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Johann Sebastian Bach: Johannespassion: SATB
Soli, Mixted choir and accompaniment
satb (soli), SATB (chorus), Keyboard
[Sheet music]
Carus Verlag
Fassung IV-with the unfinished revision [1739] an an appendix. The St. John Pass...
(+)
Fassung IV-with the unfinished revision [1739] an an appendix. The St. John Passion ranks among the great vocal works from Bach?s Leipzig years. In contrast to his other large-scale choral works however Bach never gave this work a definitive final form. Rather for every performance he made numerous changes. All previous editions of the St. John Passion have combined readings from various layers of sources. The wish often expressed by conductors to perform an authentic version is made possible for the first time with the present edition in this fourth and final version which was performed under Bach?s direction in 1749. At the same time with the aid of the appendix it is possibleto perform the work in the traditional ?mixed version.?
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Johann Sebastian Bach: Mass in A major BWV 234 Lutheran Mass 2: Mixed Choir:
Soli, Mixted choir and accompaniment
satb (soli), SATB (chorus), Keyboard
Barenreiter
Lutheran Mass 2-Often overshadowed by the more famous Mass in B minor the four ...
(+)
Lutheran Mass 2-Often overshadowed by the more famous Mass in B minor the four Lutheran Masses feature glorious choruses and sincerely moving arias. They are largely taken from various cantata movements and adapted to the Mass texts.- Urtext of the New Bach Edition- Full score performance material and vocal score for all 4 Masses (BA5182-BA5185) available for sale
9.50 GBP - Sold by Musicroom UK
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Johann Sebastian Bach: Mass in A major BWV 234 Lutheran Mass 2: Mixed Choir:
Soli, Mixted choir and accompaniment
satb (soli), SATB (chorus), Keyboard
Barenreiter
Lutheran Mass 2-Often overshadowed by the more famous Mass in B minor the four ...
(+)
Lutheran Mass 2-Often overshadowed by the more famous Mass in B minor the four Lutheran Masses feature glorious choruses and sincerely moving arias. They are largely taken from various cantata movements and adapted to the Mass texts.- Urtext of the New Bach Edition- Full score performance material and vocal score for all 4 Masses (BA5182-BA5185) available for sale
6.50 GBP - Sold by Musicroom UK
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Wolfgang Amadeus Mozart: Missa in C major KV 317 Coronation Mass : Mixed Choir:
Soli, Mixted choir and accompaniment
satb (soli), SATB (chorus), Keyboard
BARENREITER
Composed in 1779 Mozart?s ?Coronation Mass? in C major K. 317 is one of the m...
(+)
Composed in 1779 Mozart?s ?Coronation Mass? in C major K. 317 is one of the most popular settings of the Ordinary thanks to its festive character and the wealth and variety of its musical ideas.This edition is based on the Urtext of the New Mozart Edition and makes the work available in all its radiant beauty.- Full score and performance material (BA4880) vocal score (BA4880-90) and study score (TP316) available for sale.
9.50 GBP - Sold by Musicroom UK
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Johann Sebastian Bach: Mass in A major BWV 234 Lutheran Mass 2: Mixed Choir:
Soli, Mixted choir and accompaniment
satb (soli), SATB (chorus), Keyboard
Barenreiter
Lutheran Mass 2-Often overshadowed by the more famous Mass in B minor the four ...
(+)
Lutheran Mass 2-Often overshadowed by the more famous Mass in B minor the four Lutheran Masses feature glorious choruses and sincerely moving arias. They are largely taken from various cantata movements and adapted to the Mass texts.- Urtext of the New Bach Edition- Full score performance material and vocal score for all 4 Masses (BA5182-BA5185) available for sale
6.00 GBP - Sold by Musicroom UK
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Charles Gounod: Messe brève no. 7 in C aux chapelles: SATB: Vocal Score
Choral SATB
satb (soli), SATB (chorus), Keyboard
[Vocal Score]
Carus Verlag
Gounod's Messe brève no. 7 aux chapelles for SATB.
