Intermediate Music for Three, Volume 2, Part 3 - Cello/Bassoon

Salvador Segui Perez (1939-2004) was a Spanish musician academic and composer who studied in Spain Italy and France. For many years he was the professor of music theory and later director at the Valencia conservatory. Ejercicios De Dictado Musical - Volume 3 is a collection of 100 progressive dictation exercises for one two three and four voices suitable for intermediate and advanced level students of music theory and sight-singing. It also contains a selection of exercises suitable for Conservatoire audition practice.

The Easy Concert Pieces series for alto saxophone and piano provide easy to intermediate pieces from the Renaissance to the modern era for music lessons, concert performances or private music-making. The volumes with accompanying CD add to the not very extensive repertoire of performance pieces for saxophone. They were carefully selected according to technical and musical requirements and are arranged in three volumes according to their level of difficulty.All pieces are included on the accompanying CD as demo and play-along versions (piano accompaniment). The piano part contained in the volume is very easy so that it can even be played by a pupil, e.g. at a music school concert.Volume 1 (ED 22553) contains easy pieces which mainly range from d' to c''', occasionally even to d'''. The keys range from C to D major or the respective minor keys. This volume contains works by Charpentier, Vivaldi, Handel, Bach, Haydn, Mozart, Beethoven, Smetana, Pütz, Moser, and others.Volume 2 (ED 22554) contains intermediate pieces ranging from c' to e''', with unusual metres and demisemiquavers appearing occasionally. Including works by Wolkenstein, Peuerl, Schein, Purcell, Telemann, Handel, Mozart, Beethoven, Gounod, Humperdinck, Elgar, and others.Volume 3 (ED 22942) - in preparation: Will contain pieces at even higher levels of difficulty and add further works to the repertoire. / Saxophone Alto

The Easy Concert Pieces series presents easy to intermediate pieces for trumpet with piano accompaniment. Pieces typical of their era and suitable for auditions, public performance, competitions or examinations are ordered according to level of difficulty in three volumes. These Easy Concert Pieces also provide appealing additional material for use in trumpet lessons. All the pieces are recorded on the CD included with each book, both in full and playback versions (piano accompaniment). In addition to the enclosed part for trumpet in Bb, separate parts for trumpet in C accompanying each book are available for download at www.schott-music.com. Volume 1 (ED 22555) contains very easy to easy pieces with a range up to written c?, with d? appearing as a short top note in just a few pieces. Simple and memorable rhythms, readily playable note sequences and patterns of articulation that can be mastered quickly and easily make this book ideal for beginners. Volume 2 contains easy to intermediate pieces with a range no higher than f?. Besides extending rhythmic scope and requiring a little more in terms of phrasing and articulation, these pieces will encourage further exploration of musical contrasts. Volume 3 is of medium difficulty and intended for players with a well-developed embouchure who can play notes up to written g?, though this note only appears as a short top note. Flexible articulation and legato playing with a well-developed dynamic range are required for pieces that are longer than those in the preceding volumes. / Niveau : Facile / Recueil / Trompette et Piano

Intermediate to Upper Intermediate Level. Par . 'Upon embarking on this project, I had little idea of what I would find. There were, of course, the 'usual suspects:' women composers whose name and whose music have stood the test of time and are familiar to many. There were also those whose names ring a bell but whose music does not. The real unknowns were, well, the unknowns. How many women composers whose music is worth studying and listening to were out there' (...) When selecting, I searched for the following: beautiful interesting compositions that students can benefit from and will love learning, teachers will enjoy teaching, and audiences will appreciate; a variety to styles, composers, and nationalities; showcasing as many composers as possible, while striking a balance between well-known, lesser know, and unknown composers.' - Immanuela Gruenberg, in the Preface. These brand new collecions come in two volumes, with book 1 arranged for upper elementary to early intermediate pianists, and Book 2 arranged for intermediate to upper intermediate level pianists. / Date parution : 2023-06-01/ Recueil / Piano

