Version of 1736 (final version)Bach’s St. Matthew Passion passed through several stages in its progress towards its final form stages that today cannot be completely reconstructed. It may be taken as certain that the work was performed on Good Friday 1729 in St. Thomas’s Church Leipzig in a version of which the copy made by Bach’s son-in-law Johann Christoph Altnickol gives us an approximate idea. There is no earlier extant autograph score than that of the later version which may probably be dated 1736 and on which the present edition is based.- Study score format 22.5 x 16.5cm- Urtext of the New Bach Edition-Full score performance material (BA5038) vocal score (BA5038-90) and study score (TP196) available for sale

Attractive alternative to the well-known St. Matthew PassionUrtext from the “New Bach Edition”Straightforward and easy-to-play piano reduction in the vocal scoreUnique to the market Bach’s St. Matthew Passion as we know it today evidently had a long history dating back before 1727. It is unclear whether the work performed at the Thomaskirche on Good Friday 1729 was based on a still earlier version. Whatever the case the surviving version of 1729 presents the work in a form strikingly different from its later incarnation. For example the opening section ends with the chorale “ Jesum lass ich nicht von mir ”which was replaced by the large-scale cantus firmus chorus “O Mensch bewein dein Sünde gross” for the 1736 performance. The well-known alto aria “Ach! nun ist mein Jesus hin ” is still assigned to a bass in the earlier version and the aria “ Komm süsses Kreuz ” calls for a lute instead of the later viola da gamba. Moreover the pieces for double chorus only require a single continuo group. Other differences can be found in the instrumental scoring and voice-leading. The early version of the St. Matthew Passion is thus a most interesting addition to the great concert repertoire. The corresponding volume of the “New Bach Edition” (series II/volume 5b) serves as a conducting score (BA5099-01).

Lat. Quatre courts Masses, composé de Kyrie et Gloria seulement, qui écrit de Bach à Leipzig pendant la 1737-38, doivent leur existence à une commission du comte Franz Anton von Sporck, de Lissa en Bohême. / Travaux Pour Choeurs

Volume with detailed booklet in English-About The Aria Book - TenorBy Johann Sebastian Bach (1685-1750) edited by Charlotte Lehmann. Collection (with pull-out supplement) for tenor voice and piano accompaniment. Urtext of the New Bach Edition. Text language German/English. 76 pages. Published by Baerenreiter-Ausgaben (German import). (BA.BA5213-04) ISBN M006503841. With vocal melody lyrics piano accompaniment performance notes suggestions for practice and introductory text. Baroque. 9x12 inches. Contents:Unser Mund Und Ton Der Saiten BWV 1 No. 5 F Major from 'Unser Mund Und Ton Der Saiten'.Was Willst Du Dich Mein Geist Entsetzen BWV 8 No. 2 C# Minor from 'Liebster Gott Wenn Werd IchSterben'.Was Ist Der Schnode Mensch - Bleibt Ihr Engel Bleib Bei Mir BWV 19 No. 4 5 E Minor from 'Es Erhub Sich Ein Streit'.Kein Ungluck Ist In Aller Welt - Ewigkeit Du Machst Mir Bange BWV 20 No. 2 3 C Minor from 'O Ewigkeit Du Donnerwort'.Bache Von Gesalznen Zahren BWV 21 No. 5 C Minor from 'Ich Hatte Viel Bekummernis'.So Schnell Ein Rauschend Wasser Schiesst BWV 26 No. 2 C Major from 'Ach Wie Fluchtig Ach Wie Nichtig'.Ich Will Leiden Ich Will Schweigen BWV 87 No. 6 Bb Major from 'Bisher Habt Ihr Nichts Gebeten In Meinem Namen'.Erholet Euch Betrubte Sinnen BWV 103 No. 5 D Major from 'Ihr Werdet Weinen Und Heulen'.Ihr Menschen Ruhmet Gottes Liebe BWV 167 No. 1 G Major from 'Ihr Menschen Ruhmet Gottes Liebe'.Auf Meinen Flugeln Sollst Du Schweben BWV 213 No. 7 E Minor from 'Lasst Uns Sorgen Lasst Uns Wachen'.

