Concerto In C For Flûte, Oboe And Orchestra (SALIERI ANTONIO)

for Flute, Oboe d'amore and Viola d'amore. Par TELEMANN GEORG PHILIPP. Flûte Traversière, Ob-d'a and Alto -d'a Soli - Strings - Basse Continue - Durée: 15 / oeuvre solo et Orchestre / Répertoire / Parties Orchestrales

A Fugal Concerto by Gustav Holst for Flute Oboe and a Piano reduction of the string orchestra part. The two main lines can be substituted for two Violins.

Par TELEMANN GEORG PHILIPP. Flûte Traversière, Ob-d'a and Alto -d'a Soli - Strings - Basse Continue - Durée: 16/ Répertoire / Parties Orchestrales

Par TELEMANN GEORG PHILIPP. Flûte Traversière, Ob-d'a and Alto -d'a Soli - Strings - Basse Continue - Durée: 15/ Répertoire / Parties Orchestrales

Par TELEMANN GEORG PHILIPP. A La Vente - Partition D'Orchestre Disponible A La Location Uniquement/ Répertoire / Parties Orchestrales

Händel, Georg Friedrich
Concerto for Flute (Oboe) and Orchestra in G minor HWV 287
Urtext based on newly found source
Edition no.
BA08533-90
ISMN
9790006521142
The Concerto for Flute and Orchestra in G minor, HWV 287 is a first edition.
Although published in the Handel Complete Edition, IV/12 for oboe in 1971, the work has for many years been considered spurious because no contemporary source existed. This concerto was thought to have been written by an amateur musician who borrowed material from Handel's works written or published after 1733. The situation changed drastically when a contemporary set of parts for the concerto, originally copied in Stuttgart for the Erbprinz Friedrich Ludwig von Württemberg, were found in 1993. These parts, copied about 1720, show that the composer borrowed from this concerto for compositions such as the organ concerto HWV 296a, the concerto grosso op. 6 No.11, HWV 329 as well as the trio sonata in G minor, HWV 390. The parts are titled Concerto à 5 for 1 Flut Travers e Hautb , 2 Violino , 1 Alto Viola Col Basso continuo. This new critical edition by Terence Best is the first to make use of this new source. The score contains a lengthy preface and critical commentary.
- First ever publication making use of the new source material
- Informative preface describing the origin and genesis of the work
- A major new work for flute players / Partitions classique / Bois / Hautbois / BARENREITER

In an arrangement by A. E. Müller after the Clarinet Concerto K. 622-About Concerto in G major for Flute and Orchestra (1801)In an arrangement by A. E. Muller after the Clarinet Concerto K. 622. By Wolfgang Amadeus Mozart. Edited by Christopher Hogwood. For Flute Solo Oboe (2) Bassoon (2) Horn (2) Strings. Piano Reduction/Vocal Score; Single Part. KV 622. Duration 24'. Published by Baerenreiter-Ausgaben (German import). (BA5335 90)

Concerto For Flute And Orchestra D major K. 314 (285d).Flute Solo Oboe (2) Horn (2) Strings.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicians take all availablesources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.

Concerto For Flute And Orchestra D major K. 314 (285d).Flute Solo Oboe (2) Horn (2) Strings.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicians take all availablesources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.