The Novello Book of Classic Anthems brings together some of the finest sacred choruses ever written. The collection includes miniature gems including Edward Elgar’s Ave verum corpus Henry Purcell’s Thou knowest Lord the secrets of our hearts and Thomas Attwood’s Come Holy Ghost and established choral favourites such as Handel’s Hallelujah Chorus Henry Balfour Gardiner’s Evening Hymn and Samuel Sebastian Wesley’s Blessed be the God and Father. It also covers a number of dramatic extended anthems suitable for both church choirs and choral societies such as Edward Naylor’s Vox dicentis: clama John Stainer’s I saw the Lord and Wesley’s Ascribe unto the Lord and twentieth-century classics such as William Harris’s Bring us O Lord God Patrick Hadley’s My beloved spake and Edgar Bainton’s And I saw a new heaven. All the pieces have been re-engraved and some such as Haydn’s The heavens are telling and Brahms’s How lovely are thy dwellings have newly arranged accompaniments specifically designed for the Organ. This collection of nineteen anthems covers a wide range of moods and festivals and offers a delightful concert programme in itself as well as an essential addition to any choir’s library.

In the last decade, Krzysztof Penderecki composed a Sanctus and Benedictus for treble choir, and he has now used these movements as the basis of his Missa brevis. The new mass setting adds male voices in fitting with the structure of the boys\' choir, which will be celebrating its 800th anniversary with the first performance of this work.Penderecki\'s oeuvre contains many sacred works, with numerous compositions based on sections of the Catholic Mass. Nevertheless, the Missa brevis is, with the exception of his Polish Requiem, his first complete mass setting. / Choeur Mixte A Cappella

The ?Gloria? RV 589 is one of Vivaldi?s most popular compositions today and one of the most regularly performed sacred vocal works from the Baroque era. The work was in all probability composed around 1716 during Vivaldi?s time at the Ospedale della Piet an orphanage for girls in Venice.Although Vivaldi?s ?Gloria? (BA 8953) was written for solo voices and mixed choir it is likely that it was performed at the girls? orphanage with female voices only. Taking this into account Malcolm Bruno?s careful arrangement for choir SSAA is of some relevance. The work when set for female voices or children?s choir remains a true masterpiece.The?Kyrie? RV 587 (BA 8954)for two choirs and two string ensembles as arranged here for female choir displays its own charm. It can be performed together with the Gloria as a type of short mass.Both arrangements are based on the recently published Urtext editions of these works. The piano reductions by editor Malcolm Bruno are easy to play and preserve the character of the works.- Effective arrangements for female choir- Forewords in English and German- Straightforward idiomatic piano reductions- Kyrie and Gloria can be combined for performanceThe orchestral parts for the original SATB version can be used for the performance of these arrangements.

This collection of French Songs and Choruses includes a wealth of original choral music by French composers, as well as many wonderful arrangements of some of the greatest French songs ever composed. Suitable for Mixed-Voice Choirs of all sizes and abilities, this is the perfect collection for finding new performance pieces, but would work equally well as a complete concert programme. The selections in this songbook are second-to-none, with some of the most beautiful and affecting French choral music compiled into one volume. Many original works are included here, with these choral compositions by giants of French classical music often being regarded as some of their finest work. Pieces like Madrigal by Gabriel Fauré, a new edition of Maurice Ravel's incredible Trois Chansons, Camille Saint-Saëns's Calme Des Nuits and Trinquons as well as Reynaldo Hahn's three Rondels, originally written for SATB choir. French Songs And Choruses also features a great many arrangements of works that have been enjoyed by choirs and singers for many years. The harmonies of songs like Chanson D'Amour by Gabriel Fauré convey just how stunning a song this is to hear as well as to sing, while others like Debussy's Beau Soir offer a similarly beautiful take on a different theme. With all of these songs, the joy will be in careful selection, fantastic practice and the thrill of performance for you and your audience. Such a grand selection of Songs And Choruses For Mixed-Voice Choirs is sure to enhance or invigorate your choir's repertoire, giving you an enjoyable introduction to the finest choral music that France has to offer. The delightful arrangements of the carefully-selected French Songs And Choruses included in this collection will make a perfectly French-flavoured addition to your general repertoire, or simply a complete concert in itself. The clear and accurate engravings make this book a pleasure to dip in and out of in your search for the perfect song, and with so many great compositions included, we're sure you'll find it! Please note that most of the lyrics are in French, but translations are included that also serve the purpose of enhancing your understanding of such poetic music./ Recueil / Choeur Mixte (SATB) et Piano

Andrew Lloyd Webber in Concert is a glorious medley consisting of ten of Andrew Lloyd Webber’s best songs. These have been wonderfully arranged by Ed Lojeski for SATB choir. The selection of songs from Andrew Lloyd Webbersmost famous shows includes Don't Cry For Me Argentina Phantom Of The Opera and Love Changes Everything and many all arranged here for SATB Choir and Piano accompaniment to create a fabulous showpiece for concerts.This magnificent medley is also available in an arrangement for SAB choirs AM927840. There is a Show Trax CD with recordings of backing and demonstration tracks AM945043 and also available is the InstrumentalPack which contains all the optional instrument parts AM927850.

