Dans son nouveau volume de la série Bilderklavier, Monika Twelsiek prend des jeunes pianistes lors d'un voyage autour du monde. À partir de l'Allemagne, elle va en Autriche et en Italie. L'Afrique est atteint par le navire avant - retour sur le continent européen - elle énonce d'Espagne à l'extrême nord, par la Pologne, la République tchèque, Hongrie, Russie et enfin à la Chine, l'Amérique et même les îles de la mer du Sud. Ce volume avec 34 pièces pour piano faciles est Veillée d'illustrations - et particulièrement adapté pour des leçons de piano imaginatifs pour les enfants. / Piano
SKU: HL.49044224
ISBN 9783795745684. UPC: 840126962567.
The 'Choir Books' by Carsten Gerlitz have long been an inside tip among lovers of popular choral music. Clever arrangements which are nevertheless quite easy to sing set modern accents and bring a fresher feel to the programme. The present Folk Choirbook takes a musical journey around the world, containing 15 choral settings of famous folk melodies from Africa, Australia, Germany, India, Ireland, Israel, Japan, Mexico, USA, Scotland, and Sweden. A treasure trove for choirs interested in the great variety and beauty of vocal music from all over the world.
SKU: HL.49044223
ISBN 9783795745677. UPC: 841886017092. German - English.
SKU: CF.CAS121F
ISBN 9781491154724. UPC: 680160913275. 9 x 12 inches. Key: A major.
To the Ocean expresses a sea-faring voyage filled with excitement and hope. The ocean changes its look in different situations, which is shown in the varied harmonic progressions. The music changes the colors and atmosphere like the ocean. Students will use staccato and legato in various scenes of the music in the often neglected key of A Major. Enjoy sailing across the ocean in this musical journey around the world. Other pieces by Yukiko Nishimura about the journey to the sea are Sailing! and Blue Water..To the Ocean expresses a sea-faring voyage filled with excitement and hope. The ocean changes its look in different situations, which is shown in the varied harmonic progressions. The music changes the colors and atmosphere like the ocean. Students will use staccato and legato in various scenes of the music in the often neglected key of A Major. Enjoy sailing across the ocean in this musical journey around the world. Other pieces by Yukiko Nishimura about the journey to the sea are “Sailing!” and “Blue Water.”.
SKU: HL.4008211
UPC: 196288138976.
This work is based on five folk songs from different cultures. Each song brings its own atmosphere and character, giving rise to a musical journey across the world in one continuous whole. Featuring Evening Rise (America), Lo Yisa Goy (Israel), Sakura (Japan), Finnegans Wake (Ireland) and Siyahamba (South Africa). The Native American song Evening Rise functions as a sort of chorus and thus creates a certain unity; each time the melody is arranged in a different way.
SKU: CL.011-3453-00
An entertaining rhapsody of familiar carols as Santa might hear them on his Christmas Eve journey around the world. Bright tempos and novel effects make this a terrific programming choice for any holiday performance! Easy enough for younger bands, but nice enough for more experienced bands who have limited rehearsal time! Lots of fun and totally audience friendly! Don't miss this great arrangement!
About C.L. Barnhouse Command Series
The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.
SKU: DY.DO-1522
ISBN 9782897963026.
Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux ?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. ? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didn??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
SKU: BR.EB-9468
ISBN 9790004189481. 9 x 12 inches.
His triptych for guitar quartet takes as inspiration the trilogy of gods of Memphis in ancient Egypt. The work is a poetic journey through the mythological landscapes of their world around 3000 BC. Sakkara is a plateau south of Cairo, where an ideal space for a culture of the afterlife developed, through tombs and the construction of the first pyramids. To this contributed the fundamental role of Imhotep, the great architect in the III Dynasty from the Sakkara area, who was almost a god in his time and most likely responsible for the stepped pyramid of Djoser. The trilogy is formed by the couple Ptah and Sekhmet, and Nefertem, their son. Ptah is the patron of artists, and at the same time the god for measuring time. Sekhmet was the wife and sister of Ptah, goddess of war -- related to the Sun god and associated with the color red. Nefertem, son of both, was the god of fragrance, of perfume and linked to the lotus flower, the symbol of rebirth. The three movements of this composition are musical spaces created on poetic associations around this mythical world and in an area that has always fascinated me: Sakkara. The work is commissioned by the Aleph-Gitarrenquartett, which is also its dedicatee. (Jose M. Sanchez-Verdu, 2022)World premiere: Karlsruhe, ZKM, January 14, 2023 Commissioned by the Aleph-Gitarrenquartett.
SKU: BR.EB-8835
Jussim takes us to cities that have become famous through their music, or, more precisely, through their rhythms.
ISBN 9790004183991. 9 x 12 inches.
Many cities around the world are celebrated for their unique beauty, their breathtaking sights or their historical significance. These elements also often go hand in hand. What is much less frequent is to showcase a city from the perspective of its music. This is precisely the path taken here by Stadte und Rhythmen on its journey to cities that have become famous through their music, or, more precisely, through their rhythms, and from where dances such as the polka, the waltz, the tarantella and others began their triumphant march through music history. Igor Jussim, known for his Blues Collection (EB 8718), fashions the pieces in Stadte und Rhythmen after characteristic patterns. He highlights the selected rhythms in a musical idiom and form that encourage the players access to these rhythms. Igor Jussim livre des morceaux originaux qui ne manquent pas de dynamisme. (Pianiste)Jussim takes us to cities that have become famous through their music, or, more precisely, through their rhythms.
SKU: WD.080689592171
UPC: 080689592171.
Easter! Resurrection Sunday! Believers across the world gather to offer praise and thanksgiving as they celebrate our Lord’s glorious victory over death, hell and the grave! Cries of “Hallelujah, He is risen!” ring out in the halls of cathedrals, from behind pulpits, and within the walls of our churches; they soar around the globe on broadcast signals, are proclaimed on the hillsides, shouted from the shores during Easter Sunrise services, and rise up from choir lofts, as singers lift their voices to sing of our Redeemer and conquering King. Yes, Hallelujah! He is risen!But before God’s awesome display of resurrection power raised Christ from the dead, the Savior had to walk that long, lonely road leading to Calvary. It is on that dark and dangerous road, through a journey of sorrow and suffering, that Christ willingly went to the cross. There He died for our sins, paying the ultimate price for our redemption. ROAD TO CALVARY, the new Easter musical from Word Music & Church Resources, arranged by Daniel Semsen, walks us down the path leading to Calvary’s road. Together we follow His footsteps as Jesus traveled from Nazareth, across the hills of Galilee, traversing the Mount of Olives, and walking a lifetime of steps toward Gethsemane. There He prayed all alone in the garden, agonizing over the terrible pain and suffering He knew He would soon endure. Carrying the weight of our sins up Calvary's hill, He gave His life’s blood for the redemption of every man, woman and child; there He established this unimaginably beautiful truth for all people, for all time...Calvary covers it all.
