SKU: HL.50510698
ISBN 9790080136294. UPC: 073999341430. 9.0x12.0x0.059 inches. Sebastian Lee; Arpad Pejtsik.
The series Moments Musicaux contains popular and well-known short masterpieces and transcriptions. An admitted aim of the publisher was to release high-standard editions of these popular pieces for a moderate price. Each piece of the series may be performed on violoncello solo with piano accompaniment.
SKU: CA.3108119
ISBN 9790007136345. Key: E minor. Language: German/English.
Bach composed the cantata Jesus schlaft, was soll ich hoffen [Jesus sleeps, what hope have I] BWV 81 for the fourth Epiphany Sunday, 1724. The cantata is structured as a little drama: In the beginning, fear prevails. The seas rage and Jesus is asleep. The threateningly foaming waves are vividly depicted in the soughing string accompaniment of the tenor aria. Jesus's words Ihr Kleinglaubigen, warum seid ihr so furchtsam? [You of little faith, why are you so fearful?] are set as a bass arioso at the center of the cantata; they provide the turning point. In the subsequent bass aria, the towering seas are silenced. A recitative - Wohl mir [Well for me] - leads into the closing chorale with its certainty Unter deinen Schirmen bin ich vor den Sturmen aller Feinde frei [Under Your protection I am spared the tempests of my enemies]. Score and parts available separately - see item CA.3108100.
SKU: CA.3108105
ISBN 9790007045432. Key: E minor. Language: German/English.
Bach composed the cantata Jesus schlaft, was soll ich hoffen [Jesus sleeps, what hope have I] BWV 81 for the fourth Epiphany Sunday, 1724. The cantata is structured as a little drama: In the beginning, fear prevails. The seas rage and Jesus is asleep. The threateningly foaming waves are vividly depicted in the soughing string accompaniment of the tenor aria. Jesus's words Ihr Kleinglaubigen, warum seid ihr so furchtsam? [You of little faith, why are you so fearful?] are set as a bass arioso at the center of the cantata; they provide the turning point. In the subsequent bass aria, the towering seas are silenced. A recitative - Wohl mir [Well for me] - leads into the closing chorale with its certainty Unter deinen Schirmen bin ich vor den Sturmen aller Feinde frei [Under Your protection I am spared the tempests of my enemies]. Score available separately - see item CA.3108100.
SKU: CA.3108149
ISBN 9790007206864. Key: E minor. Text language: German/English.
Bach composed the cantata Jesus schlaft, was soll ich hoffen [Jesus sleeps, what hope have I] BWV 81 for the fourth Epiphany Sunday, 1724. The cantata is structured as a little drama: In the beginning, fear prevails. The seas rage and Jesus is asleep. The threateningly foaming waves are vividly depicted in the soughing string accompaniment of the tenor aria. Jesus's words Ihr Kleinglaubigen, warum seid ihr so furchtsam? [You of little faith, why are you so fearful?] are set as a bass arioso at the center of the cantata; they provide the turning point. In the subsequent bass aria, the towering seas are silenced. A recitative - Wohl mir [Well for me] - leads into the closing chorale with its certainty Unter deinen Schirmen bin ich vor den Sturmen aller Feinde frei [Under Your protection I am spared the tempests of my enemies]. Score and part available separately - see item CA.3108100.
SKU: CA.3108107
ISBN 9790007045449. Key: E minor. Language: German/English.
SKU: CA.3108111
ISBN 9790007045463. Key: E minor. Language: German/English.
SKU: CA.3108114
ISBN 9790007045494. Key: E minor. Language: German/English.
SKU: CA.3108109
ISBN 9790007045456. Key: E minor. Language: German/English.
SKU: CA.3108112
ISBN 9790007045470. Key: E minor. Language: German/English.
SKU: CA.3108100
ISBN 9790007045418. Key: E minor. Language: German/English.
Bach composed the cantata Jesus schlaft, was soll ich hoffen [Jesus sleeps, what hope have I] BWV 81 for the fourth Epiphany Sunday, 1724. The cantata is structured as a little drama: In the beginning, fear prevails. The seas rage and Jesus is asleep. The threateningly foaming waves are vividly depicted in the soughing string accompaniment of the tenor aria. Jesus's words Ihr Kleinglaubigen, warum seid ihr so furchtsam? [You of little faith, why are you so fearful?] are set as a bass arioso at the center of the cantata; they provide the turning point. In the subsequent bass aria, the towering seas are silenced. A recitative - Wohl mir [Well for me] - leads into the closing chorale with its certainty Unter deinen Schirmen bin ich vor den Sturmen aller Feinde frei [Under Your protection I am spared the tempests of my enemies].
SKU: CA.3108113
ISBN 9790007045487. Key: E minor. Language: German/English.
SKU: HL.48186495
UPC: 888680871130. 9.5x12.5 inches.
“German cellist, Sebastian Lée (1805-1887) was prominent as a performer and pedagogue in both Germany and France. His methods have been published many times in various countries and continue to be used to this day, The First Step of the Young Cellist being no exception. Lée enjoyed a successful career as a soloist with the Paris Opéra and as a Cello teacher at the Paris Conservatoire. His teaching styles displayed a variety of German and French influences. The First Step of the Young Cellist contains fifty short, easy and progressive pieces with the accompaniment of a second Cello (the teacher). Beginning with semibreve studies, Lée's study book progresses to triplet exercises. The First Step of the Young Cellist is essential to the progression of all aspiring beginners of the instrument.&rdquo.
SKU: IM.3871
For Cello (with Cello II accompaniment ad libitum). These studies progress from lower left hand positions to thumb position, while introducing various bowing techniques. Newly composed second cello accompaniment by Carter Enyeart.
SKU: BT.PWM5849
English.
SKU: HL.49045784
ISBN 9790001163231. UPC: 841886029897. 9.0x12.0x0.071 inches.
The Schott Student Edition presents motivational teaching repertoire in five levels, from easy to advanced. These editions feature easy-to-read printing along with tips and suggestions from highly experienced music educators. The Serenade & Valse by the relatively unknown composer Marie Dare is an attractive addition to the repertoire in the first years of study (Level 2) and can be played entirely in first position. The Gavotte op. 112 by Sebastian Lee is a multi-faceted work for intermediate students (Level 3). Musically the Gavotte offers the possibility to present different characters. The piano part is intentionally simple and is limited to a supporting accompaniment.
