Fantasia On Greensleeves

My Ladye Greensleeves is one of the most famous and well-loved British folk melodies. A popular legend has attributed the tune to King Henry VIII but in reality it is unlikely to have been written by him and probably dates from the Elizabethan era. It has remained popular for over four centuries and has been arranged many times most famously by Ralph Vaughan Williams in his Fantasia on Greensleeves.My Ladye Greensleeves has been arranged for SATB chorus by Norman Stone. It includes a Piano reduction for rehearsal purposes.

This is the original orchestral version of Vaughan Williams´ famous fantasia which first appeared in his opera 'Sir John in Love'. Apart from the main folk-tune 'Greensleeves' the centre section uses another folk-tune entitled 'Lovely Joan'. This version adapted and arranged by Ralph Greaves has been popular in the concert hall and in recordings since it first appeared.Now out of print in the Oxford University Press catalogue this work has been newly engraved and reissued in this Goodmusic edition but otherwise unaltered.

Par . The Piano Player: Classical Favourites presents 20 of the most popular pieces of classical music, specially arranged for intermediate solo piano. Contents include Eine Kleine Nachtmusik by Mozart, Fantasia on a theme by Thomas Tallis by Vaughan Williams and O mio babbino caro by Puccini. The striking cover features Edward Bawden?s colour linocut Aesop?s Fables: Daw in Borrowed Feathers, 1970, and a 4-page pullout provides the full artwork as a beautiful collectible. The Piano Player series includes six wonderful collections of some of the greatest classical music ever written, specially arranged for the intermediate pianist, each with its own collectible pull-out poster of the stunning Edward Bawden cover artwork. / Date parution : 2022-09-20/ Recueil / Piano

