Kyrie-Gloria-Messe (Lutherische Messe). Par BACH JOHANN SEBASTIAN. Tonalité : A-Dur - BWV 234/ Répertoire / Solistes SAB, Choeur SATB, 2 Flûtes Traversières,

a-Moll. Par PERANDA MARCO GIOSEPPE. from the music library of Johann Sebastian Bach / Messe / Répertoire / Solistes et Choeur SSATTB, 2 Violons, 3 Hautbois e

Spatzenmesse. Par MOZART WOLFGANG AMADEUS. An unusual feature of this Mass is its cyclic form, a compositional principle which Mozart first introduced in his masses in this 'Mass in C': in the Agnus Dei ('Dona nobis pacem') he reverted to the music of the Kyrie, thus giving the Mass overall musical unity. Another unusual feature of this work is its popular character. This is evident both in its catchy themes and in its relatively straigthforward musical structure. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Clarines, Timbales,

Spatzenmesse. Par MOZART WOLFGANG AMADEUS. An unusual feature of this Mass is its cyclic form, a compositional principle which Mozart first introduced in his masses in this 'Mass in C': in the Agnus Dei ('Dona nobis pacem') he reverted to the music of the Kyrie, thus giving the Mass overall musical unity. Another unusual feature of this work is its popular character. This is evident both in its catchy themes and in its relatively straigthforward musical structure. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Clarines, Timbales,

Tonalité : A-Moll - Mh 552. Par HAYDN JOHANN MICHAEL. Gattungen: Messen, lateinisch - Verwendung / Kirchenjahr: Fastenzeit und Passion - Langue : Latin / Messe / Répertoire / Choeur SATB et Basse Continue

Mass for Mariazell-Missa Cellensis Hob.XXII:8 'Mass for Mariazell'Urtext: J. Haydn Werke Henle Verlag Score containing alsoMissa brevis Sti Joannis de Deo (Little Organ Mass) (Hob.XXII:7)Missa in Tempore Belli (Pauken Mass) (Hob.XXII:9)Missa Sti Bernardi von Offida (Heilig Mass) (Hob.XXII:10)Appendix: Inter alia the version of the Gloria from (Hob.XXII:7) from Michael HaydnIn March 1781 one of Haydn’s friends Anton Liebe a member of an old and distinguished Austrian military family was raised to the nobility. He seems to have asked his friend Joseph Haydn to write a festive “thankoffering” in the form of a Mass for the famous pilgrimage church of Mariazell in Styria. Haydn began the work in 1782 and recently the original parts to the Missa Cellensis were found in the organ loft of the splendid baroque church at Mariazell.Haydn’s “Mariazellermesse” has always been one of his most popular works. The “Volkstümlichkeit” (which one might translate as “down to-earthiness”) the miraculous fusion of polyphonic forms with the language and form of the Vienna classical school – note that the Kyrie is in sonata form with shortened recapitulation and coda – the brilliant orchestration to which the trumpets and drums contribute so much festive joyousness: all these have won the hearts of audiences everywhere whenever the Mass was given.- Urtext from Joseph Haydn Werke- Full score parts and vocal score available for sale

Pawe ukaszewski's Missa Brevis was composed for the Evangelical Church of the Augsburg Confession in Warsaw on the 500th annivesrsary of Reformation. Duration: 8 minutes OrganistsReview: The biggest piece in this selection is Pawel Lukaszewski's Missa Brevis for SSA choir accompanied either by a seven­part instrumental ensemble of three strings three woodwind andtubular bells or else by organ. The composition is throughout built out of repetitive figuration in the accompaniment and closely imitative canonic fragments in the vocal parts. It is vocally demanding with large leaps to benegotiated and wide vocal ranges. An ambitious upper­voice choir might welcome the challenge - though I'm not sure many congregations would be up for it.

Heilig-Messe-Bernard of Offida 1604 1694 was a Capuchin monk whose saintly life and devotion to the sick and poor caused him to be beatified by Pope Pius VI on 19 May 1795. St. Bernard?s name day falls on the 11th of September (a Saturday in 1797) and it is generally thought that Haydn combined doing honour to the Capuchin monk with the production of a new Mass for his patron the day thereafter.Apparently later performances in Eisenstadt added horns to double the trumpets in the tuttis and just as in the previous Mass the clarinet parts were enlarged; it is almost certain that the new clarinet parts are either by Haydn or (shall we say) ?supervised? by him. As inthe Mass in Time of War conductors have the choice of two orchestrations: with or without doubling horns and with or without the supplementary clarinet parts.The Heiligmesse has always been one of Haydn?s most admired works. Its dignity its strength (we draw special attention to the extraordinary ?Gratias? with its brilliant contrapuntal writing) the subdued orchestral grandeur to which the B-flat trumpets contribute a silvery but unmartial weight all these have made it one of Haydn?s most serious and most deeply sensitive church works: its constant popularity in Viennese churches is quite deserved.Urtext from Joseph Haydn WerkeFull score (together with Missa Cellensis [Mariazellermesse] Hob.XXII:8; Missa brevis Sti Joannis de Deo [Little Organ Mass] Hob.XXII:7; Missa in Tempore Belli [Mass in Time of War] Hob.XXII:9) available for saleParts (BA4651) and vocal score (BA4651-90) available for sale

