Speak the Name

15 Beautiful Arrangements by Phillip Keveren. Par . Phillip Keveren's masterful arrangements of praise and worship favorites are perfect for hobbyists or church musicians looking for fresh material. This collection features 15 songs: Ancient Words · As the Deer · Build Your Kingdom Here · He Is Exalted · Here I Am to Worship (Light of the World) · Living Hope · Lord, I Lift Your Name on High · Majesty · O Church Arise · Our God · Revelation Song · Speak O Lord · There Is a Redeemer · Yet Not I but Through Christ in Me · Your Name. / Date parution : 2022-03-05/ Recueil / Piano

30 blended selections, perfect for the church pianist. Songs include: All Creatures of Our God and King · All Hail the Power of Jesus' Name · Ancient of Days · Be Thou My Vision · Blessed Assurance · Come into His Presence · Come, Now Is the Time to Worship · Crown Him with Many Crowns · Give Thanks · Great Is the Lord · He Is Exalted · Here I Am to Worship · Holy, Holy, Holy! Lord God Almighty · I Can Only Imagine · I Love to Tell the Story · I Sing the Mighty Power of God · I Worship You, Almighty God · Majesty · A Mighty Fortress Is Our God · More Precious Than Silver · My Tribute · Open the Eyes of My Heart · People Need the Lord · Shine, Jesus, Shine · Shine on Us · Spirit ofGod, Descend upon My Heart · To God Be the Glory · Via Dolorosa · When Morning Gilds the Skies · Word of God Speak.

Twenty-Four Contemporary Pieces For Solo Piano includes a diverse selection of works from 16 of the world's leading composers. The 24 pieces featured in this collection represent the best of contemporary classical Piano music being composed today. As well as being a compilation of fantastically enjoyable compositions, the book also features interesting notes by each composer to accompany their music.These Contemporary Pieces For Solo Piano are at once accessible and musically inspiring, featuring some of the most talented and respected composers and their most definitive contributions to Piano music. Perhaps the biggest name included here is that of Ludovico Einaudi, whose wide reputation is a result of his masterful ability to pull at heartstrings, exemplified in his works Berlin Song, The Earth Prelude and Waterways, all of which are included here. Other giants of contemporary classical music are included in the collection, names like Philip Glass (Etude #11), Max Richter (Horizon Variations and Vladimir's Blues) and Hauschka, whose Can You Dance For Me, Early In The Park and Until It's Dawn perfectly encapsulate the emotive characteristics of all the pieces in this book. Composers like Nils Frahm, Ólafur Arnalds, Dustin O'Halloran and Jóhann Jóhannsson evolved from a similar school that favours building atmosphere with hypnotic arpeggiation in composition, explaining why these composers are often used to great effect in film soundtracks.Other inclusions in Twenty-Four Contemporary Pieces For Solo Piano are simply too important to have left out, namely Nico Muhly's Hudson Cycle, two pieces by Joby Talbot as well as Tarik O'Regan's Lines Of Desire. The beauty of the songs here speak for themselves, but the composers have also written brief notes that preface each of the pieces, giving fascinating insight into either the composition itself or particular playing notes. Featuring some of the best compositions by the most respected and creative musicians writing today, the Twenty-Four Contemporary Pieces For Solo Piano within this collection are an exciting prospect for any pianist looking for some wonderfully inspiring music to learn and play. / Piano

Destined to become a sacred standard this Patti Drennan song of praise is filled with awe and majesty. Set as a contemporary power ballad the solo and duet that open the piece are optional but compelling when performed withfreedom and feeling. This anthem will be unforgettable on any Sunday where God's name is lifted in worship.

