50 Easy Pieces from 5 Centuries. Par . For the Easy Concert Pieces series, the experienced piano teacher Monika Twelsiek compiled pleasant, easy piano pieces for beginners and published them in three volumes in progressive order. The three volumes are intended to complement a piano tutorial method and are particularly suitable for performance at auditions at music schools, for examinations and for competitions. They offer varied repertoire in a broad selection of pieces from the Baroque, Classical, Romantic and Modern eras. Volume 1 (ED 22547) can already be used by beginners, containing pieces in the five-note range and easy pieces spanning a single octave. Other criteria for selection are simple rhythms and very easy chords. Crossing the thumb underneath, playing several parts together and pedal use are not yet required. Volume 2 (ED 22548) contains pieces with an extended range of two octaves. Crossing the thumb under, pedal use, simple polyphony and three- or four-part chords all feature here, as do simple ornaments, cantabile playing and differentiating between melody and accompaniment. Volume 3 (ED 22549) is aimed at advanced players who wish to refine their expression and personal interpretation. The pieces demand a great deal of dexterity, a high sense of rhythm, articulation and phrasing, polyphonic playing (polyphony even in one hand) and tonal differentiation of the piano setting. / Niveau : Très facile / Date parution : 2021-12-09/ Recueil / Piano

24 Easy Pieces From 5 Centuries Using Half To 3Rd Position. The 'Easy Concert Pieces' series presents a varied selection of easy concert pieces for double bass and piano from the Renaissance, Baroque and Classical periods through to the modern era. To facilitate choosing individual pieces for performance and auditions at music schools, competitions or examinations these pieces have been ordered according to level of musical and technical difficulty. Book 1 (ED 22551) contains pieces in half and first position. Pieces in each position and some using position changes are presented from each era. Simple techniques such as portato, staccato and legato bowing are introduced along with pizzicato, using rudimentary dynamics ranging from piano to forte, crescendo and decrescendo and simple phrasing. The pieces selected here are varied in character with memorable tunes, a few different time signatures and simple rhythms. / Niveau : Facile / Recueil / Contrebasse et Piano

Piano Duets edited by Michael Aston-This varied and exciting duet collection is full of new and accessible arrangements for every duet player and lover of Baroque music. In beautifully prepared editions you'll find perennial favourites as well as a host of other Baroque classics and less well-known gems most arranged as piano duets for the first time. There's plenty for those looking to dazzle an audience as well as lively dances and more intimate beauties.Contents:J. S. Bach: Jesu joy of man's desiring from Cantata BWV147J. S. Bach: Sinfonia from Cantata BWV29J. S. Bach: Liebster Jesu wir sind hier BWV634Handel: Arrival ofthe Queen of Sheba from SolomonHandel: Siciliana and Presto from Organ Concerto in F Op. 4 No. 5Rameau: Contredanse from Les Indes galantesStanley: Andante from Organ Voluntary in E minor Op. 6 No. 9Vivaldi: Allegro from Concerto in A minor Op. 3 No. 8 RV522

41 Easy Pieces from 4 Centuries. Par . Pour la série Easy Concert Pieces, la pianiste et pédagogue expérimentée Monika Twelsiek a compilé des pièces pour pianistes débutants simples et agréables et les a classées dans un ordre progressif en trois volumes. Les recueils sont pensés comme des compléments aux méthodes de piano et sont particulièrement adaptés aux auditions dans les écoles de musique, aux examens et aux concours tels que Jugend musiziert. Le répertoire est varié et propose un grand choix de pièces baroques, classiques, romantiques et modernes. Le troisième volume s?adresse aux élèves d?un niveau avancé, qui veulent travailler l?expressivité de leur jeu et leur interprétation. Les pièces mettent en place certaines exigences au niveau de la fluidité du jeu, de la rythmique, de l?articulation et du phrasé, du jeu polyphonique (plusieurs voix sur une seule main) et de la différenciation des mouvements. Le volume 1 (ED 22547) contient des pièces faciles sur l?ambitus d?une quinte et d?une octave facile. Les autres critères de choix des pièces ont été une rythmique basique et des accords très simples. Le positionnement du pouce, la polyphonie et la pédale ne sont pas encore abordés. / Date parution : 2023-06-01/ Recueil / Piano

In the Baroque Era the term “clavier” referred to all keyboard instruments: virginal clavichord harpsichord fortepiano and others. The Bärenreiter Baroque Piano Album presents a representative selection of the major forms of Baroque clavier music from England Italy France and Germany . The anthology is divided into these four countries and illustrated with pictures of historical instruments to convey an impression of music making in the country concerned. The volume begins with the Italian composer Girolamo Frescobaldi whose keyboard works exemplify the stylistic transition from the Renaissance to theBaroque. It then moves on to the English virginalists and the French clavecinistes and ends with the epochal of Johann Sebastian Bach. Apart from traits which prevailed in each of these countries piano pupils will learn about the various stages of the Early High and Late Baroque period as well as about the major musical genres from dance to fugue. Special care was taken in the selection of the pieces to ensure that they could be played on the modern piano. Since Baroque ornaments must be executed differently for each composer practical suggestions are included in the musical text. Reliable fingering has been added to make the volume ideal for use in piano lessons. Representative overview of the major styles in Baroque clavier music 44 easy-to-play pieces Colour illustrations of historical keyboard instruments Musical text includes suggestions for ornaments Reliable fingering

