Anthology of Mandolin Music

Master anthologie de Mel Bay de mandoline Solos Volume One est conçu pour améliorer le répertoire de l'intermédiaire à avancé mandoliniste avec une collection de généreux morceaux difficiles. Contributeurs sont Alan Bibé, Bud Orr, maire de Simon, John McGann, Jody Stecher, Joe Carr, Dan Gelo, Matt Flinner, Seth Austern, Ray Valla, Jethro Burns, Rob Haines, Ely Karasik, Terry Pender, Carlo Aonzo, Eugene Hayth, Butch Baldassari, Robert Bancalari et beaucoup d'autres. Tablature et notation standard sont offerts pour la plupart des pièces (quelques unes sont notation seulement), avec une Notice biographique de l'interprète. Un ensemble de 2 CD est inclus, ce qui en fait un sourcebook idéal pour les étudiants sérieux et professionnels. Les CD contiennent des représentations de la plupart des pièces dans le livre. / Niveau : Intermédiaire / Acoustic Music - Solos / Tablatures / Mandoline Tablatures

Volume 1-Mel Bay's Master Anthology Of Mandolin Solos: Volume 1 is designed to enhance the repertoire of the intermediate to advanced mandolinist with a generous collection of challenging pieces. Contributorsinclude Alan Bibey Bud Orr Simon Mayor John McGann Jody Stecher Joe Carr Dan Gelo Matt Flinner Seth Austern Ray Valla Jethro Burns Rob Haines Ely Karasik Terry Pender Carlo Aonzo Eugene Hayth Butch Baldassari Robert Bancalari and many others. Standard notation and tablature are offered for most of the pieces (a few are notation only) along with a biographical sketch of the performer. Includes online audio making this an idealsourcebook for serious students and professionals alike. The audio contains performances of most of the pieces in the book.

This collection of vibrant traditional and original tunes captures the variety of mandolin styles in America. The styles represented include old time country and bluegrass ragtime swing Irish Italian and neoclassical. Someof the techniques explored are cross-picking droning voice-leading double stops and pull-offs. Of special interest are tunes that make use of the chord solo potential of the mandolin. A discussion of each tune provides livelycommentary on the history and players behind the style an outline of the arranging and composing ideas that are employed and tips for practicing and honing technique. Tunes are shown in notation and tablature and a CD isincluded. This is the perfect anthology for intermediate and advanced players who want to build their skills while expanding their range of styles.

In more than ten years with bluegrass super group IIIrd Tyme Out Wayne Benson has established himself as one of the most unique and gifted stylists among today's bluegrass mandolinists. In addition he was featured onseven very popular recordings from Pine castle Records the Bluegrass Annual series (Bluegrass 1995 -2001).A number of Wayne's tunes from those CDs are taught on this DVD plus some important and effective techniques thatwill benefit anyone pursuing a serious study of the Mandolin for bluegrass music. A booklet with both tab and standard notation for each song is also included.

A spectacular collection of blockbusting themes from all your favourite silver-screen classics! From the show-stopping pieces of the compelling Shine, through the seedy Jazz of LA Confidential to the suave Ocean's Eleven and the dramatic Apocalypse Now, who can forget these marvellous music moments that have provided depth and character to such celluloid masterpieces - and this is but a handful of the melodies and themes on offer in this unique anthology. All twenty-five fabulous pieces have been carefully arranged as breathtaking Piano solos for you to enjoy again and again. / Classique / Partition /

Par ASCH GLENN / REINER DAVID. For more than a century, violinists have played jazz, swing, blues and similar improvisational styles. With its rich tone, considerable range, and bowed rhythms and phrasing, the violin offers a unique opportunity for a creative and personal statement as a musician. This book presents a broad sampling of the styles of major jazz violinists, from blues to bebop, from jug band to jazzgrass, from big-band swing to Texas swing. Tunes represent the styles of Stéphane Grappelli, Joe Venuti, Stuff Smith, Eddie South, Mark O'Connor, Benny Thomasson, Jean-Luc Ponty, and Darol Anger. Helpful jazz theory sections with exercises alternate with tunes that show how the theory works inpractice. This book has two objectives: first, to present a broad, roughly chronological sampling of major jazz violinists and the styles associated with them, and secondly, to introduce the basics of jazz theory as applied to the violin. Whether consciously or intuitively, through critical listening or by practicing jazz patterns and exercises, the more knowledge of jazz you acquire, the better you will be able to think about the content of your playing without being bound by technical and theoretical aspects. This anthology was written to help provide that foundation. Interspersed with pragmatic jazz theory lessons, you'll find 28 original tunes in the style of various jazz violin luminaries. The book ends with an extensive discography of recommended jazz recordings with a violin focus. Mandolinists as well as other instrumentalists will find a wealth of useful information in this outstanding collection. Delightful broadcast-quality recordings of the repertoire are available online. Includes access to online audio. Written for intermediate to advanced violinists. / Niveau : Intermédiaire à Avancé / Jazz / Recueil / Violon

Instrumentation : High voice - Pf(Fr.) Those interested in French music have often had reason to be grateful to Roger Nichols; his writings on Debussy, Ravel, Messiaen and Poulenc are indispensable to the music lover. Nichols now turns his attentions to the mélodie, where it is his mission to encourage singers to explore beyond the well-trodden paths of French song. In these two anthologies he does not ignore masterpieces by composers of the stature of Fauré and Duparc, but sets them alongside music - almost impossible to find elsewhere in print - by such under-estimated figures as Reber, Viardot, Massé and Paladilhe. Even the more celebrated songs are often not easily found in practical editions, which makes this selection an ideal starting point for wider exploration. In each of these volumes the songs appear in the chronological order of their composer's birth, but Nichols somehow contrives a line-up of music which seems delightfully arbitrary at the same time as carefully designed to enrich everyone's understanding of the mélodie. The books also contain a remarkable amount of scholarship, lightly worn and pithily expressed. As well as complete translations of the songs, there is a useful and concise introduction on singing in French, together with an illuminating historical note and critical commentary; and Nichols gives full due to the poets who were of crucial importance in the development of the mélodie tradition. Graham Johnson Content : Niedermeyer:Le Lac (Meditation poétique);Berlioz:Absence;Gounod:Ô ma belle rebelle;Viardot: Fleur desséchée; Franck: S'il est un charmant gazon; Massé: Consolation;Lalo: Ballade à la lune; Saint-Saëns: La sérénité;Delibes: Chanson espagnole; Bizet: Pastorale; Massenet: Nuit d'Espagne; Chabrier: L'île heureuse; Paladilhe: Sérénité de la nuit; Fauré: Lydia; Fauré: Après un rêve; Duparc: Extase; Chausson: Le colibri; Debussy: Mandoline; Debussy: C'est l'extase langoureuse; Satie: Daphénéo; Satie: Spleen; Séverac: Ma poupée chérie; Dupont: Chanson des noisettes; Poulenc: La Grenouillère Editor :Nichols