Op. 38. Par ELGAR EDWARD. This is the best of me, wrote Edward Elgar after the final measure of his Dream of Gerontius. Premiered in 1900, in Great Britain the work has long been a standard work in the repertoire of large oratorio choirs. Elgar?s moving, poetic setting of the eponymous poem by Cardinal John Henry Newman is about a dying man and his journey beyond death to God. Before the eyes of the listeners, a musical image of the soul is created which flies past mocking demons to God with its protecting angel at its side, is allowed to look at him briefly, then faces the purgatorial fire of salvation confident and comforted. The work is a real rarity in the history of oratorio, and for large choirs it is a thrilling alternative to the established repertoire of Requiem settings. Its popularity is thanks to the suggestive, often sensuous power of the music, the great choral scenes of the demons and the Angel, and the three impressive solo parts. All previous editions were reprints based on the historic first printed materials, which are inconsistent. By contrast, Carus has produced a modern, newly-engraved edition, compatible in all sections, which takes all the sources into consideration and evaluates the autograph manuscript in detail. For this edition the complete orchestral material is available on sale, and the vocal score and full score contain both English and German singing texts. The full score is also available digitally. / Date parution : 2022-05-31/ Répertoire / Solistes, Ch?ur SATB et Orchestre

Reconstruction by Klaus Hofmann - BWV 80a / 80.1. Par BACH JOHANN SEBASTIAN. / Date parution : 2022-05-03/ Répertoire / Soli [SATB], Ch?ur SATB, Hautbois, 2 Violons, Alto

Kantate Zum Sonntag Septuagesimae. Par BACH JOHANN SEBASTIAN. Tonalité : h-Moll - Horn, Paul (Arr.) - Wicker, Vernon (Trad.) - BWV 92/ Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois d'Amour, In

Par MENDELSSOHN-BARTHOLDY FELIX. Reihen bei Carus: Stuttgarter Ausgaben (Urtext) - Verwendung / Anlässe: Kommunion, L Hautbois und Dank - Langue : Latin/Allemand/ Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Kantate Zu Neujahr - Am Fest Der Beschneidung Christi. Par BACH JOHANN SEBASTIAN. Tonalité : D-Dur - Drinker, Henry (Trad. ) - BWV 171/ Répertoire / Solistes SATB, Choeur SATB, 3 Trompettes, Timbales

Par GARCIA JOSE MAURICIO NUNES. Garcia, born in 1767 in Rio de Janeiro, and priest and music director at the cathedral there, is still hardly known. Among his spiritual works are four settings of the Mass for the Dead. The present „Missa dos Defunktos“ was commissioned by the Portuguese King Dom Joao VI in the memory of Queen Maria I, who died in 1816. The composition, in the key of D minor, shows parallels in several places to Mozart’s Requiem, which Garcia performed two years later [1819] for the first time in Brasil. / Requiem / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Responsum. Par HASSE JOHANN ADOLF. Vesper-Responsum für Soli, gem. Chor und Orchester/ Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Cors, 2

Tonalité : C-Dur - D 452. Par SCHUBERT FRANZ. Gattungen: Messen, lateinisch - Reihen bei Carus: Stuttgarter Ausgaben (Urtext) - Langue : Latin / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Violons, Violoncelle

Passionskantate. Par HOMILIUS GOTTFRIED AUGUST. He was without argument our greatest church composer, wrote the lexicographer E. L. Gerber a few years after Homilius's death in 1785. As a result of the destruction of the Kreuzkirche during the Seven Years War, the longtime Kreuzkantor, a pupil of Bach, performed his professional musical duties primarily at the Frauenkirche in Dresden. The Passionskantate was well received and widely disseminated during the 18th and 19th centuries: Thanks to its popularity it was published in 1775 by Breitkopf as a full score - a rare honor, accorded to only one other Passion in the 18th century [Graun's 'Tod Jesu']. The text describes the events of the Passion from a very personal pointof view: The story focuses less on the actual events, then upon the feelings of the observers of these events. The subjective nature of the narrative is reflected in a very dramatically marked style of recitative, which presents a charming contrast to the expressive choral writing and the melodically accented arias. With the release of a new music editions and a SACD/CD the Passionskantate can now be 'rediscovered. '/ Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Wq 215. Par BACH CARL PHILIPP EMMANUEL. Gattungen: Magnificat - Verwendung / Kirchenjahr: Wei cor achten - Langue : Latin/ Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Tonalité : Es-Dur - Horn, Paul (Arr.) - Kv 243. Par MOZART WOLFGANG AMADEUS. Gattungen: Litaneien - Reihen bei Carus: Stuttgarter Ausgaben (Urtext) - Verwendung / Anlässe: Eucharistie, Abendmahl, Marienfeste, Marianische Gesänge - Verwendung / Kirchenjahr: Fronleic cor am - Langue : Latin/ Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Par ROSSINI GIOACHINO. Messen, lateinisch - Langue : Latin/ Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Cors, 2

Par MENDELSSOHN-BARTHOLDY FELIX. Reihen bei Carus: Stuttgarter Ausgaben (Urtext) - Verwendung / Anlässe: Kommunion, L Hautbois und Dank - Langue : Latin/Allemand/ Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Par SCHUBERT FRANZ. SATB Soli - SATB Chorus - 0.2.2.2 - 2.2.3.0 - Timbales - Strings - Durée: 4/ Répertoire / Parties Orchestrales

Kantaten I-Iii. Par BACH JOHANN SEBASTIAN. ?A widely-accepted form for the Christmas Oratorio is to perform parts I?III exclusively. In their concentration on the actual Christmas story they form a rounded whole. The present edition is conceived especially for this kind of performance. ? [Singen und Musizieren im Gottesdienst, Juli/August 2000] / Oratorio / Répertoire / Solistes SATB, Choeur SATB, 3 Trompettes, Timbales