Easy Baroque Pieces for Classical Guitar is an outstanding introduction for the beginner to intermediate guitarist to the music of the Baroque period. Jerry Willard explains the intricacies of Baroque ornamentation (including trills, mordents and notes inégale in an easy-to-understand way, and performs each piece on the accompanying audio CD. Includes standard notation and tab. / Guitare et Guitare Tablatures

12 Pieces from the Baroque era in easy swing arrangements-Rediscover 12 masterworks from the Baroque era with these fun jazzy arrangements. Easy arrangements by Alexander L'Estrange give an exciting new angle on Handel Purcell J. S. Bach and other composers. Complete with accompanying CD containing demonstration versions and live jazz trio backing tracks. The CD also contains piano accompaniments as printable PDF files and are the same for each 'Swinging Baroque Play-Along' publication for other instruments making it ideal for ensemble or solo playing

12 Pieces from the Baroque era in easy swing arrangements-Rediscover 12 masterworks from the Baroque era with these fun jazzy arrangements. Easy arrangements by Alexander L'Estrange give an exciting new angle on Handel Purcell J. S. Bach and other composers. Complete with accompanying CD containing demonstration versions and live jazz trio backing tracks. The CD also contains piano accompaniments as printable PDF files and are the same for each 'Swinging Baroque Play-Along' publication for other instruments making it ideal for ensemble or solo playing

Vous donnez un concert de musique baroque ? Cette suite à trois voix pour ensemble de flûtes à bec vous permettra de concrétiser votre souhait. Écrit dans une instrumentation agréable et un degré de difficulté facile Easy Baroque Suite rassemble les arrangements de Robert van Beringen des plus belles pages de musique baroque à savoir Trumpet Voluntary de Jeremiah Clarke Menuet de Johann Krieger le Printemps extrait des Quatre Saisons de Vivaldi et Hallelujah Chorus extrait du Messie de Georg Friedrich Handel.

This popular volume has now been expanded to 31 pages.
As well as easy dances by Bach and Händel, this selection includes pieces by French, Italian and English baroque masters. Pupils will experience an uncomplicated first acquaintance with the polyphonic structure of baroque music. The ornaments are written out in full, in each case keeping within the technical boundaries of this level of development / Partition /

The edition 'Mein erstes Konzert' [My First Concert] contains 22 easy pieces for lessons, first recitals or pupils' competitions. This volume takes the player on a musical journey through five epochs - from the Renaissance era via the Baroque, Classical and Romantic eras to contemporary music. A special highlight is the large number of pieces of popular music, including motivating pieces from the areas of pop music, jazz, spiritual, bossa nova and tango most of which have been specially composed for this volume. Most works can be played after two years of lessons already - all pieces are in the first position and can be played in the four fingering patterns. To two compositions requiring position playing, an easier alternative has been added. Fingerings for position playing can of course be entered in the pieces by the teacher to improve the tonal result. / Violon Et Piano

The ?Easy Concert Pieces? series offers a wide spectrum of pieces from the Renaissance, Baroque, Classical, Romantic and Modern eras. The repertoire enriches the daily exercises and double bass tutor and is suited for all kinds of auditions. It contains original works for double bass solo as well as orchestral excerpts and arrangements of famous classical masterpieces. Volume 1 (easy) contains pieces in half and first position, with easy rhythms and melodies. It includes easy strokes and articulations such as portato, staccato and legato. Some pieces contain easy Flageolets. This volume offers a broad selection of classical masterpieces in easy arrangements.Volume 2 (easy to intermediate) contains pieces up to the 3rd position. As some new double bass tutors have a different approach in introducing position changes, volume 2 offers several pieces which reach the 2nd position, some pieces using only 1st and 3rd positions and some more difficult pieces which encompass all positions from half to third position. This volume consists of more original works.Volume 3 (intermediate) increases the repertoire up to the 6th position and requires a good control of the lower positions. It makes higher demands on expressive playing and interpretation, velocity and rhythm, as well as bowing techniques with articulation and phrasing./ Recueil / Contrebasse et Piano

The Baroque Recorder contains twenty pieces by composers including Vivaldi Purcell Couperin and Telemann but also includes works by lesser- known composers. All the pieces can be performed with or without the accompaniment which is suitable for the piano or harpsichord/ basso continuo and comes in both written out and figured bass versions. The music is written in appropriate keys and the technical standard lies between easy and advanced. The authentic atmosphere and styles of these pieces make this book a must for the Baroque devotee.