For more ambitious choirs who would like to emulate the sound of Anonymous 4 this piece uses chant-like singing and beautiful polyphonic Vocal writing that emphasizes the purity of the voice through the evocative Latin text by Hildegard von Bingen.

The familiar melody is introduced by a soprano solo sung by either adult or child. The choir joins with smooth deep textures that set this exquisite arrangement apart. At the same time innocent and sophisticated it is equally suitable for school or church. Not to be missed in your holiday program. Duration: ca. 4:10.

Fill your performance space with the glory of a German Renaissance Christmas with selections from this outstanding collection! Mixed choruses from high school through professional will appreciate the clean well-edited editions. Works include: Es ist ein Ros' entsprungen (Praetorius) Dixit Maria (Hassler) Angelus ad pastores ait (Hassler) Psallite unigenito (Praetorius) Maria wallt zum Heiligtum (Eccard).

Nos. 1-8 pour Choeur A Cappella-6 pour choeur mixte et 2 pour choeur d'hommes Songlist: Margoton va t'a l'iau La Belle se sied au pied de la tour Pilons l'orge Clic clac dansez sabot C'est la petit' fill' du prince La Belle si nous étions Ah ! Mon beau laboureur Les tisserands

Introduce your choir to the fun of A Cappella singing with this accessible arrangement of the Lee Ann Womack hit I Hope You Dance that topped the charts in 2001.Crafted for success this setting gives all the parts a chance to sing the melody while the background vocals are easy and create a perfect stylistic texture.

This superb fresh setting will bring out the very best in your choir. Accessible ranges and simple divisi makes this joyous arrangement suitable for high school level and beyond. Duration: ca. 3:30.

Be quiet be still listen and hear far away a voice is calling this is the translation of this original work that evokes the wonder and beauty of the country of South Africa. The gentle declaration of the text with subtle movement background drum and rich harmony portray the dignity and culture of the music and the people.

Four Carols for Dark Times-The set of ?Four Carols for Dark Times? was written between 2003 5 and commissioned at the rate of one piece per year for the Birmingham Bach Choir to perform at their Christmas concerts. The third carol entitled Carol was inserted later to provide a ?scherzo? movement to provide balance to the set.The poems are all by that extraordinary Welsh priest-poet R S Thomas (1913 2000) whose poetry speaks to the composer ?with a directness unmatched by any other 20th century poet?. Thomas?s writing is rich with the imagery of human frailty in relation to religion. The final poem Festival is as good an example as any of his approach: the trappings of Christmas gold holly mistletoe are used to contrast the cheapness of our self-centred celebration with the commitment required to nurture real faith. Beautifully constructed with intricate but accessible harmony and varied textures and moods this intriguing set of carols will bring an original and thought-provoking perspective to Christmas concerts and services.

14th century carol-Originally arranged for New York Polyphony this ancient carol tells the story of Christmas - from the shepherds to the kings to our own rejoicing for the Christ child. Uncomplicated in its construction with utmost care given to each iteration of the melody.

sur un sonnet de Pierre de Ronsard pour 4 voix à cappella ou pour ch?ur mixte a cappella.