102.00 GBP - Sold by Musicroom UK
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Franz Joseph Haydn: Mass In B-flat Major: Mixed Choir: Vocal Score
Soli, Mixted choir and accompaniment
satb (soli), SATB (chorus), Keyboard
Barenreiter
Between 1796 and 1802 Haydn composed 6 great Masses to celebrate the name day of...
(+)
Between 1796 and 1802 Haydn composed 6 great Masses to celebrate the name day of Princess Maria Hermenegild the wife of his patron Prince Nikolaus Esterhazy II.The Theresa Mass was the fourth of these composed in 1799 and although the title page of the score simply has the word 'Missa' the nickname Theresienmesse remains a matter for speculation but is usually attributed to the work’s supposed association with Marie Therese the wife of the Emperor Franz II.- Urtext from Joseph Haydn Werke- Full score (with Nelson Mass) (BA4660) available for sale- Parts (BA4661) vocal score (BA4661-90) and study scoreformat 22.5 x 16.5cm (TP99) available for sale
20.50 GBP - Sold by Musicroom UK
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Wolfgang Amadeus Mozart: Vesperae Solennes De Confessore: Mixed Choir: Vocal
Soli, Mixted choir and accompaniment
satb (soli), SATB (chorus), Keyboard
[Sheet music]
Carus Verlag
Mozart's Vesperae solennes de Confessore for SATB.contents: Dixit Dominus (Ps 10...
(+)
Mozart's Vesperae solennes de Confessore for SATB.contents: Dixit Dominus (Ps 109) in C major. Confitebor (Ps 110) in E flat major Beatus vir (Ps 111) in G major Laudate pueri (Ps 112) in D minor Laudate Dominum (Ps 116) in F major Magnificat in C major The present new critical editon of the 'Vesperae solennes de Confessore' KV 339 edited by Wolfgang Horn is the first edition since the publication of the ?old? Complete Edition from 1880 to be based on Mozart?s autograph score. It was thought to have been lost after the second world war but for the past several years it is again accessible through the Biblioteka Jagiellonska in Kraków. This work is now availablein carus music the choir app!
9.20 GBP - Sold by Musicroom UK
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Ludwig van Beethoven: Mass In C Op.86: Mixed Choir: Vocal Score
Soli, Mixted choir and accompaniment
satb (soli), SATB (chorus), Keyboard
Barenreiter
Features of the Barenreiter Urtext edition of Beethoven's Mass In C Major:Score ...
(+)
Features of the Barenreiter Urtext edition of Beethoven's Mass In C Major:Score with realisation of the Organ partBilingual Foreword (Eng/Ger) and Critical Commentary (Eng)Straight-forward Piano reductionFull score and performance material (BA9039) and Vocal score (BA9039-90) available for saleAmongst Beethoven’s sacred works are two settings of the Mass. The Mass In C Major was completed and premiered in 1807 and has been unjustly described as a preliminary step towards the great Missa solemnis. Yet it is a self-contained and for its time distinctly modernpiece of sacred music.Beethoven specialist Barry Cooper has drawn on a rich body of sources to suggests practical solutions to the work’s musical and interpretative problems. His in-depth study of the sources convinced him to include a fully realised Organ part in the score just as Beethoven envisioned it for the first printed edition. As stated in the original sources the parts for the soloists and choir are notated on joint staves to demonstrate that the soloists are also to sing the choral passages.This Barenreiter Urtext edition is rounded off with a foreword on the work’s genesis and a detailed critical commentary.
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L'Orfeo: Mixed Choir: Vocal Score
Soli, Mixted choir and accompaniment
satb (soli), SATB (chorus), Keyboard
Barenreiter
Monteverdi’s opera “L’Orfeo” based on the legend of Thr...