Make the silence talk'La Muette knew how to make the silence talk like no one', writes Djavann in his book (La Muette, © Flammarion 2008). Those words deeply touched me for they express one of the most beautiful metaphors in music. Through the lines of discourse, beyond words, I was listening to the silence of 'La Muette'. A rare and intense listening which joins the same internal listening I use when I'm writing my score. I was listening to La Muette, I decided to write a new piece to make the silent voice of La Muette told by Chahdortt Djavann sound through music. Choosing the extracts The text put in music is composed of short extracts from Djavann's story. I focused on this woman's portrait, who conquers her freedom through silence in which she forms a strong love relationship with her niece Fatemeh on the one hand, and the Uncle on the other hand. 'She had made her silence become her art of living, her freedom' writes Djavann. The extremely dramatic tension, the flow of the singing in Persian language, and the oppression in relation to the Iranian context are trying to underline the independent beauty of that woman who resists and exists without a voice. Story A young 15 years old Iranian girl named Fatemeh is in jail. Waiting for her death sentence, she writes the story of her aunt on a small notebook, 'so that someone remembers La Muette and myself'. The young teenager was raised by her aunt who becomes mute because she decided to stop talking on a dark day of her own childhood when she was interrogated, never to tell THE truth. An aunt whose silence makes even more fascinating, haughty, with an insolent look, cigarette at her lips, bare-footed and without any scarf on her head. 'La Muette' had made her silence become her art of living, her freedom. Around her, women start to talk, even considering her mad, for only a mad person could act this way. Fatemeh loves her mute aunt unconditionally, that is how she wants to become a woman, by being like her, fascinated by her silence and her excesses. La Muette embodies a figure of Freedom and makes us remember that in some countries, the woman who won't be submissive risks capital punishment. She will be hung. Following this beautiful text by Chahdortt Djavann, 'La Muette', a powerful text, stiff, tensed, without any lyricism nor compromises, which takes place in Iran under the Mollahs' regime. Persian: Phonological material / Compositional material Djavann's story is written in French. I asked Baharé Khadjé-Nouri to translate the text into Persian, and worked with her on pronunciation, accentuation, metric and the structure of the language, and I thank her again for that. I spent a long time having some people reading me the text in Persian and through listening I immersed myself in that sound universe. From this linguistic material, the beginning of the piece starts with the constitution of a tank of sound objects which will constitute parts of the compositional material. To compose the phonological tank, I worked on writing the pronunciation that lies at the origin of every possible vocal composition, writing the tone as well as the 'percussive - resounding' aspects of phonemes, multiple uses of fricative consonants or sibilants. Finally I used the vocal treatment of the phoneme through modes of play in relation to sprechsang: sing -inspire, or -expire, -blow, -chanting, -whispering, -spitting, -speaking. But a purely phonetic analysis of the vocal structures composing the sung part would reduce the word to its mere phonetic entity. The phonological material then constituted a compositional material by giving to the sung word its semantic entity. Form of the piece To strip the drama off every narrative element, at least of the discursive and linear character of the story, I first re-organized parts of the text extracted from the whole book in an order fitting the form I wanted to give to the piece (except for the beginning and ending which are kept in their linear forms). I imagined Fatemeh in jail, whose memories bounced between the four walls of her cell: recurring musical material, re-injected in an obsessive way, disjointed and contrasted, continuously modified each time, bouncing from one sequence to the next in another state. The piece is divided into 5 sequences, between each of them is an instrumental interlude with a voice-off, the voice of the present in the cell that contrasts with the singing voice of the sequence, evocation of memories of La Muette (sequence 1: preamble, sequence 2: portrait of La Muette, sequence 3: La Muette and Fatemeh, sequence 4: La Muette and the Uncle, sequence 5: epilogue). Electroacoustic setupFor this piece, I wrote the electroacoustic parts myself at the same time I was writing the instrumental parts. The electroacoustic setup is here considered as a whole instrument, an instrument added to the 12 others electroacoustic instruments and to Donatienne's voice. The electroacoustic sounds are divided into three types: - Samples from the singer's voice and instruments of the TM+ ensemble transformed - The narrator's voice Baharé Khadjé-Nouri in Persian, original version or transformed - Extra-musical sounds As for the synchronization between the acoustic and the electroacoustic scores, we will use for the first time an innovative application developed by Frédéric Bevilacqua and Bruno Zamborlin, not to follow the moves as we did it in StreicherKreis (my string quartet created in November 2008), but to follow the voice and orchestra. Thus, we will be using an 'audio-following', which constituted a first. This setup of recognition and following will allow the synchronization between instrumental and electroacoustic scores in a musical and precise way. Concerning the interactivity between performers and device, it will all be in real-time. Characteristics of the musicians' sound will 'interpret' what comes out of the speakers. The musicians will define the settings of the sound transformations, in terms of space, transposition, tone or length. This new piece expresses a message through the choice of subject that goes beyond strictly music. For me, it is important that both the composer and writer can invest their work into problematics which they're confronted to because they are immediate witnesses. / Soprano Et Percussions

