur - Kraus, Eberhard (Arr.) - Kv 33. Par MOZART WOLFGANG AMADEUS. the first 18 bars come from a joint autograph of Leopold and Wolfgang Amadeus Mozart / Messe / Répertoire / Choeur SATB, 2 Violons, Alto, Violoncelle/Basson/C
SKU: FP.FSS14
ISBN 979-0-57050-290-5.
The albums in Forsyth's Silhouette Series are widely acknowledged to provide as some of the finest piano arrangements of the works of the great composers available to the player of intermediate ability. These albums provide excellent teaching material, as well as superb recreational pieces for the adult player.
SKU: BT.EMBZ14886
9x12 inches.
The latest volume of Chamber Music for Violoncellos contains four sacral works, two of which were arranged for cello quartet by the editor of the series, Árpád Pejtsik. Both Angelus!, Liszt's piano piece of ethereal beauty, and the Kyrie of Mozart's Requiem, an irresistibly surging four-part fugue, are magnificent when played with the immensely rich sound of the four cellos. The second part of the volume contains a pair of inspired works by two prominent cellists and composers of the 19th century: Karl Friedrich Wilhelm Fitzenhagen's Consecration Hymn and Friedrich Grützmacher's Ave Maria. While an instrumental skill of at least intermediate level is required for playing the upperparts due to the use of higher positions, the lower parts can be performed by beginner cellists. The editor has assisted the appropriate interpretation of the works by providing the fingering and bowing. Band 15 der Reihe für Violoncelli enthält vier Kirchenmusikwerke. Die ersten beiden wurden vom Herausgeber der Reihe, Árpád Pejtsik, für Celloquartett arrangiert. Es folgen zwei Werke von zwei berühmten Cellisten und Komponisten des 19. Jahrhunderts:Karl Friedrich Wilhelm Fitzenhagens CONSECRATION HYMN und Friedrich Grützmachers AVE MARIA. Für die höheren Lagen sollten die Schüler mindestens fortgeschritten sein, die tieferen Lagen können von Anfängern gespielt werden. Der Herausgeber hat für eine werkgetreue Wiedergabe Fingersätze und Striche hinzugefügt.
Inhalt:1. Liszt: Angelus! Priere aux anges gardiens2. Mozart, Wolfgang Amadeus: Kyrie from the Requiem (K 626)3. Grützmacher, Friedrich: Consecration Hymn (Op. 65)4. Fitzenhagen: Ave Maria
Conte nts:1. Liszt: Angelus! Priere aux anges gardiens2. Mozart, Wolfgang Amadeus: Kyrie from the Requiem (K 626)3. Grützmacher, Friedrich: Consecration Hymn (Op. 65)4. Fitzenhagen: Ave Maria
SKU: CA.5132312
ISBN 9790007224899. Language: Latin.
Both of the Kyrie settings in E flat major K. 322 (1778/79) and C major K. 323 (probably not prior to 1790) belong to those works by Mozart which were only handed down as incomplete draft scores. However, in both cases Mozart's original drafts were so extensive and well advanced that Abbe Maximilian Stadler, Mozart's friend and known from the history associated with the Requiem, could complete both settings. In 1830, for the first edition of the Kyrie K. 323 Stadler employed the text of the Marian Antiphon for Easter Regina coeli laetare for the vocal parts. The Carus edition presents both the original text (Kyrie), as well as the text from the first edition (Regina coeli), so that the work may be performed in the Mass or in the context of a solemn Vespers during the time of Easter. Score and part available separately - see item CA.5132300.
SKU: CA.5132314
ISBN 9790007224912. Language: Latin.
SKU: CA.5132300
ISBN 9790007092160. Language: Latin.
Both of the Kyrie settings in E flat major K. 322 (1778/79) and C major K. 323 (probably not prior to 1790) belong to those works by Mozart which were only handed down as incomplete draft scores. However, in both cases Mozart's original drafts were so extensive and well advanced that Abbe Maximilian Stadler, Mozart's friend and known from the history associated with the Requiem, could complete both settings. In 1830, for the first edition of the Kyrie K. 323 Stadler employed the text of the Marian Antiphon for Easter Regina coeli laetare for the vocal parts. The Carus edition presents both the original text (Kyrie), as well as the text from the first edition (Regina coeli), so that the work may be performed in the Mass or in the context of a solemn Vespers during the time of Easter.
SKU: CA.5132309
ISBN 9790007224875. Language: Latin.
Both of the Kyrie settings in E flat major K. 322 (1778/79) and C major K. 323 (probably not prior to 1790) belong to those works by Mozart which were only handed down as incomplete draft scores. However, in both cases Mozart's original drafts were so extensive and well advanced that Abbe Maximilian Stadler, Mozart's friend and known from the history associated with the Requiem, could complete both settings. In 1830, for the first edition of the Kyrie K. 323 Stadler employed the text of the Marian Antiphon for Easter Regina coeli laetare for the vocal parts. The Carus edition presents both the original text (Kyrie), as well as the text from the first edition (Regina coeli), so that the work may be performed in the Mass or in the context of a solemn Vespers during the time of Easter. Score and parts available separately - see item CA.5132300.
SKU: CA.5132303
ISBN 9790007092177. Language: Latin.
Both of the Kyrie settings in E flat major K. 322 (1778/79) and C major K. 323 (probably not prior to 1790) belong to those works by Mozart which were only handed down as incomplete draft scores. However, in both cases Mozart's original drafts were so extensive and well advanced that Abbe Maximilian Stadler, Mozart's friend and known from the history associated with the Requiem, could complete both settings. In 1830, for the first edition of the Kyrie K. 323 Stadler employed the text of the Marian Antiphon for Easter Regina coeli laetare for the vocal parts. The Carus edition presents both the original text (Kyrie), as well as the text from the first edition (Regina coeli), so that the work may be performed in the Mass or in the context of a solemn Vespers during the time of Easter. Score available separately - see item CA.5132300.
SKU: CA.5132319
ISBN 9790007145729. Language: Latin.
