Par SILVERMAN JERRY. Une collection vivante des chansons, des ballades et des mélodies de danse disposées en format de piano/voix. Ces mélodies capturent la vibrance de la culture espagnole et comprennent des accords de guitare. Toutes les paroles sont présentés en anglais et en espagnol. / Niveau : Débutant à Intermédiaire / Spanish - Songbooks / Recueil / Chant et Piano

For Solo Piano-This volume brings together the most memorable and frequently played set of works for the piano by Enrique Granados one of Spain's greatest modern composers.

Book Two of Laurie Holloway's Piano Sparklers contains a set of Preludes for Piano Solo suitable for players of Grade 1-3. Holloway is best known for his decades of work in television working with the UK's biggest names but he wrote the Piano Sparklers series all of which feature very playable preludes with his grandson Freddie to whom they are dedicated.

The strumming of Spanish Guitars the lyrical tribute to a great Spanish composer the passionate excitement of Iberian sensations the breathtaking exuberance of Spanish rhythms the reminiscence of Spanish culture-Spanish elements are infused in each of these five pieces. Rolled chords evoking a Spanish guitar enhanced rhythms with alternating hands and lyrical passion are all found in Sounds of Spain Book 4 by Catherine Rollin. These five late intermediate to early advanced solos explore many of the diverse dance and harmonic elements that make up the colorful Spanish music tradition. Each one is technically accessible yet containsdramatic sections that sound impressive. Titles: 'Fantasy at Alhambra' 'Homage to Granados' 'Rhapsodie Espagnole' 'Scherzo Brillante' 'Song of Spain'.

for Piano and Orchestra-The seven years that the Spanish composer Falla spent in Paris (from 1907 to 1914) marked a turning point in his compositions. His encounter with contemporary French Impressionist music made a big impact on him. From then on itwas to leave its mark on his oeuvre which was otherwise inspired by Spanish folk music. It was thanks to the advice of the pianist Ricardo Viñes and the composer Isaac Albéniz that Falla decided to expand his ?Nocturnes? for solopiano of 1909 into a three-part symphonic suite for piano and orchestra. He finally completed it in 1915 and named it ?Noches en los jardines de España? (?Nights in the gardens of Spain?). Yuja Wang kindly provided fingerings forthe solo piano part of de Falla?s enchanting musical evocation of his Andalusian homeland.

Isaac Albeniz (1860-1909) began his musical life as a piano prodigy in Barcelona at the age of four and it is as a prolific composer of solo works for the pianoforte that we must celebrate him most. This Dover edition presents two of Albeniz' best known works in authoritative editions: the piano suite Iberia generally considered to be his masterpiece; and the album leaves Espana which contain the 'Tango' his most popular individual work. Iberia is a collection of twelve musical scenes of Spanish life principally Andalusian written between 1906 and 1909. Its brilliant and complex character is suffused with the rhythms and harmonies of Spanish popular music to which Albenizturned for inspiration in the last years of his life. Espana an earlier work first published in 1890 is made up of six piano pieces that subtly reflect the influences of the piano literature of the 19th century-salon and like Iberia the harmony and style of Impressionism which Albeniz undeniably helped to establish.

?One closes one?s eyes and is bedazzled by the sheer wealth of invention in this music!? The person who spoke so enthusiastically about Albéniz one of the founders of the Spanish national style was none other thanClaude Debussy. The ?Suite Espagnole? for Piano is surely his most popular work. It reflects the manifold rhythms and melodies of different Spanish regions and in the last piece even Cuba is represented. Themuch loved composition ?Asturias? was also included in the collection. This work now joins ?Iberia? and the ?Chants d?Espagne? in our much renowned series of Albéniz? Piano works.

Isaac Albeniz's España Op.165 features six Piano compositions from 1890 by this renowned Spanish pianist and composer. Featuring Preludio Tango Malagueña Serenata Capricho Catalan and Zortzico.

Eight pieces for Piano inspired by poems by Tristan Klingsor for Mesdemoiselles Jacqueline and Lucienne Rouché. Transcribed from the original work for Piano solo (1911). 1. Les MarionnettesA marionette is a string-operated puppet. Popular from as far back as Ancient Greece and increasingly the focus of entertainment during the Middle Ages and Renaissance period it has been proposed that the art of puppetry was the logical precursor to the appearance of live actors in the theatre. Stravinsky's ground-breaking ballet Petrushka which was completed in 1911 (the same year as Grovlez's L'Almanach incidentally) undoubtedly remains thebest-known evocation of a puppet. 2. Berceuse de la Poupée'Lullaby for a doll' though a seemingly improbable starting point for a musical work functions beautifully next to the marionettes in Grovlez's magical image-rich world though I detect something faintly subversive bubbling under the surface of this sublime melody. 3. La SarabandeThe 'Sarabande' is a stately dance in triple-time with a characteristic gentle emphasis on the second beat and was apparently first referenced in print in Central America during the 16th century (zarabanda). It rapidly grew in popularity over successive centuries especially within the Spanish colonies – and of course in Spain itself – where its reputation as having being 'invented in hell' (according to Cervantes) assured it a place in dance suites from Bach's time onwards. 4. Chanson du Chasseur'Hunter's Song' is a rollicking rum-tee-tum piece of great insouciance and swagger. The 6/8 rhythms and horn-like proclamations ride delightfully roughshod throughout the music. 5. Les Ânes'The Donkeys'. I presume Eee-orrr has the same connotation in French! – moreover the comical spirit of the music is not so far removed from Ibert's famous Le Petit Âne Blanc (Avec une tranquille

Une superbe collection de piano solo célébré par les compositeurs espagnols./ Recueil / Piano

Variétés / Arrangement : Aline SANS / Feuillet ( feuillet paroles) / Feuillet imprimé sur du papier `Rives blanc naturel` 180 g/m2 conditionné dans une pochette plastique transparente /

Variétés / Arrangement : Patrice BOURGÈS / Feuillet ( feuillet paroles) / Feuillet imprimé sur du papier `Rives blanc naturel` 180 g/m2 conditionné dans une pochette plastique transparente /

Variétés / Arrangement : Aline SANS / Feuillet ( feuillet paroles) / Feuillet imprimé sur du papier `Rives blanc naturel` 180 g/m2 conditionné dans une pochette plastique transparente /

Fernando Obradors (1897-1945) was a self-taught composer and conductor. Born and raised in Catalonia he spent most of his working life in the Canary Islands but returned to Barcelona shortly before his death. Today he is remembered best for his four volumes of classic Spanish folk songs which he collected and arranged for solo Voice with Piano accompaniment. Canciones Clasicas Espanolas Vol. 4 is the last of these written c.1941.

The precision of the tangoâ?¦the rhythmic excitement of a flamenco guitaristâ?¦the clicking of wooden castanetsâ?¦the whirling of great dancers! Such impressions of Spain are captured effectively by Catherine Rollin in this fantastic sequel to Sounds of Spain Book 1. Seven intermediate solos explore many of the diverse dance and harmonic elements that make up the colorful Spanish music tradition. All are very manageable technically yet contain dramatic sections that sound difficult and showy. Great crowd-pleasers!