Heilig-Messe-Bernard of Offida 1604 1694 was a Capuchin monk whose saintly life and devotion to the sick and poor caused him to be beatified by Pope Pius VI on 19 May 1795. St. Bernard?s name day falls on the 11th of September (a Saturday in 1797) and it is generally thought that Haydn combined doing honour to the Capuchin monk with the production of a new Mass for his patron the day thereafter.The Heiligmesse has always been one of Haydn?s most admired works. Its dignity its strength (we draw special attention to the extraordinary ?Gratias? with its brilliant contrapuntal writing) the subdued orchestral grandeur to whichthe B-flat Trumpets contribute a silvery but unmartial weight all these have made it one of Haydn?s most serious and most deeply sensitive church works: its constant popularity in Viennese churches is quite deserved.- Urtext of the Joseph Haydn Complete Edition.- Full score together with Missa brevis Sti Joannis de Deo (Little Organ Mass) (Hob.XXII:7) Missa Cellensis (Mariazeller-Messe) (Hob.XXII:8) Missa in Tempore Belli (Pauken mass) (Hob.XXII:9)- Performance material (BA4651) vocal score (BA4651-90) available for sale.

Missa silvestris för mezzosopran, manskör och orgel. Par KORTEKANGAS OLLI. Olli Kortekangas composed MIssa silvestris (2018) for mezzo-soprano, male choir and organ to a Swedish text by Göran Stenius (1909-2000), a Finnish poet, writer and diplomat. The 'Mass of the Forest' follows the catholic mass with a pantheistic approach. Contents: 1. Antifon (a cappella) 2. Introitus (tutti) 3. Invitatio ad penitentiam (choir, organ) 4. Confiteor (mezzosoprano, organ) 5. Kyrie (choir, organ) 6. Gloria (choir, organ) 7. Oratio universalis (a cappella) 8. Credo (tutti) Durata: c. 30' / Date parution : 2022-05-31/ Répertoire / Mezzo Soprano, Chœur d'Hommes et Orgue

Will Todd's Jazz Missa Brevis gives new life to the sung Latin Mass texts in an accessible, short setting which embraces a variety of jazz styles, from the swinging jazz waltz Kyrie to the up-beat Latin-groove Gloria. The smooth jazz ballad Sanctus, 7/8 Benedictus and soulful Agnus Dei complete this inspiring Mass setting. Underpinned by Todd's characteristic jazz harmonies and melodic craftsmanship, it is suitable for performance both liturgically and as part of a concert by mixed choirs of all abilities. The work can be accompanied by piano alone (as written or extemporised), jazz trio (piano, bass and drums) or jazz ensemble (alto saxophone, 2 trumpets and jazz trio - parts available separately). / Choeur Mixte (SATB) Et Instruments Divers

Arranged for SSA Missa Brevis displays Britten?s characteristic flair for writing for children but retains a devout liturgical gravitas. The decisive opening immediately presents declamatory vocal writing as each of the three treble parts enter. The Gloria with its 7/8 metre is a jaunty setting that immediately appeals to young performers and lends appropriate joy to the text.

For mixed choir (SATB) and 8 wind instruments / mixed choir and 8 wind instruments

Collection Dirigée Par Yannick Merlin. Par ROTH DANIEL. Daniel Roth est Chevalier de la Légion d'Honneur, Officier des Arts et Lettres et 'Honorary Fellow of the Royal College of Organists' de Londres. Il a reçu le Prix de la Musique Sacrée Européenne 2006 du Festival de Schwäbisch Gmünd (Allemagne). Cette oeuvre composée en 2004 a été nommée ainsi à cause du Sanctus. En effet, contrairement aux accents triomphants généralement attribués à ce moment de la messe, Daniel Roth a voulu évoquer une vision céleste. / Niveau : Moyen à Avancé / Contemporain / Répertoire / Choeur SATB à 4-8 Voix Mixtes et Orgue