Swing with a Band - Trombone

From Dixieland and boogie woogie to swing, blues, jazz, bop, Latin, and rock music, this title offers a variety of styles. Along with music to fifteen songs, downloadable MP3s provide a chance to play with a top Broadway trombonist.Each song is recorded three ways:1. Practice playing melody (1st trombone) or harmony (2nd trombone) with the title tracks, MP3s 1-15, marked TT.2. Practice playing melody (1st trombone) with accompaniment, MP3s 16-30, marked MT.3. Practice playing harmony (2nd trombone) with accompaniment, MP3s 31-45, marked HT.These rehearsal routines are comparable to playing a 25-minute set with a live stage band! / Trombone

Sittin??? In with the Big Band: Jazz Ensemble Play-Along is written at the easy to medium-easy level. It provides an opportunity to play along with a professional jazz ensemble to improve your playing 24/7. As you play along and listen to the outstanding players in the band you???ll learn about blend style phrasing tone dynamics technique articulation and playing in time as well as a variety of Latin swing ballad and rock styles. Performance tips and suggestions are included in each book. Books are available for alto saxophone tenor saxophone trumpet trombone piano bass guitar and drums.

Here are 11 great standards performed by a septet of jazz all-stars-all legends in their own time-and YOU! The newly engraved music book contains the solo part for each piece and the CD contains complete performances of each piece with a soloist plus a second version of each song minus the soloist. Tunes include: Don't Be That Way - I Got It Bad - I'm in the Mood for Love - One O'Clock Jump - Rose Room - Stompin' at the Savoy - and more!

Improvisation is at the heart of jazz, but knowing how to play stylistically correctly in a large jazz ensemble is also a necessity. How to Play Lead Trombone in a Big Band offers tips, suggestions, examples and a play along CD to help you put it all together.How to Play Lead Trombone in a Big Band by Mark Kellogg is an annotated guide written to help trombonists explore the joys and challenges of playing in a large jazz ensemble. Topics covered include the distinct roles of lead and section players in a big band - playing with a cohesive section sound - and performing with an even sense of balance, intonation and rhythmic feel. These insightful comments are conveyed by taking a detailed look at seven compositions and addressing the specific challenges of each work. The CD which accompanies this text provides a helpful aural guide, enabling the trombonist to listen to each example or to play along with the recording. The variety of jazz styles covered in this volume include medium swing, funk, bossa, fast swing, and Afro-Cuban feels. Composers and arrangers of these pieces include some of the most innovative and respected voices of the genre, such as Clare Fischer, Bill Dobbins, Jim Snidero, Heiner Wiberny and Joey Sellers. This publication is designed for use by trombonists of all ages and experience levels. / Trombone

A primer for the wind instrumentalist-The Swinging Beginning is a collection of easy play-along pieces in a variety of pop latin and dance styles all with the emphasis on swing. The CDs contain a live backing band with an excellent latin percussion section.

Twelve fantastic swing dance charts composed by the great American songwriter Harry Warren and superbly arranged by master musician George Roumanis. Each song is recognized as a well-known standard featured in Hollywood musicals and all of the songs were recorded by famous big bands. Included with the conductor's book is a recording of the songs performed by the George Roumanis Big Band. Titles are: Chattanooga Choo Choo * I Had the Craziest Dream * Forty Second Street * The More I See You * Lulu's Back in Town * You'll Never Know * Jeepers Creepers * At Last * September in the Rain * Serenade in Blue * I've Got a Gal in Kalamazoo * We're in the Money. / Ensemble Music, Instrumental Music, Miscellaneous, / Recueil / Trombone

Par WILLIAMS JOHN / HVEEM DAVID (Arr.). «Cantina Band (or «Mad About Me») was written by John Williams in 1977 for the film Star Wars (later Star Wars IV: A New Hope). Even with quite a bit of the Star Wars music being quite well known, Cantina Band is literally in a style of its own. In the Star Wars-universe this style is called «jizz», Williams’ take on the more well-known genre «jazz». Williams was tasked by Star Wars-creator George Lucas to make music that sounded like «several creatures in a future century finding some 1930's Benny Goodman swing band music ... and how they might attempt to interpret it» and ended up with Cantina Band #1 and #2. Both numbers are played in the legendary scene taking place in Chalmun's Spaceport Cantina where Luke Skywalker and Obi-Wan Kenobi gets in a fight causing even the band to stop playing. The band, which goes by the name Figrin D'an and the Modal Nodes, comes from the planet Clak'dor VII and specializes in jizz and the nearby, slightly older style of jatz. Performers of this music often go by the name 'jizz-wailers', and the Bith people from Clak'dor VII are especially well suited for jizz-wailing since they can hold every note as long as they want thanks to a unique respiratory system - something many perhaps would like to be able to do in the performance of this arrangement as well. The arrangement is relatively faithful to Williams' original version, but with a somewhat different ending. Although the woodwind section undoubtedly has the biggest technical challenges, an understanding of the musical style is the very key to making the arrangement sound good - and here all groups must work together. Playing lightly but quite articulated, and very precise, will be an absolute necessity to get the music drifting off all the way to Tatooine. In measure 113 there is a small improvised solo in either trombone or trumpet, but if you want the real authentic Cantina Band-sound this is of course done on a steel drum. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie

Play with a real band!-Swing and Pop tunes for Trombone or Euphonium with a CD of backing tracks.

Such jazz legends as Dick Wellstood Alphonse 'Doc' Cheatham and George Duvivier and more back you up in this amazing collection of New York-style Dixieland standards. After the break-up of the big-band era around 1950 many ofthe finest 'swing' or mainstream players found themselves without an outlet for their abilities and took to playing 'Dixieland' in New York clubs such as Eddie Condon's and the Metropole. And so was born a new style of Dixielandjazz minus the banjos tubas steamboats and magnolias! It is this version we celebrate on this album. We encourage you the soloist to invent counter-melodies rather than mere harmony parts. This is a music of loose weavingparts not one of precision ensemble figures. And in short it is one of the greatest improvisational experiences any jazz player could hope to have. This pack includes a high-quality printed music score and compact disc featuringstereo accompaniments to each piece. Performed by Vic Dickenson trombone; Accompaniment: 'Doc' Cheatham trumpet; Kenny Davern clarinet and soprano szx; Dick Wellstood piano; George Duvivier bass; Gus Johnson Jr. drums

Big Band Play-Along Volume 2-10 more swinging favourites to play featuring a great accompaniment CD so you can play with a real big band. Songs include: Ain't No Mountain High Enough • Copacabana (At the Copa) • I Heard It Through the Grapevine • On Broadway • Street Life • and more.

Par BULLA STEPHEN. Stephen Bulla strikes gold again with this accessible but jazzy Trombone section feature. There is plenty of rhythmic fun for everyone while the trombones get that important time out front. The old spiritual 'The Gospel Train' lends itself beautifully to a swing-jazz treatment and if there's anyone who knows how to bring the jazz idiom to the concert band setting it's Stephen Bulla. If you prefer, two Trombone soloists can be featured while the rest of the section plays along on the Euphonium part. Your band will want to do this one again and again, and so will you, so Get On Board! / Niveau : 2 / Répertoire / Concert Band ou Harmonie et 3 Trombones

Stephen Bulla strikes gold again with this accessible but jazzy Trombone section feature. There is plenty of rhythmic fun for everyone while the trombones get that important time out front. The old spiritual 'The Gospel Train' lends itself beautifully to a swing-jazz treatment and if there's anyone who knows how to bring the jazz idiom to the concert band setting it's Stephen Bulla. If you prefer two Trombone soloists can be featured while the rest of the section plays along on the Euphonium part. Your band will want to do this one again and again and so will you so Get On Board!

Par GERSHWIN GEORGE / TAYLOR MARK (Arr.). This clever tune by George Gershwin has long been a favorite with jazz musicians. Mark\'s upbeat swing setting is a true showcase for the entire ensemble, with inventive tutti ensemble passages interspersed with brief solos for trumpet, tenor sax, trombone, and alto sax. The Little Big Band Series features arrangements that are: Scored for 6 horns (3 saxes, 2 trumpets, trombone) plus rhythm section; Include additional optional parts for alto, tenor and trombone; Perfect for smaller programs, or additional ensemble opportunities./ Répertoire / Big Band

Play with a real band!. Par VAN GORP FONS. C’est l’amalgame des mots swing et pop qui a donné son nom ce style musical dynamique et tonifiant : le Swop. Cette savante équation fonctionne aussi bien dans le jazz et le blues que dans le rock ou la musique pop. Chaque volume de cette collection contient dix pièces toniques. Vous souhaitez acquérir les notions de base du Swop, savante équation des styles swing et pop, voici Very Easy Swop. Ce volume contient seize morceaux très faciles et représentatifs de divers styles de musique légère. / Date parution : 2022-10-12/ Recueil / Trombone / Euphonium Clé de Fa/Sol