(+)
Monteverdi’s opera “L’Orfeo” based on the legend of Thracian singer Orpheus and his love of Eurydice is a masterpiece of musical declamation and ornamentation. It was first performed during the 1607 carnevale in the “Palazzo Ducale” in Mantua.When an edition remains true to its sources this certainly does not mean that it is not also practical to use as is demonstrated in this Bärenreiter edition of Monteverdi’s “L’Orfeo”. Edited by Rinaldo Alessandrini the new publication follows the Bärenreiter edition of Monteverdi’s “Il ritorno d’Ulisse in patria”.Two contemporary prints of “L’Orfeo” from the years 1609 and 1615 have been passed down to us. Four copies of each of these prints still survive today in public libraries. The later print includes many corrections to the earlier edition and was accordingly used as the primary source for this Bärenreiter edition. However when solving musical problems the editor frequently follows the more coherent style of the earlier print. The numerous interesting variants not only between the two editions but also amongst the eight surviving copies are listed in the critical commentary.This edition of “L’Orfeo” offers in addition to Monteverdi’s somewhat sparse original figures also figures added to the bass line by the editor. The continuo player should however feel free to follow his own judgment. The notation has been when necessary adapted to suit modern practice for example with regard to the clefs. The sections that were originally written in “chiavetta” have been transposed a fifth lower. In the appendix these sections also appear in their original notation in facsimile as well as transposed a fourth lower. Detailed introduction by the editor (Ital/Eng/Ger) on the work’s genesis and performance practice Comprehensive critical commentary (Eng) in the score Idiomatic piano reduction
41.50 GBP - Sold by Musicroom UK
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Franz Schubert: Mass In G: SATB: Vocal Score
Choral SATB
satb (soli), SATB (chorus), Keyboard
[Vocal Score]
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Intermediate
Novello & Co Ltd.
A revised 1977 edition of Schubert's Mass In G For soprano tenor and bass soli ...
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A revised 1977 edition of Schubert's Mass In G For soprano tenor and bass soli SATB chorus strings and organ. Optional wind and timpani.
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Franz von Suppé: Missa pro defunctis: SATB
Soli, Mixted choir and accompaniment
satb (soli), SATB (chorus), Keyboard
[Sheet music]
Carus Verlag
Requiem-Franz Suppè wrote his Requiem not as a humanistic or pantheistic lame...
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Requiem-Franz Suppè wrote his Requiem not as a humanistic or pantheistic lament for the dead but as a work created on the basis of firm Christian and Catholic faith. The fact that Suppè succeeded in writing a Requiem which remains within the theological-liturgical bounds without sacrificing the values of an autonomous work of art is perhaps the greatest - although hitherto unrecognized- achievement of this work.
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Wolfgang Amadeus Mozart: Missa brevis in B KV 275 [272b]: SATB
Soli, Mixted choir and accompaniment
satb (soli), SATB (chorus), Keyboard
[Sheet music]
Carus Verlag
B-Dur-To a greater extent than almost any others Mozart's Masses combine a very...
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B-Dur-To a greater extent than almost any others Mozart's Masses combine a very high degree of artistic accomplishment and tonal beauty with fulfilment of the demands made by the Liturgy. Even the textually expansive movements 'Gloria' and 'Credo' are in most of Mozart's Masses short enough to meet the requirements of a festive service today as in his time. The choral parts are not too difficult for well-trained amateur singers.
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Felix Mendelssohn Bartholdy: Der 42. Psalm - Wie der Hirsch schreit op. 42:
Soli, Mixted choir and accompaniment
satb (soli), SATB (chorus), Keyboard
Barenreiter
Bilingual foreword (Ger/Eng).Original German as well as English text.Includes a ...