Pensado's Strive Education Series-The Strive curriculum is the brainchild of online-television sensation Pensado's Place and audio-publishing giant Hal Leonard. It will feature authors who are considered best in class relevant and enormously committed to education and giving back.We chose the name Strive because to attain all the key dynamics to growth in your life you simply must strive! Strive continues the Pensado ethos of edutainment combining education with entertainment to teach reach amplify inspire and yes to strive!Topicsin Strive will range from vocal courses management tracking mixing social media music theory for the electronic musician miking tracking home recording marketing live instrumentation speakers headphones live sound cables connectors mastering and more. Featured authors will include such audio heavyweights as Usher's New Look Foundation rock legend Chris Lord-Alge Nashville institution the Blackbird Academy Dave Pensado pop and urban maestro Tony Maserati and Rihanna vocal producer Kuk Harrell. And there are many more all-stars to come!Additionally  Strive will allow the reader to engage with other Pensado's Place opportunities from bundling software such as plug-ins headphones DAWs or other gear options to also engaging with some of our most active platform partners such as Converse Rubber Tracks and Indaba. The Strivecurriculum may make you eligible for one-on-one teaching with our superstar guests VIP access at Pensado Live Events discounts on gear and more.You want to know how the pros succeeded? It starts with learning how to strive!

An Easter Worship Experience-Relive the events leading to Christ's ultimate sacrifice for us on the cross and be reminded that He truly is our King with You Are My King a blended musical with a variety of styles that will speak to listeners of all ages. Ideal for services during Holy Week or as a special presentation on Easter Sunday morning this work also includes optional narrations that may be adapted to your particular needs. You will find this collection of songs usable beyond the Easter season. Titles include: Jesus Lives Today!; Any Road Any Cost; You Are the Bread; You Are My King (Amazing Love); Lord of All (with All Hail the Power of Jesus' Name); Now Unto Him; and Was It a Morning LikeThis? Publications available: SATB ChoirTrax CD (Split-Trax) Preview CD Instrumental Pak (orchestration varies) Preview Pak and CD 10-Pak. Duration (if performed in its entirety): ca. 31 minutes

Time-honored words are supported and expanded upon by a new text creating a loving portrait of Christ for Holy Week. Incorporating the hymn Man of Sorrows What a Name the music is uncluttered and restrained allowing the words to speak and minister. Each verse receives special musical consideration with varying harmonic textures key and mode changes and accompaniment treatment so that the words communicate and penetrate. For churches of any size looking for an expressive choral moment!

The OperAria repertoire anthology was much applauded when it came on stage with three baritone volumes in 2015. The successful baritone debut was followed in 2017/18 by the appearance of the four soprano volumes, also conquering hearts in no time. Now, another performance: The curtain rises on the bass volumes, the foundation of the vocal family for heavier, darker voices, though nevertheless brilliant and full of radiance. The protagonists have such well-known names as Bartolo, Don Basilio, Colline, Don Pasquale, Falstaff, Figaro, Kecal, Osmin, Sarastro. Other heroes less often in the limelight, such as Dulcamara, Sancho Pansa, Phanuel, and Sir Morosus, can certainly also count on much applause. 'It is my aim to give students a modern, systematically structured, well-informed vocal coach that meets the demands of present-day stage practice. And, of course, a cohesive repertoire and logical presentation of audition arias for every vocal genre. ' (Peter Anton Ling) OperAria is the ideal ?vocal coach? for all voice types. Edited by Peter Anton Ling, the books address all singers and are conceived above all for training and auditions. In addition, through their careful selection, they offer valuable inspiration for opera recitals. OperAria ? repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance) with comments on the arias information on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera?s plot an evaluation from the singer?s point of view with ?phonetic assistant? and ?text assistant? aria texts in the original language spoken by native speakers as an audio file (mp3) aria texts in German and English translations as a text file (pdf) available for download / Date parution : 2019-09-06/ Recueil / Basse Lyrique-Dramatique

