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Vous avez sélectionné:
the complete keyboard player
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Partitions à imprimer
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1
The Complete Well-Tempered Clavier, Part 2 (BWV 870-893) - Chromatically Inverted
The Complete Well-Tempered Clavier, Part 2 (BWV 870-893) - Chromatically Inverted
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Piano seul
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AVANCÉ
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Johann Sebastian Bach
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Chris Benton
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The Complete Well-Tempered Cla
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Chris Benton
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SheetMusicPlus
Instrumental Solo,Keyboard - Level 5 - SKU: A0.1476012 Composed by Johann Sebastian Bach. Arranged by Chris Benton. Baroque,Early Music. Individual part...
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Instrumental Solo,Keyboard - Level 5 - SKU: A0.1476012 Composed by Johann Sebastian Bach. Arranged by Chris Benton. Baroque,Early Music. Individual part. 147 pages. Chris Benton #1053579. Published by Chris Benton (A0.1476012). This volume contains the complete Well-Tempered Clavier, Part 2 (BWV 870-893) by Johann Sebastian Bach, presented here in chromatic inversion. Every detail from the original is preserved exactly except it is, quite literally, turned upside down; mirrored note for note, interval for interval, around an axis, which in this case is middle D on the keyboard. This process transforms these well-known works profoundly, allowing the player to hear them afresh from an entirely new perspective.
$48.00 ≈
43.15€
The Complete Well-Tempered Clavier, Part 1 (BWV 846-869) - Chromatically Inverted
The Complete Well-Tempered Clavier, Part 1 (BWV 846-869) - Chromatically Inverted
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Piano seul
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Chris Benton
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The Complete Well-Tempered Cla
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Chris Benton
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SheetMusicPlus
Instrumental Solo,Keyboard - Level 5 - SKU: A0.1286805 Composed by Johann Sebastian Bach. Arranged by Chris Benton. Baroque,Early Music. Individual part...
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Instrumental Solo,Keyboard - Level 5 - SKU: A0.1286805 Composed by Johann Sebastian Bach. Arranged by Chris Benton. Baroque,Early Music. Individual part. 125 pages. Chris Benton #877830. Published by Chris Benton (A0.1286805). This volume contains the complete Well-Tempered Clavier, Part 1 (BWV 846-869) by Johann Sebastian Bach, presented here in chromatic inversion. Every detail from the original is preserved exactly except it is, quite literally, turned upside down; mirrored note for note, interval for interval, around an axis, which in this case is middle D on the keyboard. This process transforms these well-known works profoundly, allowing the player to hear them afresh from an entirely new perspective.
$48.00 ≈
43.15€
En Face Du Miroir (Facing The Mirror)
En Face Du Miroir (Facing The Mirror)
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Piano seul
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AVANCÉ
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Jazz
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Isadar
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En Face Du Miroir
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Mainya Music Publishing
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SheetMusicPlus
Piano Solo - Advanced - Composed by Isadar. Contemporary Classical, Jazz, Recital, Americana, New Age. Sheet Music Single. 11 pages. Published by Ma...
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Piano Solo - Advanced - Composed by Isadar. Contemporary Classical, Jazz, Recital, Americana, New Age. Sheet Music Single. 11 pages. Published by Mainya Music Publishing (BMI)
Contains:
"En Face Du Miroir (Facing The Mirror)"
- taken from the Isadar solo piano complete collection, "Red" (also available on SMP)
Sounds like: Keith Jarrett, Bill Evans, Vince Guaraldi, Liz Story, George Winston, early Windham Hill solo piano artists
Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording
Album & Songbook Review by: Kathy Parsons
Red is pianist/composer Isadar?s genre-defying tenth solo piano album and seventeenth independent release from the past twenty years. It is also the third installment in a trilogy of solo piano albums released in the past year - Reconstructed, a Will Ackerman-produced anthology of some of Isadar?s best piano pieces; O Christmas, Isadar?s second piano Christmas album; and now Red, a bittersweet love-themed album that took seven years to produce and that consists of the first new original solo piano material Isadar has released in more than ten years.
I have been reviewing and thoroughly enjoying Isadar?s releases since his second piano album, 1999?s Active Imagination, which still stands as one of my favorite recordings. Even though I have been a big fan for many years, I was still blown away by Isadar?s live performance in my house concert series in July 2010. The man has magic fingers and an extraordinary piano touch that are perfectly suited to express his imaginative, distinctive, and emotionally powerful music.