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Bilingual foreword (Ger/Eng).Original German as well as English text.Includes a Piano reduction by the composer.The setting of Psalm No.42 Op.42 Wie der Hirsch schreit nach frischem Wasser (As the hart pants after the waterbrooks) for Soloists mixed Choir and full Orchestra dates back to 1837. The well-known Mendelssohn specialist John Michael Cooper has evaluated the first printed edition of the score prepared by the composer himself as well as taking all other important sources into account. This Urtext edition is rounded off by a detailed critical commentary (Ger/Eng). The Piano reduction is by Mendelssohn and is anauthentic part of this edition.
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Franz Joseph Haydn: Missa Sancti Bernardi Von Offida: Voice: Vocal Score
Soli, Mixted choir and accompaniment
satb (soli), SATB (chorus), Keyboard
Barenreiter
Bernard of Offida 1604 1694 was a Capuchin monk whose saintly life and devoti...
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Bernard of Offida 1604 1694 was a Capuchin monk whose saintly life and devotion to the sick and poor caused him to be beatified by Pope Pius VI on 19 May 1795. St. Bernard?s name day falls on the 11th of September (a Saturday in 1797) and it is generally thought that Haydn combined doing honour to the Capuchin monk with the production of a new Mass for his patron the day thereafter.Apparently later performances in Eisenstadt added horns to double the trumpets in the tuttis and just as in the previous Mass the clarinet parts were enlarged; it is almost certain that the new clarinet parts are either by Haydn or (shall we say) ?supervised? by him. As inthe Mass in Time of War conductors have the choice of two orchestrations: with or without doubling horns and with or without the supplementary clarinet parts.The Heiligmesse has always been one of Haydn?s most admired works. Its dignity its strength (we draw special attention to the extraordinary ?Gratias? with its brilliant contrapuntal writing) the subdued orchestral grandeur to which the B-flat trumpets contribute a silvery but unmartial weight all these have made it one of Haydn?s most serious and most deeply sensitive church works: its constant popularity in Viennese churches is quite deserved.Urtext from Joseph Haydn WerkeFull score (together with Missa Cellensis [Mariazellermesse] Hob.XXII:8; Missa brevis Sti Joannis de Deo [Little Organ Mass] Hob.XXII:7; Missa in Tempore Belli [Mass in Time of War] Hob.XXII:9) available for saleParts (BA4651) and vocal score (BA4651-90) available for sale
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Ludwig van Beethoven: Mass In C Op.86: SATB: Vocal Score
Choral SATB
satb (soli), SATB (chorus), Keyboard
[Vocal Score]
Peters
Editions Peter's presents a wonderful vocal score for Beethoven's Mass In C Op.8...
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Editions Peter's presents a wonderful vocal score for Beethoven's Mass In C Op.86 arranged for SATB and Piano accompaniment.
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Johann Sebastian Bach: Ein Feste Burg Ist Unser Gott BWV 80: SATB: Vocal Score
Choral SATB
satb (soli), SATB (chorus), Keyboard
[Vocal Score]
Carus Verlag
Kantate zum Reformationsfest [Rekonstruktion: Reinhold Kubik]-J.S. Bach's Ein fe...
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Kantate zum Reformationsfest [Rekonstruktion: Reinhold Kubik]-J.S. Bach's Ein feste Burg ist unser Gott for SATB and Orchestra.Bach's Reformation cantata based on what is probably Martin Luther's most famous hymn evolved over a period of several years. At the beginning was a Weimar cantata for Oculi Sunday 1716 now missing which was based on the hymn with an instrumental quotation in the opening aria and with the final chorale. In the Leipzig years around 1730 Bach wrote a cantata for Reformation Day using this material. It began with the first verses of Luther's hymn in a simple four-part setting and also included the other verses. Later on in the 1730s or 1740s Bach replaced the introductory chorale movement with achorale setting which was unique spacious and motet-like in its style; this uniquely in this respect incorporated the choral writing in an instrumental canon for oboes and organ continuo. The powerful opening chorus is followed by recitatives and arias which reflect the full breadth of Bach's art of word painting and emotion. One of Bach's most magnificent cantatas one of the greatest works in the history of music. In addition to the complete performance material the arrangements of movements 1 and 5 (with 3 trumpets timpani as playing score) by Wilhelm Friedemann Bach are available.
