The 17th century English composer Michael East wrote madrigals anthems and consorts including this delightful madrigal here arranged for treble voices. With its intricate and playful voice parts this is an excellent selectionfor ensemble contest and concert. Duration: ca. 1:15.

Par HAAS PETER MICHAEL. / Niveau : Intermédiaire / German - Solos / Recueil / Accordéon

Par STORY MICHAEL. A versatile, fun series intended for like or mixed instruments to perform in any combination of instruments, regardless of skill level. All books are in score format with each line increasing in difficulty from Grade 1 to Grade 3-4. Perfect for concerts with family and friends, recitals, auditions, and festivals. Available for brass, woodwinds, strings, and percussion. Titles: Double Trouble * In Dreams * Singin' in the Rain * The Entertainer * Twistin' the Night Away * We're Off to See the Wizard * Be Our Guest * Fame * Wonka's Welcome Song * Wizard Wheezes * Can You Read My Mind? * Star Wars * Everything I Do * I Don't Want to Miss a Thing * Living in America * Gonna Fly Now * Superman Theme. / Ensemble Music, Miscellaneous, Scores / Recueil / Clarinette et Clarinette Basse

Michael Finnissy's John the Baptist won the 2015 British Composer Award in the Liturgical Category. Commissioned by St John's College Cambridge for Advent 2014 the piece recalls the folk music of the Middle East and alternates between boisterous two-part homophony and slower reflective polyphony.

Par GRIFFIN MICHAEL. When it comes to musical skill, why is it that some people achieve so much more than others? We are frequently led to believe this is because of a talent hardwired into their DNA. Now, music educator Michael Griffin dismisses that age-old notion in favour of another known factor: practice. His new book, Learning Strategies for Musical Success illustrates how the quantity and quality of practice is the greatest predictor of musical success so that aspiring musicians of all ages and abilities can best bring about expert performance. This inspiring, accessible guide will equip students, teachers, adult learners, and parents with the methods and mindset to improve the likelihood of learning music successfully. 'Deeply impressive - the breadth of research is fascinating!' - Victorian Music Teachers Association 'Terrific...eminently practical...excellent discussion...I came away inspired and excited.' - The Music Trust, Australia 'This book really does deliver' - American Music Teacher 'I can't think of any other book that draws on so many resources to create a new understanding of learning music. Every serious music student, music teacher, and parent of a music student will find important information in this book. Griffin gives clear examples of how concepts are applied that make for enjoyable reading. This book has a potential for making lifelong differences in the lives of music students, parents and teachers.” - Roy Ernst, PhD, LLD Professor Emeritus, Eastman School of Music of The University of Rochester 'A must buy for every music teacher and music student. Bravo on a most stimulating read. This draws together old wisdom and the latest research. I am re-reading this excellent book for the third time, highlighter pen in hand.' 5 stars (Amazon Rank) - William Bruce, Guildhall UK. 'A most stimulating read that has given me a great deal to think about.' - Nicholas Carpenter, Prebendal, UK. 'Fantastic book...simply brilliant!' - Ian Cooper, Norfolk Music Service, UK. 'A must read for all music educators. Michael Griffin has collected lessons from his own experience - which is extensive, and pertinent, recent research to provide a detailed overview of how we learn, and how students can be empowered and trained to become effective, efficient and independent learners. The book is well documented, making it convenient to go on to further reading about the topics of each chapter. The language is concise and easily understood, yet deeply practical and useful.' - 5 stars Robert Adams, Music Educator, New Haven, USA. 'Don't miss this opportunity!' - 5 stars Mary George, USA./ Méthode / Tout Instrument

Michael Bedford offers a fresh and exciting set of arrangements for the Easter season. These settings of favorite Easter hymn tunes are festive and creative and offer a rewarding challenge for the experienced organist.

A setting of the Liber Usualis plainsong for unaccompanied SATB chorus written for the Feast Of he Archangel St. Michael. The piece was first performed by the Chior Of Westminster Abbey in July 2004 at Tewkesbury Abbey. Afull Organ or Piano accompaniment is provided for rehearsal purposes only.

The Parallel German-English Texts with Annotations-The major choral works by Johann Sebastian Bach-the Christmas Easter and Ascension Oratorios and the St. Matthew St. Mark and St. John Passions-stand as the most frequently-performed and penetratingly discussed of the genre. Renowned Bach scholar Michael Marissen has assembled a compact well-designed and ideally useful treatment of Bach's oratorios providing the full German texts with literal English translations and copious annotations. He provides strict literal translations of these texts with citations from the Luther Bible as it was known in Bach's day along side extensive footnotes that provide information addressing the interests and concerns of today's Bachcommunity. These are the first translations of the librettos from Bach's oratorios to accommodate the many sense-clarifying allusions to the readings of the Luther Bibles in Bach's day to explore from historical dictionaries the meanings of previously unnoticed archaic usages and to contrast relevant findings from modern biblical scholarship. Marissen's insights are particularly helpful his thoroughness is impressive and the book will be a longstanding definitive and essential reference for choral directors performers audience members and Bach scholars alike.

The words of Justin Gung express God's love and power in assuring tenderness. Michael Graham's musical setting maintains the gentleness while enhancing a profound beauty as well. Soft expressions of praise emerge appropriately in this communion or Easter prayer.

for Youth Symphonic Band Full Score-(2003)Award-winning composer Michael Daugherty's first published work for young band describes a stretch of Interstate 75 that crosses through Florida's Everglades National Park. Alligator Alley celebrates thisnoble beast that has remained largely unchanged from prehistoric times. The first theme (“Alligator's Theme”) features the woodwinds (predominantly bassoons) while the second theme (“Hunter's Theme”) isperformed by the brass. Program notes and staging suggestions are included in this marvelously descriptive work. Duration - ca. 4:30 (American Composers Forum)

for Youth Symphonic Band - Score and Parts-(2003)Award-winning composer Michael Daugherty's first published work for young band describes a stretch of Interstate 75 that crosses through Florida's Everglades National Park. Alligator Alley celebrates thisnoble beast that has remained largely unchanged from prehistoric times. The first theme (“Alligator's Theme”) features the woodwinds (predominantly bassoons) while the second theme (“Hunter's Theme”) isperformed by the brass. Program notes and staging suggestions are included in this marvelously descriptive work. Duration - ca. 4:30 Free interdisciplinary curriculum for the piece is available for download athttp://www.BandQuest.org.

Composée pour le film de 2017 La Belle et la bête cette ballade poignante est chantée par Dan Stevens (« la bête ») et dans sa sortie comme single par Josh Groban. Cet arrangement magnifique de Michael Brown pour de orchestres de jeunes sortira sans doute du lot à votre concert.

Easter Fantasy-Fantasia di Pasqua is a fantasy in which traditional Easter melodies have been used. The work is written for brass band with a separate brass quartet which since this music is often performed in churches the composer suggests should be positioned on a gallery. This creates a double choir effect and perfectly fits the Renaissance-like style. Each of the melodies is played in various dance-like cadences that partly because of the double choir effect will result in a very lively and original performance.