20 Greatest Hits. Par BOWIE DAVID. This commemorative songbook features 20 of David Bowie's greatest hits, spanning his entire career from 1969 to 2016. Each song is arranged for Piano, Vocal and Guitar, with full lyrics and Guitar chord boxes and symbols. Learn to play David Bowie's timeless and beloved songs with this sheet music collection. David Bowie was an actor, a fashion icon, an artist, a mime and a writer, but above all, his creative output as a musician brought him the respect, admiration and adoration enjoyed by few other pop stars before or since. His consistent re-invention of his aesthetic, style and sound, as well as his mysterious alter egos enabled him to mould his music to a number of genres, eluding easy classification and producing a string of widely acclaimed albums and singles. This collection of David Bowie sheet music features 20 songs that represent a musical icon from his first single Space Oddity, to Lazarus, from his acclaimed final album 'Blackstar'. Other songs in the collection are consistent hits, every single one of them sure to be instantly-recognisable. From Heroes to Changes and Jean Genie and from Life On Mars? to Let's Dance, these are just a few of the brilliant David Bowie songs you'll be able to play. This songbook also features a lengthy introductory tribute from renowned music journalist Chris Charlesworth, making this a fitting collection for the casual player, as well as the huge Bowie fan looking to learn a selection of his greatest hits. / Niveau : Intermédiaire / Recueil / Piano, Chant et Guitare

Albert Gamse compile les plus célèbres chansons et danses espagnoles et d'Amérique latine. Partitions pour piano et paroles. / Chant Et Piano / Partition

Ce document, unique par son ISBN 9790045008956 a été conçu par Falla Manuel De et a pour titre SEPT CHANSONS POPULAIRE ESPAGNOLES . Il fait partie de la catégorie Classique. / Voix Et Piano / Partition

Bowie: Hits presents over 40 of David Bowie?s greatest songs spanning his entire career, newly arranged for piano

All the best Broadway hits in one collection! Includes: Big Spender (Sweet Charity) · Don't Nobody Bring Me No Bad News (The Wiz) · Fame (Fame) · Good Morning Starshine (Hair) · Hernando's Hideaway (The Pajama Game) · I'm Not That Smart (The 25th Annual Putnam County Spelling Bee) · If Ever I Would Leave You (Camelot) · Knights of the Round Table (Spamalot) · Mamma Mia (Mamma Mia!) · Pretty Woman (Sweeney Todd - The Demon Barber of Fleet Street) · The Rain in Spain (My Fair Lady) · Razzle Dazzle (Chicago) · Summertime (Porgy and Bess) · Together Wherever We Go (Gypsy) · Toots Sweet (The Fantasticks) · and many more.

Par REJINO MONA. 6 gorgeous piano solos inspired by a recent trip to Spain! Each title represents a city Mona explored and became fond of. The sights and sounds of the country are beautifully conveyed in each harmony and rhythmic motif./ Répertoire / Piano

ABRSM Grades 4-6. This special collection of intermediate piano repertoire has been lovingly curated by internationally renowned pianist, Isata Kanneh-Mason. Inspired by her musical journey from childhood prodigy to accomplished performer, and drawing on her championship of female composers and composers of colour, Isata has handpicked a wonderfully diverse melange of music for players to explore. Alongside well-known classical masterpieces, Isata presents stunning pieces by Florence Price, Amy Beach and Eleanor Alberga, as well as a beautifully evocative new work by Natalie Klouda and her very own Waltz. Carefully edited and fingered, Piano Inspiration 1 is ideal both for recreational playing and those seeking own-choice repertoire for ABRSM Performance Grades (Grades 4?6). ? 16 pieces for intermediate players, each holding special significance to Isata ? A wonderful array of styles, composers and traditions that span four centuries of piano music ? Original works by Isata Kanneh-Mason and Natalie Klouda, specially composed for this collection ? Ideal for own-choice repertoire selection in ABRSM Performance Grades (Grades 4?6) Pianist Isata Kanneh-Mason is in great demand in the UK and internationally as a soloist and chamber musician. She offers eclectic and interesting repertoire and has performed at many of the world?s finest concert venues, including the Royal Albert Hall for her BBC Proms solo debut in 2023. As a Decca recording artist, she entered the UK classical charts at No. 1 with her 2019 album Romance, and has since released Summertime, featuring twentieth-century American repertoire; Muse, a duo album with her brother Sheku; and Childhood Tales, which showcases music inspired by a nostalgia for youth. Isata is recipient of the coveted Leonard Bernstein Award and the Opus Klassik Award for best young artist.

Christmas Carols For Pian-Nine Christmas Carols cunningly arranged as solos or duets where some of the tunes combine together in the same style as the Spartans widely popular Pianoel duet book (grades 2 - 3). See also More Pianoel.Grade: 1 - 2

Les Dix Récréations ont été écrites en 1946, à la fin des années Hollywood de Tansman. Ces pièces de caractères divers, composées expressément pour les jeunes pianistes, sont aussi agréables à l?oreille qu?elles le sont pour les doigts. L?attrait de ce cycle est aussi perceptible dans les titres évocateurs : Atmosphère espagnol, Rêves, Carrousel, Tristesse, Jour de pluie, À toute vitesse, Calme, Prière, Espièglerie, Toccata / Ten Diversions was written in 1946, at the very end of Tansman?s Hollywood years. These ten diverse and delightful pieces, specifically designed for young pianists, are as fun to listen to as they are to play. The expansive nature of this cycle can be witnessed in the evocative titles: Spanish Mood, Dreams, Merry-Go-Round, Melancholy, Rainy Day, Speeding Along, Prayer, Calm, Mischief, and Toccata / Classique / Partition /

Grades 6-7-Beautifully presented and thoroughly readable 'modern' editions of the best of these pre-Baroque masterpieces. Carefully graded.It has often struck me as intriguing that The Fitzwilliam Virginal Book (a collection of keyboard music spanning the period c.1562-1612) occupies a virtually non-existent place in the literature considered viable by pianists.Needless to say harpsichordists continue to hold the music in the highest esteem while a number of transcriptions for instruments and ensembles have been made available in more recent times. How can it be that this ancient heritage - which in keyboard music terms might be regarded as the equivalent to the DeadSea Scrolls - has hitherto seemed a no-go area for pianists? It is as if the first 'proper' keyboard music tumbled miraculously out of some parallel universe around Bach's time i.e. the first half of the 18th century. While our modern piano is perhaps as different from a virginal as a washing machine is from a mangle there are in fact a good many facets of virginal music which read across perfectly well to today's instruments. For this to be possible we need to take the time to look beyond peculiarities in translation which to a significant extent comes down to issues resulting from burgeoning notational practices. It also becomes necessary to re-imagine the music in light of what is possible as well as what is desirable. Problems with accessing the sound-world of pre-Baroque keyboard music can be overcome quite easily just as it is possible to become better in resonance with avant garde musical styles given appropriate immersion. Since the writing of the performance notes to The Fitzwilliam Virginal Book more than a century ago (by J.A. Fuller Maitland and W. Barclay Squire) the momentum generated by the Early Music Revival has brought about immeasurable insights into the intentions of Renaissance and Baroque composers. Performances on period instruments continue to reacquaint us with a bygone age and stimulate a healthy fascination for the