Matériel : Partition
/ Luth
SKU: HL.237254
English.
With its extensive and diverse repertoire, this tutorial allows you as a cross flutist to access the best of what classical music has to offer.If you choose to work with this tutorial, you will not only broaden your musical horizon and improve your playing technique, but indeed enjoy performing all kinds of masterpieces on your own cross Flute.All the great composers are featured - with one or even several of their works, with concerts, symphonies and sonatas, with lieder, arias and overtures, with Renaissance dances, orchestral pieces, waltzes and ballets, but also with instrumentals suchas preludes, nocturnes, etudes, marches, gymnopedies and much more. And in order not to lose your enthusiasm while practicing, each score is accompanied by 2 audio-recordings, which you will find on the mp3 CD attached to the tutorial.In the first recording, the cross Flute-part is played along to the corresponding accompaniment. In the second, only the backing track (the accompaniment) can be heard, which gives you the possibility of taking up the score yourself. In total, youare invited to enjoy 174 recordings, which add up to more than 6 hours of musical practice(!).
SKU: HL.50510141
ISBN 9790080128916. UPC: 073999708516. Bach (23 x 30,2 cm) inches. Hungarian, English, German. Erzsebet Nagy; Miklos Mosoczi.
This publication is a completely revised edition of our five-volume guitar tutor. In the decades since its first edition, the musical interests of students and their practice possibilities have changed. To adapt to this, we have partly expanded and partly reduced the musical and technical material of the tutor. We have increased the number of recital pieces at all levels of difficulty,so that students can spend longer on a varied repertoire at their respective level. We have determined the works in the volume V which demand a more developed technique and musicality to extend the repertoire of those who wish to study further. The transcription of lute works has sometimes made significant compromises necessary. However, in our view, it is a significant gain that students can get to know a Dowland fantasy or an early English Baroque set of variations. This volume comprises 44 concert pieces from the early 17th to the 20th centuries, 18 advanced-level studies by Carcassi, Coste, Giuliani, and Sor, as well as several advanced-level technical exercises. Besides original works by Giuliani, Sor, Tarrega, and others, it features several transcriptions of works by Dowland, Rameau, J. S. Bach, and D. Scarlatti.