Kantate Zum Reformationsfest (In Der Bearbeitung Von Wilhelm Friedemann Bach). Par BACH JOHANN SEBASTIAN. The present cantata draws on two of Bach’s earlier works. The original form was the cantata 'Alles, was von Gott geboren' [Weimar 1715, BWV 80a]. A second version [BWV 80b] was written between 1727 and 1731 in Leipzig. The instrumentation of movements 1 and 5 come from a later adaptation by Wilhelm Friedmann Bach./ Répertoire / Solistes SATB, Choeur SATB, (arr Satz 1 + 5 von W.

Kantate Zum Reformationsfest (In Der Bearbeitung Von Wilhelm Friedemann Bach). Par BACH JOHANN SEBASTIAN. The present cantata draws on two of Bach’s earlier works. The original form was the cantata 'Alles, was von Gott geboren' [Weimar 1715, BWV 80a]. A second version [BWV 80b] was written between 1727 and 1731 in Leipzig. The instrumentation of movements 1 and 5 come from a later adaptation by Wilhelm Friedmann Bach./ Répertoire / Solistes SATB, Choeur SATB, (arr Satz 1 + 5 von W.

Kantate Zum Reformationsfest (In Der Bearbeitung Von Wilhelm Friedemann Bach). Par BACH JOHANN SEBASTIAN. The present cantata draws on two of Bach’s earlier works. The original form was the cantata 'Alles, was von Gott geboren' [Weimar 1715, BWV 80a]. A second version [BWV 80b] was written between 1727 and 1731 in Leipzig. The instrumentation of movements 1 and 5 come from a later adaptation by Wilhelm Friedmann Bach./ Répertoire / Solistes SATB, Choeur SATB, (arr Satz 1 + 5 von W.

The Mass in B minor (BWV232) is a stupendous creation that exemplifies Bach's mighty genius composed for SSATB soli SSATB chorus and orchestra. This edition expertly edited by Neil Jenkins contains the complete Vocal Score with a Piano accompaniment. With notes and editorial commentary in English and text in Latin.

Kantate Zum Reformationsfest (In Der Bearbeitung Von Wilhelm Friedemann Bach). Par BACH JOHANN SEBASTIAN. Tonalité : D-Dur - Bach, Wilhelm Friedemann (Arr. ) - BWV 80/ Répertoire / Solistes SATB, Choeur SATB, (arr Satz 1 + 5 von W.

Kantate Zum Reformationsfest (In Der Bearbeitung Von Wilhelm Friedemann Bach). Par BACH JOHANN SEBASTIAN. Tonalité : D-Dur - Bach, Wilhelm Friedemann (Arr. ) - BWV 80/ Répertoire / Solistes SATB, Choeur SATB, (arr Satz 1 + 5 von W.

Kantate Zum Reformationsfest (In Der Bearbeitung Von Wilhelm Friedemann Bach). Par BACH JOHANN SEBASTIAN. Tonalité : D-Dur - Bach, Wilhelm Friedemann (Arr. ) - BWV 80/ Répertoire / Solistes SATB, Choeur SATB, (arr Satz 1 + 5 von W.

Kantate Zum Reformationsfest (In Der Bearbeitung Von Wilhelm Friedemann Bach). Par BACH JOHANN SEBASTIAN. Tonalité : D-Dur - Bach, Wilhelm Friedemann (Arr. ) - BWV 80/ Répertoire / Solistes SATB, Choeur SATB, (arr Satz 1 + 5 von W.

Kantate Zum Reformationsfest (In Der Bearbeitung Von Wilhelm Friedemann Bach). Par BACH JOHANN SEBASTIAN. Tonalité : D-Dur - Bach, Wilhelm Friedemann (Arr. ) - BWV 80/ Répertoire / Solistes SATB, Choeur SATB, (arr Satz 1 + 5 von W.

Kantate Zum 16. Sonntag Nach Trinitatis. Par BACH JOHANN SEBASTIAN. Tonalité : dorisch - BWV 27/ Répertoire / Solistes SATB, Choeur SATB, (Cto), 2 Hautbois/1 Ha

Kantate Zum 16. Sonntag Nach Trinitatis. Par BACH JOHANN SEBASTIAN. Tonalité : dorisch - BWV 27/ Répertoire / Solistes SATB, Choeur SATB, (Cto), 2 Hautbois/1 Ha