The Little Sweep Op. 45

Benjamin Britten is widely held to be one of the greatest opera composers of the 20th century. His works are regularl performed in opera houses throughout the world and many of the arias have become essential repertoire for students and professional singers.This second book includes arias from the famous operas The Little Sweep The Turn of the Screw and A Midsummer Night?s Dream. The German singing translations are also included.

from Mary Poppins Returns. Just like the classic ?Step in Time? 54 years prior, ?Trip a Little Light Fantastic? reigns as the no-holds-barred, large-scale production number from the corresponding movie starring everyone's favorite British nanny. With lamplighters taking the stage in lieu of chimney-sweepers, this song, which takes its name from an old phrase whose meaning is ?to dance nimbly,? is preserved in this rousing arrangement from Mark Brymer that shines bright!

The FINGERBOARD series was created to progressively improve upon fretboard knowledge sight-reading and all other topics and to be included in a study plan that corresponds to the other volumes in my catalogue of educational material. In this 4th Volume of the FINGERBOARD series we get a deeper knowledge of MELODIC ARPEGGIOS: that?s why I named it ARPEGGIOLOGY.3 4 and 5 note arpeggios are fundamental not only to understanding and knowing the fretboard but to improvisation in any genre of music. For this reason you will see arpeggios to be studied with different techniques fingerings and voicings on the fretboard: from the CAGED system and arpeggio inversions(very useful in jazz) to sweep picking arpeggios and _x001F_ngerings more suitable to shredding! There are also ?Unit Recaps? that will help you find harmonic shortcuts and create examples to put into use immediately on your own!A NEW APPROACH TO TEACHING IN THESE EDUCATIONAL BOOKS: Hours of video content ready for your television computer hand-held device phone or tablet You will get the maximum results from each lesson by watching the video with the book open in front of you! It?s like having a personal private lesson with me. You will find that some lessons put more importance on the video and others more on the written lesson. In the ROM section of the DVD you will find videos ready for your portable devices some playalong mp3s to study with (the same ones I use in the video) and the ?click to speed up? function my idea to help you successfully increase your velocity little by little. Copy the files to your portable device whether a new-generation phone tablet or any other device and bring my lessons with you!Backing tracks are in the DVD?s ROM section all the examples in the Video DVD

Soprano Book Only-For aspiring and professional singers who love Broadway Alfred's Singer's Library of Musical Theatre presents an elegant collection of the best-loved musical theatre songs in their original keys authentically transcribed from their original vocal scores. Perfect for study and equally suitable for the most important auditions and performances each volume is dedicated to a specific vocal range and contains dozens of songs from a variety of shows that span decades of theatre history. Multiple volumes are available for each of four vocal ranges: Soprano Mezzo-Soprano/Alto Tenor and Baritone/Bass. Authoritative historical and contextual commentary audition tips and 16-barcut suggestions for each song make it the most useful and relevant song library of its kind. Titles include: All for You (Saturday Night) · Autumn (Starting Here Starting Now) · Ballad of Dependency (The Threepenny Opera) · The Boy Friend (The Boy Friend) · Bring on Tomorrow (Fame - The Musical) · Goodbye Little Dream Goodbye (Anything Goes 1988 Revival) · I Speak Six Languages (The 25th Annual Putnam County Spelling Bee) · I'm a Stranger Here Myself (One Touch of Venus) · Jilted (Of Thee I Sing) · Just Imagine (Good News) · A Little Bit in Love (Wonderful Town) · A Little Bit of Good (Chicago) · Long Ago (Half a Sixpense) · Love in a Home (Lil' Abner) · Love Is Sweeping the Country (Of Thee I Sing) · Mira (Carnival) · My Love Is on the Way (The Golden Apple) · My Man's Gone Now (Porgy and Bess) · Once Upon a Dream (Jekyll and Hyde) · Only Love (Scarlet Pimpernel) · Patterns (Closer Than Ever) · Practically Perfect (Mary Poppins - Stage Version) · Romance (The Desert Song) · Safety in Numbers (The Boy Friend) · The Sailor of My Dreams (Dames at Sea) · Some Other Time (On the Town) · The Sun Whose Rays Are All Ablaze (The Mikado) · Tell Me (Marie Christine) · This Is All Very New to Me (Plain and Fancy) · Timid Frieda (Les Timides) (Jacques Brel Is Alive and Well and Living in Paris) · Was She Prettier Than I' (High Spirits) · Why Shouldn't I'

The opera from Lets make an Opera. An Entertainment for Young People-(Full score). Britten B

THE OPERA FROM LETS MAKE AN OPERA. AN ENTERTAINMENT FOR YOUNG PEOPLE INSTRUMENTATION : SOLOISTS, CHOIR, STRING QUARTET, PIANO (4-HÄNDIG) AND PERCUSSION VERSION : VOCAL/PIANO SCORE DESCRIPTION : THIS OPERA IS THE FINAL SECTION OF THE ENTERTAINMENT FOR YOUNG PEOPLE CALLED LETS MAKE AN OPERA. THE FIRST SECTION OF THIS IS IN THE FORM OF A PLAY AND ILLUSTRATES THE PREPARATION AND REHEARSAL OF AN OPERA.PROFESSIONALS OR VERY GIFTED AMATEURS ARE NEEDED TO PLAY THE GROWN-UP PARTS AND ALSO THE PART OF JULIET (PROVIDED, OF COURSE, THAT SHE CAN LOOK CONVINCINGLY YOUTHFUL). IT IS ESSENTIAL THAT REAL CHILDREN SHOULD PLAY THE CHILDREN?S PARTS. THE ACCOMPANIMENT IS FOR SOLO STRING QUARTET, PIANO-DUET (FOUR HANDS ON ONE PIANO) AND PERCUSSION (ONE PLAYER CAN MANAGE). THE STRING PARTS ARE NOT VERY EASY. THE SONGS NOS. I, IX, XIV AND XVII ARE TO BE SUNG BY THE WHOLE AUDIENCE UNDER THE DIRECTION OF THE CONDUCTOR. THEY MUST, OF COURSE, BE REHEARSED BEFOREHAND. ALLOWANCE IS MADE FOR SUCH REHEARSAL IN PART ONE OF LETS MAKE AN OPERA.NOMBRE DE PAGES : 88 LANGUE : ENGLISH FORMAT : NEW EDITION PORTRAIT

English-This opera is the final section of the entertainment for young people called Lets Make an Opera. The first section of this is in the form of a play and illustrates the preparation and rehearsal of an opera.Professionals or very gifted amateurs are needed to play the grown-up parts and also the part of Juliet (provided of course that she can look convincingly youthful). It is essential that real children should play the children’s parts. The accompaniment is for solo string quartet piano-duet (four hands on one piano) and percussion (one player can manage). The string parts are not very easy. The songs Nos. I IX XIV and XVII are to besung by the whole audience under the direction of the conductor. They must of course be rehearsed beforehand. Allowance is made for such rehearsal in Part One of Let`s Make an Opera.