Matériel : Partition
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SKU: GI.G-9561
ISBN 9781622772711.
⠜The work of the cantor cannot be done in isolation from other liturgical ministries. This includes in particular the way the cantor works with the ‘living stones,’ God’s holy people assembled for prayer…†(from the Foreword to the 3rd edition). For three decades, Diana Kodner Gökçe’s Handbook for Cantors has been a gold standard for singers seeking to grow in their skills as musicians and ministers. This book presents a thorough outline of the overall ministry of the cantor—from a deeper understanding of the theology and vocation of the ministry to an examination of the practical nuts and bolts of gesture, vocal technique, and music theory. In this third edition, Diana has significantly expanded the content to embrace not only the cantor but also the formation and skill-building of those other singing ministers too often overlooked: the priest and the deacon. This edition, in addition to expanded sections on gesture, liturgical flow, teaching music to the assembly, and the singing of psalmody, devotes an entire chapter to the chants of the priest and deacon. It includes a user-friendly approach to chanting the gospels, the formulas for chanting presbyteral prayers, an overview of some of the important chants for Holy Week, and much more. This is a comprehensive resource on singing the liturgy that no cantor or music minister should be without. See some of the many tips and techniques mentioned in this book in action in the video below!  .
SKU: GI.G-10701
ISBN 9781622776795.
Musi c education belongs on a somatic foundation because musicians move for a living, like dancers and athletes, except that musicians’ movement is even more refined, precise, and rapid. —Barbara Conable This primer for all musicians provides a reliable base for a lifetime of playing and singing. The principles in these pages are the elemental foundation of music education, and will protect a musician from injury, promote the physical freedom and sensitivity needed for technical mastery, and secure the embodied intelligence that grounds musical power and subtlety. Musicians teaching from these principles will see their students thrive. Students studying and restudying these pages will delight in their enhanced performance. This book also serves as the text of a six-hour course on Body Mapping for musicians developed by Barbara Conable. What’s New in the Revised Edition? Created with the input of experienced Licensed Body Mapping Educators, and led by Body Mapping expert Bridget Jankowski, this revision includes: Updated and enlarged images—big enough for coloring. Streamlined and clarified content based on new science. An updated format that follows the associated Body Mapping course more closely. Additional room for notes at the end of each section. Knowledge from the scientific community continues to inform the work of the Association for Body Mapping Education. The book’s associated Body Mapping course of the same name has evolved over the past two decades, and an updated text for the course will be a valuable resource for novice and seasoned Body Mapping Educators alike. Bridget Jankowski was the first person to become a Licensed Body Mapping Educator after training with noted Body Mapping pioneer Barbara Conable in the late 1990s. Since then, Jankowski has been an active member of the Association for Body Mapping Education and has taught numerous Body Mapping courses and workshops across the United States and internationally.