Nelson Mass-The so-called ?Nelson Mass? is the third of the six great High Masses that Haydn wrote between 1796 and 1802 for the name-days of Princess Maria Josepha Hermenegild Esterházy. According to the dates given in the autograph he composed the work in the period between 10 July and 31 August 1798. It was thus written in the year of the first performance of the Creation.Urtext of the Joseph Haydn Complete EditionSoprano solo Alto solo Tenor solo Bass solo Mixed choir (SATB) Flute Oboe (2) Clarinet (in B-flat) (2) Bassoon Horn (2) Trumpet (3) Kettledrum Strings Basso continuoFull score together withMissa in B major (Theresa Mass) Hob.XXII:12 (BA4660-01) Performance material (BA4660) vocal score (BA4660-90) and study score format 22.5 x 16.5cm (TP98) available for sale

Nelson Mass-The so-called ?Nelson Mass? is the third of the six great High Masses that Haydn wrote between 1796 and 1802 for the name-days of Princess Maria Josepha Hermenegild Esterházy. According to the dates given in the autograph he composed the work in the period between 10 July and 31 August 1798. It was thus written in the year of the first performance of the Creation.Urtext of the Joseph Haydn Complete EditionSoprano solo Alto solo Tenor solo Bass solo Mixed choir (SATB) Flute Oboe (2) Clarinet (in B-flat) (2) Bassoon Horn (2) Trumpet (3) Kettledrum Strings Basso continuoFull score together withMissa in B major (Theresa Mass) Hob.XXII:12 (BA4660-01) Performance material (BA4660) vocal score (BA4660-90) and study score format 22.5 x 16.5cm (TP98) available for sale

Nelson Mass-The so-called ?Nelson Mass? is the third of the six great High Masses that Haydn wrote between 1796 and 1802 for the name-days of Princess Maria Josepha Hermenegild Esterházy. According to the dates given in the autograph he composed the work in the period between 10 July and 31 August 1798. It was thus written in the year of the first performance of the Creation.Urtext of the Joseph Haydn Complete EditionSoprano solo Alto solo Tenor solo Bass solo Mixed choir (SATB) Flute Oboe (2) Clarinet (in B-flat) (2) Bassoon Horn (2) Trumpet (3) Kettledrum Strings Basso continuoFull score together withMissa in B major (Theresa Mass) Hob.XXII:12 (BA4660-01) Performance material (BA4660) vocal score (BA4660-90) and study score format 22.5 x 16.5cm (TP98) available for sale

aus The Strathclyde Motets-The Strathclyde Motets are communion motets setting propers of the mass for various Sundays and feasts. The Latin text is taken from the Graduale Romanum. The pieces are suitable for intermediate standard choirs.In splendoribus sanctorum is a communion motet for Nativity Midnight Mass (Psalm 109: 3). For mixed choir (SATB) trumpet in C (organ) ad libitum with piano accompaniment for rehearsal only.

Ella Fitzgerald 's When Santa Got Stuck Up The Chimney is a popular and upbeat Christmas classic. Choruses can enjoy the piece's sense of festive fun as a humorous addition to their seasonal repertoire. Arranged for SATB choir with an additional baritone part and piano accompaniment, this single sheet choral release is perfect for choirs wanting to create their own Christmas programme, piece by piece. / Choeur SATB Et Piano

Tonalité : B-Dur -. Par SCHEIDT SAMUEL. Gattungen: Motetten, Psalmen, deutsch - Verwendung / Anlässe: L Hautbois und Dank, Psalmvertonungen - Verwendung / Kirchenjahr: Jahreswende, Ostern und nachösterliche Freudenzeit - Langue : Allemand / Mottet / Répertoire / Choeur SATB/SATB

Tonalité : E-Moll -. Par SCHEIDT SAMUEL. Gattungen: Motetten, Psalmen, lateinisch - Verwendung / Anlässe: Psalmvertonungen - Verwendung / Kirchenjahr: Wei cor achten - Langue : Latin / Mottet / Répertoire / Choeur SATB/SATB

Tonalité : D-Dur -. Par SCHEIDT SAMUEL. Gattungen: Motetten, Psalmen, deutsch - Verwendung / Anlässe: L Hautbois und Dank - Verwendung / Kirchenjahr: Ostern und nachösterliche Freudenzeit - Langue : Allemand / Mottet / Répertoire / Choeur SATB/SATB