Trois Esquisses Symphoniques-Claude Debussy's La Mer is an impressionistic work through and through. The three symphonic sketches that make up the work were composed between 1903-1905 however Debussy refined this work up until at least 1913. These corrections are found in a score which the composer gave to his wife as a present for her private library in 1913.The new scholarly-critical edition draws on several important sources previously unavailable to musicologists resulting in an array of new readings and corrections. In addition there are many changes especially in terms of articulation and dynamics.This new edition includes the famous ?fanfare? inMovement III clearly marked in small print and brackets. This fanfare was excised in the 1910 reissue of the work but was reinstated by a number of great conductors who knew Debussy i.e. Monteux Münch Mitropoulos and Ansermet. They felt that the excision was a misunderstanding and that the fanfare was necessary for the structure of the movement. And so the Bärenreiter edition presents the revival of a performing tradition which is committed to the fanfare.New Urtext edition with numerous corrections in comparison to other editions.Important sources which were previously inaccessible have been taken into account.Score and orchestral parts in large format (25.5 x 32.5cm).Score and orchestral parts with an impeccable generous layout.Includes an informative introduction (Eng/Fr/Ger) facsimiles source descriptions and a Critical Commentary (Eng).

In autumn 1891 Debussy’s early Piano piece Ballade slave was published by Choudens. When he had it re-engraved by Fromont in a slightly revised form in 1903 he deleted the word slave. Thus the titlepointed more markedly to the work’s narrative character. Yet one can detect a certain Russian influence stemming from the time he spent with Nadeshda von Meck Debussy was at times her house pianist. Even echoes ofBalakirev can be heard. The occasionally unconventional tonal approach already heralds the Debussy of the important cycle Pour le Piano published in 1901.

Trois Esquisses Symphoniques-Claude Debussy's La Mer is an impressionistic work through and through. The three symphonic sketches that make up the work were composed between 1903-1905 however Debussy refined this work up until at least 1913. These corrections are found in a score which the composer gave to his wife as a present for her private library in 1913.The new scholarly-critical edition draws on several important sources previously unavailable to musicologists resulting in an array of new readings and corrections. In addition there are many changes especially in terms of articulation and dynamics.This new edition includes the famous ?fanfare? inMovement III clearly marked in small print and brackets. This fanfare was excised in the 1910 reissue of the work but was reinstated by a number of great conductors who knew Debussy i.e. Monteux Münch Mitropoulos and Ansermet. They felt that the excision was a misunderstanding and that the fanfare was necessary for the structure of the movement. And so the Bärenreiter edition presents the revival of a performing tradition which is committed to the fanfare.New Urtext edition with numerous corrections in comparison to other editions.Important sources which were previously inaccessible have been taken into account.Score and orchestral parts in large format (25.5 x 32.5cm).Score and orchestral parts with an impeccable generous layout.Includes an informative introduction (Eng/Fr/Ger) facsimiles source descriptions and a Critical Commentary (Eng).

Par DEBUSSY CLAUDE / HINZE GUDRUN (Arr.). Clair de Lune from Suite Bergamasque by Claude Debussy, arranged for Three Piccolos and Two Flutes by Gudrun Hinze. Clair de Lune is the third movement of Debussy's Suite Bergamasque, originally composed for piano. The title means 'moonlight' in French and is taken from the poem by Paul Verlaine, 'Clair de lune.' / Date parution : 2022-11-29/ Répertoire / 5 Flûte Traversières

pour clarinette en sib et piano. Par DEBUSSY CLAUDE. Les Editions Durand présentent une nouvelle gravure de l'une des ?uvres les plus célèbres de Claude Debussy : la Première Rhapsodie pour Clarinette et Piano. Cette pièce, constituée d'un seul mouvement d'environ 8 minutes, est un pilier du répertoire pour clarinette. Composée en 1909-1910 et publiée pour la première fois chez Durand, l'éditeur initial de Debussy, l'?uvre est dédiée à Prosper Mimart, professeur de clarinette au Conservatoire de Paris. Cette réédition comprend désormais une introduction historique en français et en anglais rédigée par le clarinettiste Pierre Génisson. / Date parution : 2023-03-11/ Répertoire / Clarinette [Bb] et Piano

60 Works From Bach To Debussy-Unique and comprehensive this fantastic collection features a tremendous variety of slow movements for keyboard players. Highlights of these evocative selections come from masterpieces including sonatas of Haydn and Mozart Chopin preludes and classics such as the opening movement of Beethoven's 'Moonlight' Sonata Bach's Sinfonia in F Minor and Debussy's Clair De Lune.

