Matériel : Vocal Score
2-Part/3-Part a cappella-The famous canon by William Byrd offers treble and mixed choirs an opportunity to develop many of the choral skills necessary for more advanced works. Available: 2-Part/3-Part any combination a capella. Performance Time: Approx. 2:10.
SKU: HL.338908
UPC: 840126914306. 6.75x10.5x0.029 inches.
This is a gift to SAB choirs from William Powell, to create a re-voicing of his wife Rosephanye's great choral. An energetic piece, full of quick-paced rhythms and repetitive phrases, it is popular in both school and church situations. Easy to medium difficulty level.
SKU: HL.48009278
UPC: 073999318593. 8.25x11.75x0.055 inches.
SKU: GI.G-008827
UPC: 641151088273. Latin, english.
Richard has translated and arranged Non Nobis, Domine, commonly attributed to Renaissance composer William Byrd, for unaccompanied SAB choir. Within this octavo you'll also discover Richard's lovely original setting Responses and Choristers' Prayer. These titles are ideal for bringing your singers together in song to reflect on the importance of your music ministry.
SKU: BA.BA09079-90
ISBN 9790006531448. 27 x 19 cm inches. Text Language: Latin, German. Preface: John Michael Cooper. Text: Felix Mendelssohn Bartholdy.
The first great orchestral psalmMendelssohn' s first great orchestral psalm took almost six years to complete, from the initial sketches and the first version of 1830 to the final version of 1835. Its premiere which took place at the Leipzig Gewandhaus did not take place until 1838.Unlike his other orchestral psalms, Mendelssohn took the Latin words from the Vulgate as his principal text which stems from Psalm 113. When he later prepared his own German translation, he made use of Psalm 115 from the Luther Bible.This edition by the leading Mendelssohn authority John Michael Cooper incorporates all the relevant sources. In accordance with the work's genesis, the vocal parts are underlaid with the Latin text, and the German text appears underneath.Rounding off this Urtext edition are an informative Foreword and detailed Critical Commentary.The piano reduction stems from Mendelssohn himself.* Informative Foreword in the score (Ger/Eng)* Text underlay in two languages (Lat/Ger)* Piano reduction by the composer
