Quintet. Par SALIERI ANTONIO. / Répertoire / Cor de Basset, 2 Violons, Alto et Basse Continue

Johanson, Bryan. Par SALIERI ANTONIO. / Niveau : Intermédiaire / Répertoire / 4 Guitares

Par SALIERI ANTONIO. Komisches Intermezzo Aus Der Oper 'Axur, König Von Ormus'/ Répertoire / Soprano, Ténor, Baryton et Orchestre

Pianoreduction for 2 Pianos. Par SALIERI ANTONIO / CARLI BALLOL. / Répertoire / Piano et Orchestre

Tonalité : B-Dur -. Par SALIERI ANTONIO. Gattungen: Passionen - Verwendung / Kirchenjahr: Fastenzeit und Passion, Karwoche - Langue : Latin/ Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Tonalité : B-Dur -. Par SALIERI ANTONIO. Gattungen: Passionen - Verwendung / Kirchenjahr: Fastenzeit und Passion, Karwoche - Langue : Latin/ Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Par SALIERI ANTONIO. Divertimento Teatrale/ Répertoire / 2 Basses, Mezzo-Soprano, Soprano et Orchestre

Mittlere Stimme / Medium Voice-As a continuation of the new Urtext edition of the Schubert lieder Walther Dürr has now edited volume five for high medium and low voices. Volumes 1 to 4 of this edition contain mainly lieder which Schubert himself saw into print (in his own choice and order) and in the fourth volume works from the last two years of his life are included. The lieder in volume 5 onwards are strictly presented in the order of Deutsch's Thematic Catalogue which means that in principle they are arranged chronologically.The lieder in volume five were composed in the years 1811 to 1814. The first 'Hagars Klage' (D 5) dated 30 March 1811 is also his first complete surviving song. Thefirst eleven lieder are evidence of his early studies (1811 1813/14). During this period Schubert immersed himself in Johann Rudolf Zumsteeg's ballads and lieder and wrote Italian arias during his composition lessons with Antonio Salieri. He also composed a single strophic song ('Klaglied' D 23) which the only one of these songs was published shortly after his death in November 1830 as op. 131 3. His apprentice work as it were was the major ballade 'Der Taucher' (D 77) which was composed between 1813 and roughly the beginning of 1815. Probably not by chance his first complete opera ('Des Teufels Lustschloss' D 84) was written at the same time. He also set fourteen poems by Friedrich von Matthisson exploring the principle of the strophic lied.- Excellent new engraving based on the 'New Schubert Edition'- Foreword by Walther Dürr discussing the history the works? compositionand transmission together with a list of sources for each song (Ger/Eng)- English translation of the song texts by Richard WigmoreContents:Hagars Klage D 5 / Leichenfantasie D 7 /Der Vatermörder D 10 / Klaglied op. post. 131 3 D 23 / Misero pargoletto D 42 (high voice only) / Totengräberlied D 44 / Die Schatten D 50 / Verklärung D 59 / Pensa che questo istante D 76 (medium and low voice only) /Der Taucher D 77 / Son fra l?onde D 78 (high voice only) /Adelaide D 95 / Trost. An Elisa D 97 /Erinnerungen D 98 / Andenken D 99 /Geisternähe D 100 / Erinnerung D 101 /Die Betende D 102 / Die Befreier Europas in Paris D 104

The works for solo voice(s) and Orchestra assembled in this volume owe their composition to the most diverse occasions. Some were tailor-made for female singers in Beethoven?s milieu while with others he was dabbling in the field of Italian opera (under the tutelage of none other than Antonio Salieri). Scarcely any of them made it into print during Beethoven?s lifetime. Aside from canonical works of the repertoire such as ?Ah! perfido? op. 65 this volume also contains unknown gems like the scene and aria Beethoven revised multiple times ?No non turbarti? ?Ma tu tremi o mio tesoro??. The study score contains the textof the scholarly Complete Edition. Beethoven specialist Ernst Herttrich additionally provides information about the genesis and exciting variants in the transmission history.