Description The present Method, devised as an anthology divided into five sections, intends to help satisfy a need, felt by many, for texts for didactic use for the Viola da gamba. It is addressed to those students and teachers who want access to concise, guiding information about the most significant musical -literature dedicated to this instrument. The selection of texts proposed here, conforming to the historical original versions both in the use of graphic symbols for embellishments and more generally with respect to the various styles and notational forms, is intended to aid in the study of the various complete compositions and the respective bibliographical panorama. The original historical European pieces and treatises cited here were chosen from the Renaissance period on as those considered most useful for learning to play the instrument. Bowings and fingering are given for the studies, the scales and arpeggios, as well as in all the -historical compositions which were without them. For didactic purposes the pieces in tablature are printed opposite transcriptions into mensural notation, while those with separate Bass parts are here given in score. Three tables are included summarizing the symbols for fingering, embellishments, dynamics and bowings, extracted from the Avertissements by M. Marais, as found in his five books of Pièces de Viole. The scales, the arpeggios and some studies – for practical reasons – designate the strings by Roman numeral and are provided with a respective Legend. The musical portraits for two viols or viol and basso continuo – given here for didactic use and presented in order of difficulty – are dedicated to viola students and friends. In the Appendix, for the study of the soprano viol in concert, three pieces in trio are provided. INDEX Introduzione Insertion Introduction Tastiera Basso di Viola Bass Viol fingerboard Touche Basse de Viole Tastiera Viola Soprano Treble Viol fingerboard Touche Dessus de Viole Tastiera Viola Tenore Tenor Viol fingerboard Touche Taille de Viole Tastiera Viola Sopranino High Treble Viol fingerboard Touche Pardessus de Viole Notazione della Tastiera Fingerboard notation Notation de la touche Posizioni Positions Positions Temperamenti Temperaments Tempéraments Parte prima First part Partie première Corde a vuoto Open strings Cordes à vide Prima posizione First position Première position Mezza posizione Half position Demi-position Prima posizione allargata First extended position Première position avancée Mezza posizione allargata Half-extended position Demi-position avancée Parte seconda Second part Partie deuxième Corde doppie Double stops Cordes doubles Scale Maggiori e relative minori melodiche Major and relative melodic minor scales Gammes Majeures et relatives mineures mélodiques Scale minori armoniche Harmonic minor scales Gammes mineures harmoniques Arpeggi Arpeggios Arpèges Esercizi per la mano sinistra Exercises for the left hand Exercises pour la main gauche Recercada Primera D. Ortiz (Cantus Firmus La Spagna, Tratado de Glosas; Roma, 1553) Recercada I D. Ortiz (Viola sola, Tratado de Glosas; Roma, 1553) Recercada II D. Ortiz (Viola sola, Tratado de Glosas; Roma, 1553) Recercada III D. Ortiz (Viola sola, Tratado de Glosas; Roma, 1553) Recercada IV D. Ortiz (Viola sola, Tratado de Glosas; Roma, 1553) Ordine primo in proprietà de bequadro S. Ganassi (Regula Rubertina; Venezia, 1542) Ordine secondo in proprietà de bemole S. Ganassi (Regula Rubertina; Venezia, 1542) Chelis Minuritionum Artificio Exornata C. Simpson (The Division Viol, 1659) Minuritiones Primae C. Simpson (The Division Viol, 1659) Fantasia I Th. Lupo (XX Konincklycke Fantasien; Amsterdam, 1648) Fantasia G. Bassano (Fantasie a tre voci per cantar e sonar con ogni sorte d’Istrumenti; Venetia, 1585) Recercada I D. Ortiz (Passamezzo antiguo, Tratado de Glosas; Roma, 1553) Trillo Trillo Trille Trillo doppio Double Trillo Double Trille Greensleeves Anon. (XVII sec.) Prelude Demachy (Pièces de Viole; Paris, 1685) Harke, harke T. Hume (The first part of Ayres; London, 1605) Parte terza Third part Partie troisième Explication des Agrémens et des signes F. Couperin (Pièces de Clavecin, Premier Livre, 1713) Vivement F. Couperin (Treizième Concert, Concerts Royaux; Boivin, 1722) Avvertimenti Remarks Avertissements M. Marais (Pièces de Viole, Livres I-II-III-IV-V, 1686-1725) Tombeau pour Mr. De S.te Colombe M. Marais (Pièces de Viole, Deuxième Livre; Paris, 1701) Allemande L’Infidèle dite La Schroeder ou L’Exotique C. Denti (Hommage à Marais, 2003) Courante La Résolue luthée ou La Pandolfo C. Denti (Hommage à Marais, 2003) Courante Double La Résolue glissante ou La Wieland C. Denti (Hommage à Marais, 2003) Couplets de folies M. Marais (Pièces de Viole Deuxième Livre; Paris, 1701) Studio Study Étude Gavotte J. B. de Boismortier (Sonates à deux Violes op. 10, 1725) Elégie La Ravissante dite La Ghielmi C. Denti (Hommage à Marais, 2003) Elégie Double La Coulante ou La Schaap C. Denti (Hommage à Marais, 2003) Tombeau Les Regrets Mr. De S.te Colombe (Concert XLIV) Preludio C. F. Abel (WK 205) Adagio J. Schenck (L’echo du Danube, Sonata V, 0p. 9) Sarabande La Flatteuse dite La Claudia C. Denti (Hommage à Marais, 2003) Sarabande Double La Flatteuse plaintive ou La Barthold C. Denti (Hommage à Marais, 2003) Le Tourbillon M. Marais (Pièces de Viole, Quatrième Livre; Paris, 1717) Gavotte La Favorite ou La Sigiswald C. Denti (Hommage à Marais, 2003) Gavotte Double L’Exquise ou La Rosita C. Denti (Hommage à Marais, 2003) Suite VII M. Marais (Pièces de Viole, Cinquième Livre; Paris, 1725) Danse nostalgique ou La Sennari C. Denti (Hommage à Marais, 2003) Gigue La Boiteuse C. Denti (Suite des Portraits, 2002) Fantaisie La Difficile dite La Balestracci ou L’Acharnée C. Denti (Hommage à Marais, 2003) Allemanda J. S. Bach - C. Denti (Partita II a Violino senza Basso accompagnato BWV 1004) Prelude C. Dollé (Pièces de Violes, Première Suite, 1740) Andante Presto (Sonata III) Anon. (6 Sonate per due Viole, 18° sec.) Boutade en perpetuum mobile dite La Coin C. Denti (Hommage à Marais, 2003) Appendix Appendix Appendice Manche du Pardessus à 5 cordes M. Corrette (Méthode de Pardessus de Viole à 5 et 6 cordes, 1748) Accordi Chords Accords (Intavolatura Tablature Tablature) Cadenze Cadences Cadences (Intavolatura - notazione Tablature - notation Tablature - notation) Praeludium J. S. Bach (Wohltemperirte Clavier, BWV 846) Abbellimenti Embellishments Agréments J. S. Bach (Klavierbüchlein vor W.F. Bach, 1720) Nomenclatura Nomenclature Nomenclature Canzona V detta La Tromboncina G. Frescobaldi (Primo Libro delle Canzoni, Roma, 1628) Ragionar inquieto C. Denti (Trio di Viole, Hortus Musarum I, 2004) Ascensus C. Denti (Trio di Viole, Hortus Musarum I, 2004) Lo sguardo della Dea C. Denti (Trio di Viole, Hortus Musarum I, 2004) Reviews L'Écho de La Viole. Bulletin de la Société Française de Viole. N. XVII, Décembre 2004 Une toute nouvelle méthode spécialement conçue pour des violoncellistes avancés intéressés par l'apprentissage de la viole de gambe. Extrêmement synthétique, cette méthode propose de nombreux exercices: cordes à vide pour l'archet, extensions, gammes, doubles cordes, exercices digitaux. Les différents styles du répertoire y sont abordés: Ortiz, Ganassi, Simpson; Hume et Demachy pour les tablatures, les compositeurs français (Couperin, Marais, Boismortier, Sainte Colombe, Dollé), les compositeurs allemands (Abel, Schenk, Bach). Carlo Denti y a ajouté des compositions personnelles sous forme de portraits de violistes ou de musiciens actuels («La Schroeder», «La Wieland», «La Coin»...) (Paul Rousseau)