Isadar is also a singer/songwriter and an electronic musician who creates the music videos for much of his music, dramatizing the stories that inspired the songs. I will always be partial to Isadar?s piano albums because his voice and vision are unique, incorporating jazz, new age, pop, and classical stylings into a musical language all his own.
Red opens with ?Broken Valentine,? a free-flowing expression of heartbreak and the broad range of emotions that go with it, alternating between grief and confusion then shifting to perhaps anger and resignation - a great beginning. The title track conveys the freedom of an improvisation while weaving together a variety of upbeat themes. ?The Man Who Broke My Heart? is energetic and in constant swirling motion - also very free and from deep within. ?The Stairwell? is darker and much more mysterious, overflowing with Isadar?s intriguing accented rhythms and picturesque compositional style. My favorite track is the almost nine-minute ?Letting Go,? a piece that intertwines a series of musical vignettes into a powerful, colorful musical collage. I love the way Isadar seamlessly goes from flowing and smooth to a bouncy jazz style to high drama without missing a beat. Great stuff! ?En Face Du Miroir (Facing the Mirror)? is much lighter, with fingers dancing nimbly around the piano keyboard. The album closes with ?Blood ... Thicker Than Water,? again a combination of changing themes that could well be a musical family portrait - different personalities working separately and as a unit, bound together by the unseen ties that keep families together through thick and thin.
Isadar has created another piano masterpiece that should be more widely heard than his previous releases due to the success of Reconstructed. I hope so, anyway! Red is available from isadar.com, Amazon, iTunes, and CD Baby. Very highly recommended!
Isadar?s Red: Solo Piano Sheet Music Collection is a note-for-note transcription of all seven pieces from Isadar?s 2013 CD/download release by the same name. The music was transcribed by David Shenton (shentonmusic.com) with clear, concise notation that includes dynamics, pedaling and metronome settings.
Isadar is an amazing pianist with a style all his own, so this isn?t a book that most pianists will be able to just sit down and play. It will take some work and attention to detail to get this music right, but it will be well worth the effort. Having the recording for handy reference would be a big help.
Rhythms are often complex and syncopated, but are usually repeated within each piece, so once you have them, the rest will follow fairly easily. There are only a few chords with a reach of more than an octave and none of the key signatures are terribly difficult. The layout and spacing of the music is excellent, and the paper stock is a bright white 9?x12? format with a stapled binding.
If you enjoy listening to Isadar?s music, I?m sure you will enjoy playing it, too! This songbook is available from isadar.com. Recommended!
The songs with their key signatures and the number of pages is listed below:
Broken Valentine - C minor (3 flats) - 4 pages
Red - A minor (0 sharps or flats) - 5 pages
The Man Who Broke My Heart - A minor - 6 pages
The Stairwell - F# minor (3 sharps) - 7 pages
Letting Go - F minor (4 flats) / C minor (3 flats) - 8 pages
En Face Du Miroir (Facing the Mirror) - Ab (4 flats) / F minor/ Bb minor (5 flats) / Db (5 flats) - 7 pages
Blood ... Thicker Than Water - A Minor/ C (0) / F (1 flat) - 7 pages
Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, the latter featuring some of today's biggest names in solo piano music, including Ludovico Einaudi, David Nevue, Brian Crain, Kevin Kern, Robin Spielberg, Michele McLaughlin, Philip Wesley and over 300 more...
Also available as sheet music in physical songbooks, digital downloads, as well as software for Yamaha Disklavier player-pianos.
For more information, visit his website at: http://www.isadar.com
$5.99 ≈
5.38€
The Etherea Suite, Volume 1 for Solo Piano (Complete)
The Etherea Suite, Volume 1 for Solo Piano (Complete)
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Piano seul
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INTERMÉDIAIRE
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JohnWillard Utuk
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The Etherea Suite, Volume 1 fo
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JohnWillard Utuk
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1135733 Composed by JohnWillard Utuk. Contemporary,Contest,Festival,Film/TV,Instructional,Video Game. Score. 18 pages. Jo...
