Antonio Vivaldi?s Magnificat in G minor has come down to us in two conflicting versions. The earlier one probably the original version (RV 610) is dominated by impressive but largely straightforward choral passages set against a few brief vocal ensembles manageable by soloists from the choir.In the later version (RV 611) the solo parts and one chorus are replaced by demanding virtuoso arias. Andreas Köhs arrangement for soloists chorus and organ allows performers to choose between these two versions and is equally suitable for use in church and concert hall.Standard repertoire work easy to performIndependent version for soloists (RV 610: SSAT;RV 611: SA) chorus (SATB) and organClear and well presented organ partSuitable for use in church and concert hallDuration: ca. 15 minutes (RV 610) or 20 minutes (RV 611)The Bärenreiter Choir & Organ Series presents great choral works in arrangements for soloists choir and organ; no orchestra is needed.The original orchestral parts have been transcribed into easy-to-play organ reductions whereby the contemporary tradition of such arrangements has been taken into consideration. In some cases the original organ versions by the composer were used. The organ parts are presented on three staves. The choir and solo parts always remain true to the original. You need only one edition for soloists singers and organist alike.

Will Todd born in 1970 is forging a strong reputation for himself as a composer who is equally at ease in opera oratorio church music and jazz. His style is instantly accessible and lastingly memorable. He spent his formative years steeped in both jazz and the English choral tradition so in his choral music he is able to juxtapose strong rhythmic drive and rich harmonies with exquisitely lyrical vocal lines. 'The Christ-child' is an example of Todd's writing at its most beautiful. Setting words by G.K. Chesterton slow-moving piano chords underpin sublime four-part choral textures. 

Par FORBES L'ESTRANGE JOANNA (Arr.). Wade in the Water is a lively and infectious spiritual. Its features include a call-and-response texture, jazz ‘scat’ vocalization and finger clicks on beats 2 and 4 of the measure. This arrangement by Joanna Forbes L’Estrange remains true to the spirit of Eva Cassidy’s well-loved version, adapting the instrumental improvisation on the recording to create a fun scat section.  Listen to Eva Cassidy’s version and aim for the same passion and commitment, allowing the voices as much freedom of expression as is possible in a choral texture. This piece is part of the Faber Choral Singles series, offering a selection of beautifully crafted arrangements in a diversity of musical styles. From Broadway, pop and folk to spirituals, gospel and original works, the series is arranged for 3-part choir (soprano, alto and a combined male-voice part) providing flexibility for any choir. Complete with straight-forward piano accompaniments supporting the vocal lines, the Faber Choral Singles series guarantees the perfect repertoire for every occasion – so get exploring and get singing! / Choral Music / Répertoire / Voix Mixtes et Piano

The Mamas and The Papas' hymn to the West Coast state California Dreamin ' was actually written in chilly New York City by John and Michelle Phillips before they even formed the band that made them famous. Simon and Garfunkel were New York through and through and Simon's jaunty song about the Queensboro Bridge - aka Feelin' Groovy - uses its local colloquial name. Skeeter Davis, born Mary Frances Penick, was the survivor of a car crash that killed her singing partner Betty Jack Davis. They had enjoyed some success as The Davis Sisters but The End Of The World was the biggest hit of Skeeter's subsequent solo career. In My Room saw The Beach Boys moving indoors from all that sun and sand and recording one of their most reflective and lovely songs. Meanwhile the British invasion was threatening the pop status quo in America and Can't Buy Me Love , from the film Hard Day's Night, gave The Beatles yet another number one in the US charts. Novello Choral Pops: Sixties Hits contains these five decade-defining hits, newly arranged for SATB Choir with Piano accompaniment. / Choeur Mixte (SATB) Et Piano

Choral masterpieces celebrating nature in all its diversity-Pastorale brings together some of the finest choral music based on rural themes. This volume will provide material for any concert based on the broad theme of nature and would be an ideal compilation for any summer's serenade or open-air concert. The collection includes works by Britten Finzi Vaughan Williams and Canteloube. The anthology has been put together by Nigel Perrin former King's Singer choral expert and conductor of the Bath Camerata.The Boosey & Hawkes Concerts for Choirs series is an innovative approach to concert planning for choirs. Each volume contains a wealth of material to help the choral director assemble a concert programme- all from one volume. The anthology draws on the vast Boosey and Hawkes archive and also includes many specially-composed or newly-arranged pieces.