Transcription pour guitare d'après les tablatures pour luth par Oscar Cacérès Contenu : CUTTING F.: Greensleeves - Almain - Jig - Galliard - DOWLAND J.: Lady Laiton's Almain - Mrs Whites's Thing - Can She Excuse - Melancholy Galliard - The Lady Rich's Galliard - Bonnie Sweet Robin - Lachrimae Pavan - Fancy n°6 - HOLBORNE A.: Galliard n°VII - Fantasia n°III - JOHNSON R.: Alman n°VII - Alman n°VIII - JOHNSON J.: Carman's Whistle - PILKINGTON F.: Pavane, George Pilkington's Funeral - Go from my Window - Galliard - ROBINSON T.: Robin is to greenwood gone (The Schoole of Musicke) - An Almaigne - Sweet Jesu who shall lend me wings - A Psalm - O Lord of whom I do depend - O Lord that Art my righteousness - ANONYME: Loth to Depart - Heart's Ease Compositeur/Auteur : CACERES Oscar Discipline/Instrument : guitare Collection : Cacérès Oscar Support : Partition Style/Genre : classique Date de parution : nov.-96 Niveau de difficulté : 3 Nombre de pages : 44

Cette anthologie offre une riche sélection de titres appartenant au répertoire incontournable pour la formation du guitariste. Le choix des pièces couvre cinq siècles d?histoire de l?instrument (de la Renaissance au XXe siècle), offrant de multiples parcours d?étude. Les pièces, qui ont été choisies également pour leur attrait et sont très captivantes, ne présentent pas de difficulté particulière, se situant à un niveau facile-moyen. La présence de la tablature favorise l?étude des guitaristes autodidactes.
1. Balletto [anonimo XVI sec.]
2. Gagliarda [anonimo XVI sec.]
3. Italiana [anonimo XVI sec.]
4. Se io m?accorgo ben mio d?un altro amante [anonimo XVI sec.]
5. The Parlement [anonimo XVI sec.]
6. Vaghe bellezze et bionde treccie d?oro (...) [anonimo XVI sec.]
7. Volt [anonimo XVI sec.]
8. Wilson?s Wilde [anonimo XVI sec.]
9. Fantasia Prima [Melchiorre De Barberis]
10. Pavana n. 1 (da El maestro) [Luis Milán]
11. Pavana n. 6 (da El maestro) [Luis Milán]
12. Troisième Branle de Bourgogne [Adrian le Roy]
13. Greensleeves [Francis Cutting]
14. Españoleta [Gaspar Sanz]
15. Pavana [Gaspar Sanz]
16. Preludio dalla Suite per violoncello BWV 1007 [Johann Sebastian Bach]
17. Sarabande [François Campion]
18. Gigue [François Campion]
19. Studio n. 13 dai 20 studi, op. 35 (Studio II di Segovia) [Fernando Sor]
20. Studio n. 2 dai 20 studi, op. 6 (Studio III di Segovia) [Fernando Sor]
21. Studio n. 1 dai 20 studi, op. 6 (Studio IV di Segovia) [Fernando Sor]
22. Studio n. 22 dai 20 studi, op. 35 (Studio V di Segovia) [Fernando Sor]
23. Studio n. 17 dai 20 studi, op. 35 (Studio VI di Segovia) [Fernando Sor]
24. Ghiribizzo n. 17 dai Ghiribizzi M.S. 43 (Le streghe) [Niccolò Paganini]
25. Ghiribizzo n. 20 dai Ghiribizzi M.S. 43 (Là ci darem la mano) [Niccolò Paganini]
26. Lezione n. 10 dal Nuevo método para guitarra (II parte) [Dionisio Aguado]
27. Lezione n. 11 dal Nuevo método para guitarra (II parte) [Dionisio Aguado]
28. Lezione n. 12 dal Nuevo método para guitarra (II parte) [Dionisio Aguado]
29. Lezione n. 13 dal Nuevo método para guitarra (II parte) [Dionisio Aguado]
30. Lezione n. 14 dal Nuevo método para guitarra (II parte) [Dionisio Aguado]
31. Lezione n. 15 dal Nuevo método para guitarra (II parte) [Dionisio Aguado]
32. Lezione n. 17 dal Nuevo método para guitarra (II parte) [Dionisio Aguado]
33. Lezione n. 22 dal Nuevo método para guitarra (II parte) [Dionisio Aguado]
34. Lezione n. 23 dal Nuevo método para guitarra (II parte) [Dionisio Aguado]
35. Lezione n. 24 dal Nuevo método para guitarra (II parte) [Dionisio Aguado]
36. Lezione n. 25 dal Nuevo método para guitarra (II parte) [Dionisio Aguado]
37. Lezione n. 26 dal Nuevo método para guitarra (II parte) [Dionisio Aguado]
38. Lezione n. 28 dal Nuevo método para guitarra (II parte) [Dionisio Aguado]
39. Lezione n. 29 dal Nuevo método para guitarra (II parte) [Dionisio Aguado]
40. Lezione n. 30 dal Nuevo método para guitarra (II parte) [Dionisio Aguado]
41. Studio n. 3 dai 25 studi melodici e progressivi, op. 60 [Matteo Carcassi]
42. Studio n. 7 dai 25 studi melodici e progressivi, op. 60 [Matteo Carcassi]
43. Adelita [Francisco Tárrega]
44. Malagueña ? Fácil [Francisco Tárrega]
45. El noi de la mare [Miguel Llobet]
46. Preludio n. 1 dai 24 preludios para guitarra, op. 20 [Manuel María Ponce]
47. Preludio n. 2 dai 24 preludios para guitarra, op. 20 [Manuel María Ponce]
48. Prélude n. 3 (dai Cinq préludes) [Heitor Villa-Lobos]
50. Estudio sencillo n. 6 [Leo Brouwer]
51. Estudio sencillo n. 11 [Leo Brouwer]
/ Méthodes et pédagogie / Guitare / Guitare acoustique / CARISCH