Artiste: Arpad Pejtsik. The latest volume in this popular series expands the repertoire of intermediate violoncello pupils with some unusual transcriptions. This time the editor, Árpád Pejtsik, has arranged Ave Maria settings (one song and three choral works) for four cellos. The first is a classical music hit, Schubert's Ave Maria. Next is the transcription of a little-known piece from Liszt's vast output, an item from his 1879 choral work Rosario, followed by an arrangement of the first of Verdi's Quattro pezzi sacri, famous for being based on an ''enigmatic scale'' (scala enigmatica). The volume concludes with another evergreen, the Ave Maria from Rachmaninoff's All-Night Vigil. Rather than testing the players' virtuosity, these slow-moving, contemplative pieces serve more to improve intonation skills as well as a sense of form and proportion. The editor has added suggested fingerings and bowings in order to help with the music's appropriate interpretation. / Niveau : Intermédiaire à Avancé / Classique / Recueil / 4 Violoncelles

Nicolai Podgornov's compositions for piano students at all levels inspire and stimulate with beautiful and enjoyable melodies. At the same time however quite specific pianistic skills are addressed. This new collection of pieces for grades 4 - 6 is the second in a three-volume series: EASY INTERMEDIATE and ADVANCED. The pieces are presented in order the technical level gradually increasing throughout but never obscuring the pleasure of music making.

The volume for intermediate players in the Ad libitum series offers duos from the Renaissance to the Late Romantic Period, which can be performed in a varied ensemble of instruments. The publication also contains works by less well-known composers, including two pieces by Bertalotti which were originally written for solfege yet are valuable as concert pieces and can be well played, as well as a composition by Jacques-Christophe Naudot and one by Carl Friedrich Weidemann. / Ensemble Mixte

The Easy Concert Pieces series for alto saxophone and piano provide easy to intermediate pieces from the Renaissance to the modern era for music lessons, concert performances or private music-making. The volumes with accompanying CD add to the not very extensive repertoire of performance pieces for saxophone. They were carefully selected according to technical and musical requirements and are arranged in three volumes according to their level of difficulty.All pieces are included on the accompanying CD as demo and play-along versions (piano accompaniment). The piano part contained in the volume is very easy so that it can even be played by a pupil, e.g. at a music school concert.Volume 1 (ED 22553) contains easy pieces which mainly range from d? to c''', occasionally even to d'''. The keys range from C to D major or the respective minor keys. This volume contains works by Charpentier, Vivaldi, Handel, Bach, Haydn, Mozart, Beethoven, Smetana, Pütz, Moser, and others.Volume 2 (ED 22554) contains intermediate pieces ranging from c' to e''', with unusual metres and demisemiquavers appearing occasionally. Including works by Wolkenstein, Peuerl, Schein, Purcell, Telemann, Handel, Mozart, Beethoven, Gounod, Humperdinck, Elgar, and others.Volume 3 (ED 22942) ? in preparation: Will contain pieces at even higher levels of difficulty and add further works to the repertoire.

19 Pieces from 5 Centuries. The Easy Concert Pieces series presents easy to intermediate pieces for trumpet with piano accompaniment. Pieces typical of their era and suitable for auditions, public performance, competitions or examinations are ordered according to level of difficulty in three volumes. These Easy Concert Pieces also provide appealing additional material for use in trumpet lessons.All the pieces are recorded and included for audio download with each book, both in full and playback versions (piano accompaniment). In addition to the enclosed part for trumpet in Bb, a part for trumpet in C (Schott ED 22555-01) is available for download at www.schott-music.com [1].Volume 1 (ED 22555) containsvery easy to easy pieces with a range up to written c?, with d? appearing as a short top note in just a few pieces. Simple and memorable rhythms, readily playable note sequences and patterns of articulation that can be mastered quickly and easily make this book ideal for beginners.Volume 2 (ED 22556) contains easy to intermediate pieces with a range no higher than f?. Besides extending rhythmic scope and requiring a little more in terms of phrasing and articulation, these pieces will encourage further exploration of musical contrasts.Volume 3 (ED 22557) is of medium difficulty and intended for players with a well-developed embouchure who can play notes up to written g?, though this note only appears as a short top note. Flexible articulation and legato playing with a well-developed dynamic range are required for pieces that are longer than those in the preceding volumes. Links:------[1] http://www.schott-music.com

