Beethoven's fifth and final piano concerto is at the same time the culmination of his efforts in this genre and a reflection of all his artistic skill and expertise. The surviving manuscripts provide a clear insight into his working methods and his intentions regarding the work's performance.The editor, Jonathan Del Mar, has closely scrutinised the autograph solo piano part and reproduced Beethoven's sophisticated performance instructions for the first time in a modern edition. Among other things, this has special repercussions for the left-hand figured bass line of the piano part during the tutti passages.As with the Piano Concertos Nos. 1 to 4, the piano reduction appears with a separate solo part containing all the information needed by the soloist to conduct the ensemble from the piano.- Many wholly new corrections in the solo and orchestral parts- Piano reduction with a separate solo part, as was customary in Beethoven's day- With Beethoven's continuo figures for the first time in a modern edition / Score

Par SCHUMANN ROBERT. Concert Piece For Pianoforte And Orchestra/ Répertoire / Piano et Orchestre

Par SCHUMANN ROBERT. Concert Piece For Pianoforte And Orchestra/ Répertoire / Piano et Orchestre

for piano and orchestra. Par LORD JON. Inspiriert vom gleichnamigen Gedicht des Schriftstellers D. H. Lawrence schrieb Ex-Deep-Purple-Mitglied Jon Lord dieses viersätzige Werk für Klavier und Orchester. Eine melancholisch-nostalgische Reise in die Kindheit mit einem furiosen Finalsatz./ Répertoire / Piano et Orchestre

Per Pianoforte E Orchestra (1999) - Partitura. Par SCIARRINO SALVATORE. Langue: English(UK)/Deutsch/Français/Nederlands / oeuvre solo et Orchestre / Date parution : 1905-06-23/ Répertoire / Piano et Orchestre

Homage to Anish Kapoor and his sculpture 'Marsyas'. Par PART ARVO. Arvo Pärt about Lamentate: 'Lamentate is music for piano solo and orchestra. With respect to its form, however, the composition cannot really be described as a typical piano concerto. I chose the piano to be the solo instrument because it fixes our attention on something that is 'one'. This 'one' could be a person, or perhaps a first-person narrative. Just as the sculpture leaves the viewer with a light and floating impression in spite of its overwhelming size, the piano, as a large instrument, allowed me to create a sphere of intimacy and warmth that no longer seems anonymous or abstract. Overall, it could be said that my work is marked by two diametrically opposed moods. By way of slight exaggeration, I would characterize these two poles as being 'brutal-overwhelming' and 'intimate-fragile'. The two characters are not simply placed opposite one another, much rather being left to develop themselves in a conflict that runs throughout the entire work.'/ Répertoire / Piano et Orchestre

Un joli, populaire concerto complet de la mélodie et de magnifique orchestration, particulièrement remarquable pour sa belle utilisation de bois pour compléter le piano. Vraiment, une des plus belles réalisations absolues de Mozart, il a été éternellement populaire depuis sa publication un / Piano Et Orchestre

Per Pianoforte E Orchestra. Par JACHINO CARLO. Langue: English(UK)/Deutsch/Français/Nederlands / oeuvre solo et Orchestre / Date parution : 1905-06-06/ Répertoire / Piano et Orchestre