Par FELDMANN WALTER. Commissioned by the Ensemble Intercontemporain In 1989 I first discovered the writings of Anne-Marie Albiach. H II linéaires especially impressed me, on the one hand through the sensual presence of the words, and on the other hand, above all, through the spatial disposition of the typography. This is a form of writing which has nothing to do with all that has existed before it. This impression was the starting point for a creative work which has since become a kind of a project to which I will dedicate myself throughout my life. Since that time of my first discovery (in which hundreds of pages of sketches and a published excerpt of a score of a syntagma have been composed, namely « monstrueuse vécut dans le cadre » la mémoire) I have attempted to develop a new musical system that encompasses all the parameters of composition. All of these works which I have composed are independent from this enormous project, but at the same time they form the experimental laboratory for the all-encompassing musical system towards which I am working and developing: a new system of determining pitches, metre, dynamics, musical diction, manner of performance, etc. With « monstrueuse vécut dans le cadre » la mémoire it appears that the research for this project has been concluded. After the two large cycles « Les Géorgiques » on texts from Claude Simon and « Tristram Shandy » from Laurence Sterne, both employing techniques from my work with Albiach’s texts, I could finally compose this work, which was originally conceived for voice and 6 instrumental groups – the system was mastered, so to speak. Anne-Marie Albiach’s establishes the genetic code for the piece, without the words having to be spoken. . Her text is, in the true sense of the word, measured from one syntagma (syntactical element), from one void (space) to another, and this results in temporal structures of ensemble texture. This is opposed to another texture, which is the temporal measurement of a recitation of the text by the author: her voice, using the range of her/ Répertoire / Alto Solo, Grand Ensemble en 6 groupes: 1) Contreb