From the preface: The aim of the publication of these four-handed piano compositions is to fill a void within the sphere of sight-reading(and almost sight-reading) at the beginner and intermediate level. These three volumes together contain 36 Nordic folk songs from Denmark Norway Sweden Finland and theFaroe Islands. The selection is based first and foremost on their being well suited to the instrumental expressivepossibilities of the piano and being good representatives of the rich and atmospheric Nordic musical heritage.When one practises sight-reading on one’s own it is tempting to stop as onegoes along because the desire to playthe correct notes is often given priority at the expense of the rhythm and expression.Music without an organic pulse will leave the player with an unsatisfactory feeling of stress and failure and thestream of thought will not form part of a natural flow. Good sight-reading training is therefore ensemble playing where the teacher supports the pulse and rhythm.In many other publications of four-handed duets the secundo part is written in two bass clefs and the primo part in twotreble clefs. Reading this untrained combination of clefs along with the stressful fact that the music has never beenseen nor heard before can confuse the pupil.In volumes 1 and 2 the secundo part which is intended for the pupil is therefore notated in a treble clef and bassclef as piano music for two hands is usually notated. In volume 3 the degree of difficulty is more varied but in mostof the pieces improvisation is an interposed element in the primo part being therefore a good challenge for the pupil.In the improvisatory sections a chord or a scale is notated. These can form the tonal starting point but here too thepupil is encouraged to experiment with for example the shift between major and minor thirds and between the high andlow sixth and seventh

Par COUPERIN FRANCOIS / GILBERT. Harpsichord work - Volume 4, LP. 24 by Francois Couperin is the fourth in a series of 4 volumes of suites for Harpsichord. Published in 1930, three years before Couperin 's death, when he was very ill, this volume initially presented some small mistakes and some white pages. It features seven Ordres, from the 20th to the 27th, with a total of 43 pieces. For upper-intermediate players, this volume was edited by Kenneth Gilbert. François Couperin was a very famous French composer who played the Harpsichord, the Organ. Coming from a famous family of musicians, he was nicknamed ; Couperin le Grand ('Couperin the Great')./ Répertoire / Clavecin

3 Fantaisies et Fugues / 5 Toccatas et Fugues-Part of the Organ collection by J. S. Bach this 3rd Volume The Little Organ Book – Three Fantasies and Fugues five Toccatas and Fugues is an edition of the Orgelbüchlein composed from 1708 to 1717. First published in 1900 this volume is translated in English and French and features the annotation of Marcel Dupré a French organist to help the performer get the most out of the music. This third book contains the eight following pieces: - Fantasia and Fugue – C minor - Fantasia and Fugue – G minor - Fantasia and Fugue – A minor - Toccata Adagio and Fugue– C major - Toccata and Fugue – D minor - Toccata and Fugue – D minor - Toccata and Fugue – E major - Toccata and Fugue – F major The preface of these Three Fantasies and Fugues five Toccatas and Fugues is well written with explanations of the comments and descriptions of the techniques to use for a good interpretation of this work. This volume can be used by intermediate players and above.

Mauricio Kagel Kompositionswettbewerb 2016. It has always been a challenge to write educational piano pieces that can stand on their own and be appreciated as musical works of art in addition to their pedagogical purpose. The aim is to combine didactic intentions and a certain level of technical difficulty, without the limitations causing a compromise in aesthetic appeal. The authors of this book succeeded, all of them are prizewinners of the Mauricio Kagel Composition Competition. First prize was awarded to Matius Shan-Boone for his work Six Views from my Window. Second prize went to Peter Yarde Martin for The Five Elements and Daniel Serrano Garcia won third prize for Sonetos. Honourable mentions went to the composers Davide Coppola and Emre Sihan Kaleli. Players, teachers and students now have a third volume of new piano music to complement K2010 and K2013. • Piano Pieces using a contemporary language for young adults that can be practically integrated into piano teaching. • Ideal for introducing contemporary music at an intermediate level • Three Prize winning pieces of the Mauricio Kagel Composition Competition/ Recueil / Piano

A Graded Anthology for Piano. This three-volume series of piano music by women composers is a progressive compendium of educational literature with a broad repertoire from the 17th century to the present day. For each piece, the editor has written short instructions with rehearsal tips as well as biographical notes on the women composers. Suitable for intermediate and advanced pianists, volume 3 is an indispensable addition to lessons and concerts.