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Wolfgang Amadeus Mozart: Shorter Sacred Works: SATB: Vocal Score
Choral SATB
satb (soli), SATB (chorus), Keyboard
[Vocal Score]
Barenreiter
This selection of relatively short sacred works by Wolfgang Amadeus Mozart gives...
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This selection of relatively short sacred works by Wolfgang Amadeus Mozart gives active choruses an opportunity to perform these pieces without having to hire an expensive instrumental ensemble. The works including the moving ?Te Deum laudamus ? (K. 141) the brilliant ?Jubilate? from ? Benedictus sit Deus? (K. 117) and the immortal ?Ave verum? are well-suited to performance in church services or concerts. Andreas Köhs has sensitively arranged the orchestral parts for organ using the original score to produce self-contained versions for chorus and organ. The vocal parts follow the Urtext of the New Mozart Edition.Self-contained versions with organ instead oforchestraIdeal for church services and concertsStraightforward easy-to-play organ partThe Bärenreiter Choir & Organ Series presents great choral works in arrangements for soloists choir and organ; no orchestra is needed.The original orchestral parts have been transcribed into easy-to-play organ reductions whereby the contemporary tradition of such arrangements has been taken into consideration. In some cases the original organ versions by the composer were used. The organ parts are presented on three staves. The choir and solo parts always remain true to the original. You need only one edition for soloists singers and organist alike.
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John Joubert: A Song For St. Stephen: SATB: Vocal Score
Choral SATB
satb (soli), SATB (chorus), Keyboard
[Vocal Score]
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Intermediate
Novello & Co Ltd.
A Song for St. Stephen is freely based on the 'Chorale' melody from Joubert's or...
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A Song for St. Stephen is freely based on the 'Chorale' melody from Joubert's oratorio Wings of Faith. The work was commissioned by the BCSO Chorus and Orchestra and is scored for SATB Soli Junior and Senior Youth Choirs Adult Mixed Choir and Orchestra. Here the Orchestra is reduced for Organ and maybe performed thus.
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Johannes Brahms: Ein deutsches Requiem: Mixed Choir
Soli, Mixted choir and accompaniment
satb (soli), SATB (chorus), Keyboard
[Sheet music]
Carus Verlag
nach Worten der Heiligen Schrift-Since its first complete performance in 1868 in...
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nach Worten der Heiligen Schrift-Since its first complete performance in 1868 in the Cathedral of Bremen Brahms's Ein deutsches Requiem is without question one of the key works in the history of the oratorio. The reputation of the work is based not only on its unusually concentrated musical structure but also on the original conception of the text: Brahms assembled important passages from both the Old and New Testaments in Luther’s translation so that thoughts on sorrow and consolation would obviously refer to one another. In contrast to many other oratorios of the 19th century Brahms places the choir the voice of the community in the center of this interdenominational celebration of the dead.
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Johann Sebastian Bach: Nach Dir Herr Verlanget Mich: SATB: Vocal Score
Choral SATB
satb (soli), SATB (chorus), Keyboard
[Vocal Score]
Carus Verlag
BWV 150 - Kantate für den Bußgottesdienst-J.S. Bach's Nach dir Herr verlange...
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BWV 150 - Kantate für den Bußgottesdienst-J.S. Bach's Nach dir Herr verlanget mich for SATB and Piano.
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Charles Gounod: Les sept paroles du Christ sur la croix: SATB
Soli, Mixted choir and accompaniment
satb (soli), SATB (chorus), Keyboard
Carus Verlag
Die Sieben Worte-The edition is a photomechanical reprint of the first edition a...
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Die Sieben Worte-The edition is a photomechanical reprint of the first edition and it also contains a piano reduction which is only intended to facilitate the preparation of the work.