The ultimate collection for Latin lovers everywhere! 400 Latin standards in one Real Book collection, including: Acercate Más (Come Closer To Me) Adelita Adios Adios Tristeza (Bye Bye Tristeza) Adoro Afro Blue Água De Beber (Water To Drink) Aguardiente De Cana Águas De Março (Waters Of March) All That's Left Is To Say Goodbye (E Preciso Dizer Adeus) Alla En El Rancho Grande (My Ranch) Alma Con Alma Alonzo Always In My Heart (Siempre En Mi Corazon) Amantes Amapola (Pretty Little Poppy) Amarga Navidad Amor (Amor, Amor, Amor) Amor A La Mexicana Amor Artificial Amor Eterno (El Mas Triste Recuerdo) Amor Gitano Amor Prohibido Amorcito Corazon Amparo Ana Luiza And I Love Her Anema E Core (With All My Heart) Anima Anos Dourados (Looks Like December) Antigua Aquellos Ojos Verdes (Green Eyes) Aqui, Oh! Armando's Rhumba Arroyito Asi fue At The Mambo Inn Aunque Me Cueste La Vida Ausencia Ay Cosita Linda Babalu Baia (Bahía) Barbados Begin The Beguine Bella Señora (Bella Signora) Berimbau Bésame Mucho (Kiss Me Much) Bim-Bom Black Orchid Blue Tango Bonita Borzeguim Bossa Antigua The Breeze And I Brigas Nunca Mais Bruca Manigua Burundanga Cachita Call Me Cancion Del Mariachi Cantelope Island Captain Bacardi Captain Marvel Capullito de Alheli Cariba The Carioca Cast Your Fate To The Wind Castigame Chega De Saudade (No More Blues) Cherry Pink And Apple Blossom White Chitlins Con Carne Cien Años Cocinando Coisa Feita Comecar De Novo Compadre Pedro Juan Con Alma Con Tu Amor (With Your Love) The Constant Rain (Chove Chuva) Contigo Aprendi Contigo En La Distancia Copacabana (At The Copa) Coracao Apaixonado Corazon Corazon Corazon Corazon Costumbres Cu-Cu-Rru-Cu-Cu Paloma Cuando Vivas Conmigo Cuanto Le Gusta Cuban Lullaby Cumana Cumbia Raza Curves Ahead Dame un cachito pa'huele Dansero De Mi Enamorate De Un Mundo Raro A Deeper Shade Of Soul Déjame Vivir Delicado Desafinado Despues De Ti Deve Ser Amor Dicen Por Ahi Dindi A Dios Le Pido Don't Cry For Me Argentina Don't Ever Go Away (Por Causa De Voce) Double Rainbow É Luxo Só Ebony Samba (Sambanegro) Echale Salsita Echame A Mi La Culpa El Cazangero El Choclo El Cumbanchero El Destino El Hijo Del Pueblo El Mexico Que Se Nos Fue El Relicario (Shrine Of Love) El Reloj El Triste Ela 'E Carioca En El Mar En El Muelle De San Blas Encantigo The End Of A Love Affair Eres Tu/Touch The Wind Esa Mujer Esa Triste Guitarra Escape (The Pina Colada Song) Espana Cani Estate Estrada Branca (This Happy Madness) Estrellas De Fania Eu Sei Que Vou Te Amar Evil Ways Feelings (?Dime?) A Felicidade Festa Do Interior Fijate Bien 500 Miles High Flamingo Flor De Lis (Upside Down) The Fool On The Hill Footprints For Once In My Life Frenesí Friends Gema Gentle Rain The Gift! (Recado Bossa Nova) Ginza Samba The Girl From Ipanema (Garôta De Ipanema) Gitanerias Goodbye Sadness Granada Guadalajara Guantanamera Hasta que te conoci Hernando's Hideaway Hey Himno Nacional Mexicano (Mexican National Hymn) Historia De Un Amor Ho-Ba-La-La How Insensitive (Insensatez) Huracan If You Never Come To Me (Inutil Paisagem) Indestructible Inolvidable Invitation It's Impossible (Somos Novios) It's You Jalousie (Jealousy) Jazz 'N' Samba (So Danco Samba) Jingo (Jin-Go-Lo-Ba) The Jive Samba Jogral Joyce's Samba Key Largo Killer Joe Kiss Of Fire La Bamba La Barca La Camisa Negra La Comparsa (Carnival Procession) La Cosecha De Mujeres La Fiesta La Fuerza De Amar (A Forca Do Amar) La Malaguena (Se Acabo) La Malanga La Murga Panamena La Paloma La Pollera Colorá La Rajita De Canela La Ultima Noche Lágrimas Lagrimas Negras Lamento Lamento Borincano Last Tango In Paris Latin Perspective La Ley Del Monte Libertango Ligia Linda Chicana Linha De Passe Lisbon Antigua (In Old Lisbon) Little Boat (O Barquinho) Livin' La Vida Loca Llorando Se Fue (La Lambada) The Look Of Love Look To The Sky Los Marcianos (The Martians) Love Me With All Your Heart (Cuando Calienta El Sol) Luciana Lucky Southern Luiza Make Me A Memory (Sad Samba) Malaguena Mama Guela Mama Inez Mamblues Mambo Jambo (Que Rico El Mambo) Mambo #8 Mambo #5 A Man And A Woman (Un Homme Et Une Femme) Mañana Mangos Mania De Maria Manteca Maria Elena Maria La O Mas Que Nada Me Voy Pa'l Pueblo Meditation (Meditacao) Menina Flor Mexico Lindo Miami Beach Rumba Modinha Mojave Moon And Sand More (Ti Guarderò Nel Cuore) Morning Dance Mucho Corazon Mujer Music To Watch Girls By My Little Suede Shoes My Shawl Negra Consentida (My Pet Brunette) Never On Sunday Nica's Dream The Night Has A Thousand Eyes A Night In Tunisia No Me Quieras Tanto No Quiero Na' Regalao No Tengo Dinero No Volvere Noche De Ronda (Be Mine Tonight) Nosotros Nuestro Juramento Nunca Te Olvidare O Astronauta O Bebado E A Equilibrista O Grande Amor O Me Quieres O Me Dejas (Devaneos) O Morro Nao Tem Vez (Favela) O Nosso Amor O Pato (The Duck) O Xote Das Meninas Oblivion Obsesión On The Border Once I Loved (Amor Em Paz) (Love In Peace) One Note Samba (Samba De Uma Nota So) Only Once In My Life (Solamente Una Vez) Only Trust Your Heart Orchids In The Moonlight Outra Vez Oye Como Va Pa' Gozar Pablo Pueblo Palo Pa' Rumba Paloma Blanca Papa Gato Papa Loves Mambo Para Ti Pare Cochero Passarim Patricia, It's Patricia (Patricia) Paulistana The Peanut Vendor (El Manisero) Pensativa Perdoname, olvidalo Perfidia Perfume De Gardenia Photograph Picadillo (a la Puente) Poise 'e Ponteio Por Amor Porque Tu Me Acostumbraste Preciosa Quando, Quando, Quando (Tell Me When) Que Bueno Baila Usted Que Rico Vacilon (Cha Cha Cha) Que Seas Feliz Quedate Conmigo Esta Noche Querida Quien Sera Quiero Dormir Cansado Quiet Nights Of Quiet Stars (Corcovado) Quiet Village Quijote Quizas, Quizas, Quizas (Perhaps, Perhaps, Perhaps) Ran Kan Kan Recorda Me The Red Blouse (Blusa Vermelha) Resemblance Rhythm Of The Rain Romance de Amor Rum And Coca-Cola Sabia Sabor A Mi (Be True To Me) Sabras Que Te Quiero St. Thomas Samba Cantina Samba Dees Days Samba Pa Ti Sandunguera Say “Si, Si” Se A Cabo Se Me Olvido Otra Vez Se Todos Fossem Iguais A Voce (Someone To Light Up My Life) Señor Mouse Si Madame Siempre En Mi Mente Similau (See-me-lo) Simple Samba Sin Tu Carino Sin Un Amor So Nice (Summer Samba) So Tinha De Ser Com Voce (This Love That I Found) Son De La Loma Sonambulo Song For My Father Song Of The Jet (Samba do Avião) Song Of The Sabiá (Sabiá) Soul Sauce (Guarachi Guaro) South Of The Border (Down Mexico Way) Soy Guajiro Spain Spanish Harlem Speak Low Suavecito Sunshower Taboo Tango Of Roses Te Desafio Te sigo Amando Telephone Song That Look You Wear (Este Seu Olhar) This Masquerade Tico Tico (Tico Tico No Fuba) Tide Tiger Of San Pedro Time Was Tin Tin Deo Totem Pole Tres Lindas Cubanas Tres Palabras (Without You) Triste Tu Solo Tu Um A Zero Un Poco Loco Un Sentimental Usted Usted Se Me Llevo La Vida Ven Y Dame Un Poco Mas Vera Cruz Veracruz Viva Tirado Vivo Sonhando (Dreamer) Voy A Apagar La Luz Watch What Happens Watermelon Man Wave What A Diff'rence A Day Made Whatever Lola Wants (Lola Gets) Y Pensar ? Y Tu Que Has Hecho? Ya no me vuelvo a enamorar (No me vuelvo a enamorar) Yellow Days Yesterday I Heard The Rain You Belong To My Heart (Solamente Una Vez) You'll Never Find Another Love Like Mine You're Everything Yours (Quiereme Mucho) Zelao Zingaro (Retrato Em Branco E Preto) / Instrument en sib / Hal Leonard