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Piano Solo - Level 3 - SKU: A0.1135733 Composed by JohnWillard Utuk. Contemporary,Contest,Festival,Film/TV,Instructional,Video Game. Score. 18 pages. JohnWillard Utuk #735794. Published by JohnWillard Utuk (A0.1135733). The Etherea Suite, Volume 1 is for intermediate to advanced players who enjoy lyrical, exciting, and showy repertoire, while expressing their imagination through their playing. Players get to musically explore the mountains, the desert, volcanoes, time travel to ancient times, and fight in battle! Volume I of the suite represents three main characters from the sci-fi, fantasy book Trials of the Innermost (release date May 26, 2023). Each movement has a distinct feel and reflects each character's personality. This edition features performance notes written by the composer, including musical elements unique to each movement, fun facts, and personal influences JohnWillard had in mind when creating the work. A graphic of the musical cryptogram system used to make the melodies for each character is featured at the end of the notes. The three movements imitate a sonata, with the overall order of the suite is slow, slow, fast. Some teaching elements in the first movement I. Vayriel: Protector of the Mountains, include: scalar passages (A natural minor scale), shifting hands position, rolled chords, repeated left hand patterns, ornaments, and pedaling. II. Zinvar: Peacemaker of the Volcanic Rifts is more challenging, but has more room for musicality, expression, exploring different touches on the piano, and ethereal use of pedaling, like the sostenuto pedal (if you have one!) The movement opens with a mysterious, wave-like arpeggiated left hand pattern, similar to pieces of Chopin or Rachmaninoff. The B section is practice in using the sostenuto (middle) pedal while playing softly, imitating Gregorian Chant. Best of all the ending sounds harder than it actually is and you get to play as loud as possible! III. Idrilia: Warrior of the Desert is fast paced, rhythmic, and inspired by video games. This piece is a nice supplement for students learning techniques found in toccatas, nocturnes, and pieces that require a big, full sound. The longest and most advanced movement, players can enjoy using all the things: pedaling, accents, quick changes in dynamic contrast, and a lyrical B section. Technique requires comfort with arpeggios, chord inversions, octaves, and sensitivity to voicing. Once mastered, this movement can be both fun to play as a stand-alone recital piece or an exciting treat to play for friends and family. You'll find yourself humming the simple melody as it transforms throughout the work, and the ending is a chance to play big chords by using the full range of the keyboard.
$15.00 ≈
13.48€
Inventions (BWV 772-786) - Chromatically Inverted
Inventions (BWV 772-786) - Chromatically Inverted
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Piano seul
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Chris Benton
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Inventions
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Chris Benton
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SheetMusicPlus
Instrumental Solo,Keyboard - Level 5 - SKU: A0.1112229 Composed by Johann Sebastian Bach. Arranged by Chris Benton. Baroque,Early Music. Individual part...
(+)
Instrumental Solo,Keyboard - Level 5 - SKU: A0.1112229 Composed by Johann Sebastian Bach. Arranged by Chris Benton. Baroque,Early Music. Individual part. 34 pages. Chris Benton #714388. Published by Chris Benton (A0.1112229). This volume contains the complete fifteen two-part Inventions (BWV 772-786) by Johann Sebastian Bach, presented here in chromatic inversion. Every detail from the original is preserved exactly except it is, quite literally, turned upside down; mirrored note for note, interval for interval, around an axis, which in this case is middle D on the keyboard. This process transforms these well-known works profoundly, allowing the player to hear them afresh from an entirely new perspective.
$16.50 ≈
14.83€
Easy Piano Sonatas (Leichte Klaviersonaten) Collection II
Easy Piano Sonatas (Leichte Klaviersonaten) Collection II
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Piano seul
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FACILE
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Classique
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Easy Piano Sonatas
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Easy Piano Sonatas
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Artaria Editions
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1487269 Composed by Easy Piano Sonatas (Leichte Klaviersonaten) Collection II. Arranged by Angélica Minero Escobar and M...
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Piano Solo - Level 2 - SKU: A0.1487269 Composed by Easy Piano Sonatas (Leichte Klaviersonaten) Collection II. Arranged by Angélica Minero Escobar and Michael Tsalka. Classical. Score. 50 pages. Artaria Editions #1064244. Published by Artaria Editions (A0.1487269). Daniel Gottlob Türk is best known for his influential teaching manual Klavierschule (1789), a work which influenced a generation of aspiring keyboard players. In order to advance the technical and musical skills of students, in 1783 Türk published two collections of light or easy keyboard sonatas (Leichte Klaviersonaten). Listeners, performers, teachers, and musicologists will discover untapped riches in these expressive and historically important works. The present editions complete the existing gap between Türk the theorist and pedagogue and Türk the composer by presenting last two of a projected four-volume series of his complete keyboard sonatas in critical editions prepared by Michael Tsalka and Angelica Minero Escobar.