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Marc-Antoine Charpentier: In Nativitatem Domini Canticum: Mixed Choir: Vocal
Soli, Mixted choir and accompaniment
satb (soli), SATB (chorus), Keyboard
[Sheet music]
Barenreiter
Charpentier composed ?In Nativitatem Domini Canticum? during his period as maît...
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Charpentier composed ?In Nativitatem Domini Canticum? during his period as maître de musique at the church of St Louis in Paris (around 1690). It is in the tradition of the oratorios of Carissimi and his contemporaries but is more easily described as a ?Grand Motet? or ?Histoire sacrée? a genre in which Charpentier excelled. The work was probably intended for performance during mass on Christmas Day and thus had a liturgical function as was customary during the period of Louis XIV in Paris.The text presents the Christmas story in three sections: the chorus of the faithful the actual story of the birth of Jesus and the adoration ofthe shepherds in the fields. The music reveals a subtle mixture of French and Italian styles with dramatic elements.For the first time this work prepared by the acknowledged Charpentier expert Joel Schwindt is presented in a scholarly-critical edition where all sources have been consulted.A detailed foreword and critical commentary provide detailed information which fulfil all the criteria of an Urtext edition.- First Urtext edition of this work.- An important addition to the repertoire for Christmas.- Straightforward clear Piano reduction.- Foreword (Ger/Eng) and critical commentary (Eng).- Full score performance material (BA7673) & Vocal score (BA7673-90) available for sale.
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Felix Mendelssohn Bartholdy: Lauda Sion Op.73: Mixed Choir: Vocal Score
Soli, Mixted choir and accompaniment
satb (soli), SATB (chorus), Keyboard
Breitkopf & Härtel
Piano Score for SATB Soloists and SATB Choir
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Johann Adolf Hasse: Beatus vir: SATB: Vocal Score
Choral SATB
satb (soli), SATB (chorus), Keyboard
[Vocal Score]
Carus Verlag
Vesperpsalm-J.A. Hasse's Beatus vir for SATB.
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Georg Friedrich Händel: L'Allegro Il Penseroso Ed Il Moderato: SATB: Vocal
Choral SATB
satb (soli), SATB (chorus), Keyboard
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Intermediate/advanced
Novello & Co Ltd.
G.F. Handel's masterful L'Allegro Il Penseroso Ed Il Moderato have been expertl...
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G.F. Handel's masterful L'Allegro Il Penseroso Ed Il Moderato have been expertly-edited by Donald Burrows to present this complete vocal score arranged for two Soprano Tenor and Bass Soli with an SATB Chorus and Orchestra. This complete edition of L'Allegro Il Penseroso Ed Il Moderato features the 1740 1741 and 1743 scores reflecting Handel's personal changes involving alternative and additional movements. The 1740 score is a complete reconstruction requiring two Soprano a Tenor and a Bass soloists. For the longer 1741 score Handel added extra movements toaccommodate additional soloists the complete version of which is included here. Finally the 1743 score boasts a radical change from the previous years with a removal of part three and a significant rearrangement of other movements. L'Allegro Il Penseroso Ed Il Moderato was first performed on the 27th of February 1740 at the Lincoln's Inn Fields theatre after just over a month of drafting. The work is a setting of a libretto by James Harris and Charles Jennens based on John Milton's two complementary yet contrasting poems about the relative virtues of happiness and melancholy. This edition of L'Allegro Il Penseroso Ed Il Moderato presents practical versions of the score which are based on the musical schemes of Handel's performances in 1741 and 1743. For a complete vocal score of this masterpiece by one of the all-time great composers this Novello Handel Edition is authoritative.
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Igor Stravinsky: Les Noces (English/German Vocal Score): SATB: Vocal Score
Choral SATB
satb (soli), SATB (chorus), Keyboard
[Vocal Score]
Chester
Les Noces (English/German Vocal Score)
49.99 GBP - Sold by Musicroom UK
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