Romances - Six short pieces for Viola and Piano by Poul Ruders. Programme note According to tradition a mid- or late-19th century instrumental Romance - or Romanza - is a shortish composition of predominantly melodic nature with a slight leaning toward the sentimental.In several European languages such as German French and Danish the word for navel i.e. an unfolding drama in writing is Roman and although there's nothing literary about my Six Romances for viola and piano each piece tells its own story open to individual inner interpretation. Portal forms the opening chapter so to speak pavingthe way for the second movement named Even Song. Maybe it's just a simple tune heard at sunset perhaps the melody is carried from far away over the hills from inside the village church...Titles such as Ballad and Dirge (song of mourning) immediately reveal the nature and mood of the music to come where-as the concluding piece Duet is slightly more 'mysterious.'In a classic duet the two instruments in question or more likely voices complement each other benevolently. In the present case however the viola and the piano both stand firm protection their own turf - and - 'the twain shall never meet!'The piece is very short indeed it just stops leaving the listener to finish the 'story' in his or her own imagination. A true open ending. (Poul Ruders)

Par ARNOLD MALCOLM. Peterloo is the derisive name given to an incident on 16 August 1819, in St Peter's Fields, Manchester, when an orderly crowd of some 8,000 people met to hear a speech on political reform. On the orders of the magistrates they were interrupted by the Yeomanry, attempting to seize the banners they carried, and to arrest their speaker, Henry Hunt. Cavalry were sent in, eleven people were killed and four hundred injured in the ensuring panic. This overture attempts to portray these happenings musically, but after a lament for the killed and injured, it ends in triumph, in the firm belief that all those who have suffered and died in the cause of unity amongst mankind will not have done so in vain./ Répertoire / Conducteur