Works by Albeniz Bach Dowland Granados Scarlatti Sor and other Great Composers-More than 50 classic guitar pieces from rarities to popular favorites including works by Albeniz Bach Dowland Granados Scarlatti Sor and other great composers. Transcribed arranged and edited by David Nadal. Guitarists at every level will find this sturdy attractive modestly priced collection of enduring works an indispensable addition to their musical libraries.

This compilation contains 50 pieces for intermediate to advanced guitar players. It contains pieces by de Narvaez, J.S. Bach, Sor, Carulli, Carcassi, Tarrega, Brouwer and many more. The collection is aimed at senior classes within music schools, at students minoring in music, at musicians who participate in competitions, and last but not least at music lovers looking for performance literature to enjoy. / Guitare

51 studi e brani facili. Par . Cette anthologie offre une riche sélection de titres appartenant au répertoire incontournable pour la formation du guitariste. Le choix des pièces couvre cinq siècles d?histoire de l?instrument (de la Renaissance au XXe siècle), offrant de multiples parcours d?étude. Les pièces, qui ont été choisies également pour leur attrait et sont très captivantes, ne présentent pas de difficulté particulière, se situant à un niveau facile-moyen. La présence de la tablature favorise l?étude des guitaristes autodidactes. / Date parution : 2021-11-03/ Tablatures / Guitare

The Renaissance Guitar. This book/audio series provides solos, duets and songs covering four centuries of composers for the guitar and lute family. Taken from original sources, and carefully fingered for the modern player, the transcriptions are as faithful as possible to the original while at the same time offering a practical performing score. Audio is accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right.

Symphonic Series. Par VAUGHAN WILLIAMS RALPH. In partnership with Oxford University Press and authorized by the Vaughan Williams Charitable Trust, this major new initiative brings the incredible catalog of Ralph Vaughan Williams to the wind band community, with scholarly transcriptions by leaders in wind band composition. Titles in the Symphonic Series come from treasured major orchestral works by Vaughan Williams that have never before been available for wind band. / Date parution : 2021-12-09/ Répertoire / Concert Band

Violin and piano-A wonderful piece adapted from the Opera Sir John In Love and arranged for Violin and Piano Accompaniment by Michael Mullinar.