$54.00 ≈
48.54€
Easy Piano Sonatas (Leichte Klaviersonaten) Collection I
Easy Piano Sonatas (Leichte Klaviersonaten) Collection I
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Piano seul
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FACILE
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Classique
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Daniel Gottlob Turk
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Easy Piano Sonatas
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Artaria Editions
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1487267 Composed by Daniel Gottlob Turk. Arranged by Angélica Minero Escobar and Michael Tsalka. Classical. Score. 49 pa...
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Piano Solo - Level 2 - SKU: A0.1487267 Composed by Daniel Gottlob Turk. Arranged by Angélica Minero Escobar and Michael Tsalka. Classical. Score. 49 pages. Artaria Editions #1064241. Published by Artaria Editions (A0.1487267). Daniel Gottlob Türk is best known for his influential teaching manual Klavierschule (1789), a work which influenced a generation of aspiring keyboard players. In order to advance the technical and musical skills of students, in 1783 Türk published two collections of light or easy keyboard sonatas (Leichte Klaviersonaten). Listeners, performers, teachers, and musicologists will discover untapped riches in these expressive and historically important works. The present editions complete the existing gap between Türk the theorist and pedagogue and Türk the composer by presenting last two of a projected four-volume series of his complete keyboard sonatas in critical editions prepared by Michael Tsalka and Angelica Minero Escobar.
$54.00 ≈
48.54€
Etude in C, Le Couppey-Nolte
Etude in C, Le Couppey-Nolte
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Piano seul
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AVANCÉ
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Eric Paul Nolte and Felix Le C
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Eric Paul Nolte
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Etude in C, Le Couppey-Nolte
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Eric Paul Nolte
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.987083 Composed by Eric Paul Nolte and Felix Le Couppey. Arranged by Eric Paul Nolte. Contemporary,Instructional. Score. ...
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Piano Solo - Level 5 - SKU: A0.987083 Composed by Eric Paul Nolte and Felix Le Couppey. Arranged by Eric Paul Nolte. Contemporary,Instructional. Score. 5 pages. Eric Paul Nolte #1954995. Published by Eric Paul Nolte (A0.987083). This piece is a free adaptation and a complete reworking of a study by Felix Le Couppey (1811-1887), from his L'Agilité, Opus 20, 25 Progressive Studies for Mechanism and Light Touch. In its original form, this study was a charming little piece of musical fluff. But getting it up to speed reduced me to tears! It also gave me an epiphany of immense power that transformed my technique. Suddenly I could play faster than I had ever thought possible, and I could do so with a thrilling ease! This epiphany emerged from the spluttering frustration I felt over my inability to play these sixteenth notes at Le Couppey's metronome marking of 144. It dawned on me that I couldn’t play fast enough because I was tripping over my own fingers when I used the overly articulated technique of moving the fingers by the lift, throw, relax method. This superfluous motion creates an impenetrable barrier, a speed wall, as does playing legato scales by passing the thumb under the palm, when shifting hand position up and down the keyboard. So I found another way-which I’ve since learned was known to every pianist who ever achieved prodigious speed. Here’s how to bring this piece up to speed with ease: Be sure to practice this piece with each hand alone. For each group of sixteenth notes, gently place the four fingers down simultaneously, to get the feel. Think of your arm, from elbow to fingertips, as something like a kitchen utensil, such as a spatula. Moving your right arm as a unit, place your finger tips down into the key bed, depressing all four notes at once, as a block chord. Make sure that all the fingers remain stiff (not rigid with tension, but just stiff enough to resist collapsing upwards.) Slowly lift and then play each group by placing all the fingers down with a rotation of your forearm, calm and relaxed, with the fingers rolling through the notes at the speed of a brief snare drum roll: Rrrrip! To rip through this group of notes like this takes no more effort than to place those four fingers down, calmly, all at once! Then, with a quick shift up or down the keyboard to get into position for the next group, that’s the whole trick for playing such passages with astonishing speed and ease! It takes time and effort to get the knack here, but the result can be transformative and thrilling! As for my adaptation of this study, I believe it offers intermediate advanced players the chance to enjoy a great leap in technique like the one I experienced, and also offers a piece of music that one might not blush to play outside the practice room-perhaps bringing it at least into the living room for a soirée, if not into the concert hall. To make this adaptation, I wrote a grumbly bass line with lungs, and nice fat chords to flesh out most of the skinny little triads that accompany the original study’s fast passages. I added a brooding, chromatic introduction that features as a melody the accompanimental figure of a broken triad that Le Couppey wrote a few times on the second page, in various inversions. I employed this broken chord figure several more times in both hands, and also added a little coda, sprinkled with sparkle. Playing time is about 1 minute and 30 seconds.
$3.99 ≈
3.59€
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