SKU: HL.14011290
ISBN 9780853604495. 8.25x11.75 inches.
The Fiddler’s Ten gradually introduces new elements to the student – new finger and key patterns, new bowing considerations, new rhythmic patterns. All pieces are playable in first position, though use of other positions may be employed to enhance performance. This is an invaluable teaching tool and guaranteed to provide interest for the pupil.Michael Rose is a British composer, conductor and educator who was formerly Music Advisor for Bedfordshire and brings creativity, energy and decades of teaching wisdom to his publications for music students.
SKU: M7.AST-7271
ISBN 9790203872719.
SKU: HL.50487573
ISBN 9790080133439. Bach (23 x 30,2 cm) inches. Michael Johann Haydn; Arpad Robert Muranyi; Istvan Koloss.
Territorial restrictions may apply. Please ask before ordering.
SKU: HP.9083
UPC: 763628190835.
Collection of violin solos with piano accompaniments This collection of violin solos with piano accompaniments comes from Michael Tyree who also has string quartet collections in the Hope catalog. This volume is filled with music for the Christmas season, and will be a wonderful addition to your solo violin library.
SKU: CF.CY1157
ISBN 9780825873621. UPC: 798408073626. 11 x 14 inches.
Pulitzer Prize-winning composer Michael Colgrass is best known for his symphonic works, but this lovely piece for clarinet, violin and piano contains his signature style and does not disappoint.
SKU: HL.14041762
9.0x12.0x0.071 inches.
'Romance for violin and piano is a short, reflective piece that exploits the lyrical qualities inherent in the combination. Originally written for a very young but talented violinist, Romance travels through numerous moods andcolours within a continuous musical development of the opening material. At first gentle and reflective with increasing dramatic outbursts outlined by the violin sforzandi and parallel sixths in the piano writing, numerous shortsolo passages in both instruments culminate in a fiery climax. Quickly subsiding into the calmer yet now more melancholy strains of the earlier stages of the piece, the ending is somewhat incomplete. This seems to suggest acontinuous turn of events alluded to in the music.' - Helen GrimeBorn in 1981, Helen studied oboe with JohnAnderson and composition with Julian Anderson and Edwin Roxburgh at the Royal College of Music. She graduated from the BMus course with First Class Honours and completed her Masters with Distinction in 2004. From 2005-07, Helenwas a Legal & General Junior Fellow at the Royal College of Music. In 2003 she won a British Composer Award for her Oboe Concerto, and was awarded the intercollegiate Theodore Holland Composition Prize in 2003 as well as allthe major composition prizes in the RCM. In 2008 she was awarded a Leonard Bernstein Fellowship to study at the Tanglewood Music Center where she studied with John Harbison, Michael Gandolfi, Shulamit Ran and Augusta Read Thomas.Helen has had works commissioned by some of the most established performers and organisations including ENO, London Symphony Orchestra, BCMG, Britten Sinfonia, BBC Scottish Symphony Orchestra and the Tanglewood Music Center.Conductors who have performed her work include Daniel Harding, Oliver Knussen, Pierre Boulez and Yan Pascal Tortelier. Helen is the 2010 recipient of the Lili Boulanger Memorial Fund and Associate Composer of The Halle from the.
SKU: OU.9780193555280
ISBN 9780193555280. 12 x 8 inches.
For violin and piano This is a reworking of material from Berkeley's 1979 Violin Sonata, and is an evocative and atmospheric single movement. Veilleuse means 'Night Watch' or 'Night Lantern', and the music has a slightly melancholy, restless atmosphere, which momentarily erupts in a passionate outburst before settling back to the quietly ticking, veiled lines of the opening.
SKU: OU.9780193451551
ISBN 9780193451551. 12 x 8 inches.
For violin and piano The composer writes: 'Persistent Memory is a little six minute drama . . . although the piano begins as the more aggressive partner and triggers the violin into animation, it is in fact the piano that finally provides a note of resolution, or at least, partial resolution.'.
SKU: OU.9780193554832
ISBN 9780193554832. 12 x 8 inches.
The work is in three movements - the first is fast and aggressive and is based on a sequence that repeats throughout the rest of the piece. The second movement is, by contrast, slow and would seem to have been bruised by the first. The final movement renews the aggressive vehemence of the opening and grimly combines it with material from the slow movement. The work has, therefore, an A B A pattern.
SKU: BR.EB-10708
In Cooperation with G. Henle Verlag
ISBN 9790201807089. 9.5 x 12 inches.
Bruch's evergreen for the first time in Urtext Thanks to the premiere performance by Joseph Joachim and to the release of the printed edition in 1868, Max Bruch's Violin Concerto no. 1 zipped onto the road to success and has never left it since. Yet from the preface of the BreitkopfUrtext edition,one can infer how things looked like behind the dazzling facade. After the world premiere, the composer struggled for the definitive form. He wrote 3, 4 development sections in the finale, and sought the advice of celebrated virtuosi such as Joseph Joachim and Ferdinand David to revise the solo part. And after all this was done (see above), Bruch suffered under the work's popularity: Have I written nothing but this one concerto? The new Urtext edition is based primarily on the first edition. Next to the main source and the autograph, what is supremely interesting is a solo part with entries by Joachim and Bruch. It confirms how intensively the two men collaborated on honing the final form of the work.In Cooperation with G. Henle Verlag.
SKU: IS.VLP6394EM
ISBN 9790365063949.
François Glorieux was born in Belgium in 1932, and acclaimed throughout Europe, the USA, Latin America, Canada, Japan, China, the Middle East and Africa. He is one of the most widely accomplished and versatile musicians traveling the international circuit today: pianist composer conductor, commentator, entertainer, honorary professor of chamber music at the Royal Music Conservatory of Ghent and guest professor at Yale University (USA). His particular art was the rare one of improvisation presented in five languages. Glorieux practices all musical styles and has been highly considered by great artists such as André Cluytens, Arthur Rubinstein, Yves Nat, Hiroyuki Iwaki, Enrique Jorda, Raphael Frühbeck de Burgos, but also Michael Jackson, Stan Kenton, Stéphane Grappelli, Paul McCartney, Toots Thielemans, Jacky Collins, Annie Girardot, Dionne Warwick, A.C. Jobim, and so on.
SKU: IS.VLP6395EM
ISBN 9790365063956.
SKU: OU.9780193592735
ISBN 9780193592735. 12 x 9 inches.
Frederick Grinke (the dedicatee) and the pianist Michael Mullinar premiered this sonata in 1954. The opening Fantasia contrasts a rhythmic piano figure with a slow flowing theme on the violin, while the second movement is a march-like Scherzo.
SKU: SU.50600610
Published by: Seesaw Music.
SKU: SU.50007000
Copyright 1996. Published by: Seesaw Music.
SKU: SU.50007010
SKU: HL.49017007
ISBN 9790543508613.
SKU: SU.50005690
Intended as a light-hearted encore piece.Copyright 1983. Published by: Seesaw Music.
SKU: HL.50578753
SKU: HL.50578754
SKU: HL.50571552