Single Edition From Hn 404-This piece is straightforward in its construction but highly advanced in its harmonies and links up with the widely popular 19th-century tradition of the “night piece” or “nocturne” forpiano.Its themes and modulations are highly reminiscent of Gabriel Fauré but in its chromatic voice-leading and unusual treatment of metre – such as in the 7/4 central section – Debussy makes a statementall of his own. Nothing is known about the history of its composition.Debussy’s 1892 contract with his publisher states merely that the composer had originally called it “Interlude” but then decided uponthe far more suitable title of “Nocturne”. One of Debussy’s most popular early piano works it is now available in a Henle Urtext edition.

This album has been compiled and arranged with the prime intention of providing saxophonists with the opportunity of playing a wide variety of music by Debussy. The pieces chosen are of moderate difficulty satisfying the needs of both student and professional alike. They also help to bridge the repertoire gap between the very elementary and the very advanced as most of the material available for saxophone today seems to fall into these categories. These pieces are musically very satisfying as the style of Debussy lends itself so well to the saxophone. It is unfortunate that Debussy discovered the instrument so late in life as otherwise I am sure that he would have graced uswith more original material. (James Rae)

Trois Esquisses Symphoniques-Claude Debussy's La Mer is an impressionistic work through and through. The three symphonic sketches that make up the work were composed between 1903-1905 however Debussy refined this work up until at least 1913. These corrections are found in a score which the composer gave to his wife as a present for her private library in 1913.The new scholarly-critical edition draws on several important sources previously unavailable to musicologists resulting in an array of new readings and corrections. In addition there are many changes especially in terms of articulation and dynamics.This new edition includes the famous ?fanfare? inMovement III clearly marked in small print and brackets. This fanfare was excised in the 1910 reissue of the work but was reinstated by a number of great conductors who knew Debussy i.e. Monteux Münch Mitropoulos and Ansermet. They felt that the excision was a misunderstanding and that the fanfare was necessary for the structure of the movement. And so the Bärenreiter edition presents the revival of a performing tradition which is committed to the fanfare.New Urtext edition with numerous corrections in comparison to other editions.Important sources which were previously inaccessible have been taken into account.Score and orchestral parts in large format (25.5 x 32.5cm).Score and orchestral parts with an impeccable generous layout.Includes an informative introduction (Eng/Fr/Ger) facsimiles source descriptions and a Critical Commentary (Eng).

Claude Debussy Children's Corner orchestrated by Hans Abrahamsen (2011). Dedicated with affection to Amalie Malling and Michael Schønwandt. I Doctor Gradus ad Parnassum II Jimbo’s Lullaby III Serenade of the Doll IV The Snow is Dancing V The little Shepherd VI Golliwogg’s Cake Walk The orchestration by Hans Abrahamsen of Children’s Corner by Claude Debussy was commissioned by Radio KamerFilharmonie to celebrate Debusy at 150 in 2012. Arranged in 2011 it was then premiered by the Radio KamerFilharmonie conducted by Michael Schønwandt in Utrecht in February2012. Debussy’s six movement work for piano has been cherished the world over for its whimsical charm and the way in which they are evocative of childhood. Abrahamsen expands on these traits in his orchestration of the six little masterpieces; be it the mystical heaviness of Jimbo’s Lullaby the icy pirouettes in The Snow is Dancing or the buoyant ending: Golliwogg’s Cakewalk

for Piano Four Hands-Here are two suites Debussy composed specifically for piano four hands Petite Suite and Six Épigraphes Antiques plus Ravel's arrangement for four hands of Debussy's Prélude l'Après-midi d'un Faune and a piano four hands version of Prélude Cortège and Air de Danse from L'Enfant Prodigue.These works range widely in mood displaying both the brilliant pianism at the heart of Debussy's musical imagery and the composer's affinity for the unexpected. Reprinted from authoritative French editions these works display innovative musical qualities that will both delight and challenge pianists.Reprint of authoritative French editions.

Par DEBUSSY CLAUDE. The tragic tale of brothers who are in love with the same mysterious woman, Debussy's only opera is a perfect marriage of music and verse. The culmination of an eight-year effort on the part of the composer, the five-act lyricdrama premiered in 1902. This volume, reprinted from the E. Fromont 1904 edition, reproduces the full orchestral-vocal score in a clear, modern engraving. / Date parution : 2023-05-06/ Répertoire / Chant et Orchestre

Par DEBUSSY CLAUDE. Un recueil de 6 arrangements d'oeuvres de Claude Debussy pour Quatuor de Saxophones / Niveau : Avancé / Répertoire / 4 Saxophones

Debussy's only string quartet composed in 1893 was his first masterwork. Together with two further works from this creative period Prélude l?après-midi d?un faune and Pelléas et Mélisande the quartet established the composer's position as the rising star of the French music scene.Discrepancies existed from the initial publication in 1894 between the score corrected and seen into print by the composer and the parts not corrected by him. At a later point Debussy made a large number of corrections and alterations in a copy of the first edition; these alterations have been incorporated in this Bärenreiter Urtext edition.Thisscholarly-critical edition utilises all sources including the composer's letters which offer a valuable insight into the genesis of the composition.