Par PARRY BEN. Ben Parry presents a trio of Christmas classics from the 60s, 70s and 80s. Two lively, light-hearted numbers, I'm Gonna Be Warm This Winter and I Wish It Could Be Christmas Every Day, are followed by Band Aid's compelling Do They Know It's Christmas? Arranged for accompanied SATB mixed voices. The Choral Programme Series is now a well-established programming tool for many choirs as it offers a wealth of fresh material from many eras and in many styles.  Please view sample pages below. / Choral Music / Répertoire / Voix Mixtes et Piano

The Beatles-A delightful choral arrangement of the 1967 No.1 hit by The Beatles arranged for SATB chorus and Piano accompaniment. This deceptively simple song from the Magical Mystery Tour album has become one of the most significant and celebrated pop songs of all time and is guaranteed to be a sing-along favourite at any choral performance.An arrangement for SAB chorus is available - catalogue number HL089200936 An arrangement for 2-part choir is available - catalogue number HL089200937

Anthologised for the first time these sacred choral works have been collected over the past thirty years. They represent an illuminating cross-section of some of Robert Walker's finest choral works and should be well within the capabilities of most choirs.

Par VAUGHAN WILLIAMS RALPH. for SATB and piano Jonathan Wikeley's choral arrangement of Vaughan Williams's Four Last Songs offers a new way to engage with these beautiful late works. The first and last songs are accompanied with the middle two unaccompanied. The original settings are available in the first volume of Collected Songs by Vaughan Williams. / Date parution : 2023-03-11/ Répertoire / SATB et Piano

Novello Voices Choral Suites Arranged by Barrie Carson Turner. Contains: 'On This Night Of A Thousand Stars' 'Another Suitcase In Another Hall' 'Don't Cry For Me Argentina' and 'I'd Be Surprisingly Good For You.' Fabulous SATB arrangements of popular

The Mamas & The Papas’ hymn to the West Coast state California Dreamin’ was actually written in chilly New York City by John and Michelle Phillips before they even formed the band that made them famous.Simon & Garfunkel were New York through and through and Simon’s jaunty song about the Queensboro Bridge — aka Feelin’ Groovy — uses its local colloquial name. Skeeter Davis born Mary Frances Penick was the survivor of a car crash that killed her singing partner Betty Jack Davis. They had enjoyed some success as The Davis Sisters but The End Of The World was the biggest hit of Skeeter’s subsequent solo career.In My Roomsaw The Beach Boys moving indoors from all that sun and sand and recording one of their most reflective and lovely songs. Meanwhile the British invasion was threatening the pop status quo in America and Can’t Buy Me Love from the film Hard Day’s Night gave The Beatles yet another number one in the US charts.Novello Choral Pops: Sixties Hits contains these five decade-defining hits newly arranged for SATB Choir with Piano accompaniment.

Par PORTER COLE. Written by Cole Porter, I’ve Got You Under My Skin became a signature song for Frank Sinatra and was one of his most requested songs at concerts. In 1966, the song became a top ten hit for the Four Seasons and has also been covered by countless others since. A key piece to include in any programme celebrating the Great American Songbook. This piece is part of the Faber Choral Singles series, offering a selection of beautifully crafted arrangements in a diversity of musical styles. From Broadway, pop and folk to spirituals, gospel and original works, the series is arranged for 3-part choir (soprano, alto and a combined male-voice part) providing flexibility for any choir. Complete with straight-forward piano accompaniments supporting the vocal lines, the Faber Choral Singles series guarantees the perfect repertoire for every occasion – so get exploring and get singing! / Choral Music / Répertoire / Voix Mixtes et Piano

Par KANDER JOHN / BEALE CHARLES (Arr.). This is a vibrant and accessible arrangement of All I care about, from the Broadway hit Chicago! With opportunities for whistling, staging and lyrics full of double meanings, this will add a bit of spice to your concert programme. This piece is part of the Faber Choral Singles series, offering a selection of beautifully crafted arrangements in a diversity of musical styles. From Broadway, pop and folk to spirituals, gospel and original works, the series is arranged for 3 part choirs (soprano, alto and a combined male-voice part) providing flexibility for any choir. Complete with straight-forward piano accompaniments supporting the vocal lines, the Faber Choral Singles series guarantees the perfect repertoire for every occasion – so get exploring and get singing! / Choral Music / Répertoire / Voix Mixtes et Piano