SKU: GI.G-10552

English. Text Source: Alas! and Did My Savior Bleed?, Isaac Watts, 1674-1748, alt., At the Cross, Ralph E. Hudson, 1843-1901, alt. Text by Isaac Watts.

“At the Cross” contains the very rich texts of Isaac Watts and Ralph Hudson. My desire is to treat each verse with utmost respect by highlighting—through music—the suffering, shame, hope, beauty, and glory of the cross. The cross embodies all of these attributes. You will notice there is a somberness that begins at m. 84, mirroring the darkness that ensued while Christ hung on the cross (Mark 15:33). A “darker” sound from the altos is encouraged. This is the turning point in the song, preparing the singers for the response to such a sacrifice. Although the text speaks of grief and debt (starting at m. 93), one can see the hope that builds, with the realization that complete surrender is the only response to such a sacrifice. Much thought and energy (under control) should be expended to aid this verse in building to the climactic point of the song, when hope is found in the cross and the burden has been lifted.

SKU: HP.C6074C

UPC: 763628960742. Words by Isaac Watts.

Familiar hymn tune words by Isaac Watts This inspired choral setting pairs Isaac Watts' well-known hymn text, Alas! And Did My Savior Bleed, with the tune GREENSLEEVES. The familiar text and tune engage us anew bringing fresh insight to this dramatic Lenten lament. This piece comes from Mary's musical My Savior's Love, code no. 8701.

SKU: GI.G-10277

UPC: 785147027713. English. Text Source: Come, ye that love the Lord, Isaac Watts, 1674-1748, alt., We're marching to Zion, Robert Lowry, 1826-1899, alt. Text by Isaac Watts.

SKU: GI.G-9798

UPC: 785147979807. English. Text Source: Isaac Watts, 1674-1748, alt. Text by Isaac Watts.

SKU: CA.315220

ISBN 9790007176235. Key: F major. Language: English. Text: Watts, Isaac. Text: Isaac Watts.

SKU: CF.FAS115F

ISBN 9781491154885. UPC: 680160913435. 9 x 12 inches. Key: E minor.

Rejoice, East and West pairs two of the most popular holiday pieces. O Come, O Come Emmanuel is one of the staples of music for the season of Advent. Its plaintive melody represents the subdued tone of Advent, waiting and anticipating during the four weeks before Christmas Day. The modal character has roots in Ancient Greece and is characteristic of the music from Middle Eastern countries. The melody of Joy to the World is attributed to George Frideric Handel. It first appeared in 1719 in a collection by Isaac Watts, who adapted the text. It is one of the most published Christmas hymns in North America and is one of the most iconic songs for celebrating the birth of Christ. The connection between these two contrasting pieces is rejoice. In Emmanuel the modal tones arrive at a major chord and the words exclaim Rejoice, rejoice! This is where a bridge is composed to arrive at a jubilant introduction of Joy to the World. This arrangement teaches students dynamic contrast, tempo changes, slurs and ties.
Rejoice, East and West pairs two of the most popular holiday pieces.  “O Come, O Come Emmanuel” is one of the staples of music for the season of Advent.  Its plaintive melody represents the subdued tone of Advent, waiting and anticipating during the four weeks before Christmas Day.  The modal character has roots in Ancient Greece and is characteristic of the music from Middle Eastern countries. The melody of “Joy to the World” is attributed to George Frideric Handel.  It first appeared in 1719 in a collection by Isaac Watts, who adapted the text.  It is one of the most published Christmas hymns in North America and is one of the most iconic songs for celebrating the birth of Christ. The connection between these two contrasting pieces is “rejoice.” In “Emmanuel” the modal tones arrive at a major chord and the words exclaim “Rejoice, rejoice!” This is where a bridge is composed to arrive at a jubilant introduction of “Joy to the World.” This arrangement teaches students dynamic contrast, tempo changes, slurs and ties.

SKU: MN.50-7501

UPC: 688670575013. Text: Isaac Watts.

Isaac Watts text, reminiscent of Early American folk music. Two melodies for first two stanzas combined for third stanza. Children's or adult treble choir.

SKU: GI.G-5715

English. Text source: Psalm 96. Text by Isaac Watts. Scripture: Psalm 96.

Don’t be misled by the title! This most familiar carol of Isaac Watts is set to the Sacred Harp tune paxton in a shape-note style calling for rollicking, exuberant, full-throated singing. Alternating between a cappella and verses accompanied by organ with detached reed stop articulation, this “Joy to the World” will wake up slumbering infants and let the choir sing with abandon!

Add a touch of shapednote singing this Christmas.

SKU: PR.312419200

ISBN 9781491136232. UPC: 680160688517. Isaac Watts.

In this setting of the familiar Isaac Watts text with a Kentucky Carol melody, Hailstork features a vocal soloist throughout the lullaby. A magical atmosphere is created as the soloist is accompanied by textless a cappella mixed chorus, providing a uniquely tender texture.