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We Come to Say Thank You
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Vous avez sélectionné:
We Come to Say Thank You
Partitions à imprimer
21 partitions trouvées
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1
Thank U, Next
Thank U, Next
#
Piano, Voix
#
FACILE
#
Pop musique
#
Ariana Grande
#
Mario Stallbaumer
#
Thank U, Next
#
Mario Stallbaumer
#
SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.510526 By Ariana Grande. By Ariana Grande, Charles Anderson, Kimberly Krysiuk, Michael Foster, Tayla Parx, Taylor ...
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Piano,Vocal,Voice - Level 2 - SKU: A0.510526 By Ariana Grande. By Ariana Grande, Charles Anderson, Kimberly Krysiuk, Michael Foster, Tayla Parx, Taylor Parks, Tommy Brown, and Victoria McCants. Arranged by Mario Stallbaumer. Pop. Score. 5 pages. Mario Stallbaumer #4301505. Published by Mario Stallbaumer (A0.510526). Here’s how to play “thank u, next†by Ariana Grande on piano!With this piano sheet music, you can play “thank u, next†on piano - you can use it as an instrumental arrangement, but also accompany singers, or sing along yourself.This “thank u, next†piano version is transposed one half step from the original key of Bb minor to A minor, so it’s much easier to play. These piano sheets come with all parts of the song, full lyrics included. It’s not too hard to play and sounds fantastic!However, there’s a more challenging arrangement of the song in the original key available, you can get it here: https://www.sheetmusicplus.com/title/21155619Ariana Grande certainly knows what it's like if one's personal life is making headlines. In November 2018, she released thank u, next, a surprisingly positive song about her past relationships and breakups (including Mac Miller, Pete Davidson and Big Sean), in which she comes to the conclusion that she learned from all of them!“thank u, next†serves as the lead single from Ariana Grande’s fifth studio album. Here are the song’s full lyrics:“Thought I'd end up with SeanBut he wasn't a matchWrote some songs about RickyNow I listen and laughEven almost got marriedAnd for Pete, I'm so thankfulWish I could say, Thank you to Malcolm'Cause he was an angelOne taught me loveOne taught me patienceAnd one taught me painNow, I'm so amazingI've loved and I've lostBut that's not what I seeSo, look what I gotLook what you taught meAnd for that, I sayThank you, next (next)Thank you, next (next)Thank you, nextI'm so fuckin' grateful for my exThank you, next (next)Thank you, next (next)Thank you, next (next)I'm so fuckin'Spend more time with my friendsI ain't worried 'bout nothin'Plus, I met someone elseWe havin' better discussionsI know they say I move on too fastBut this one gon' last'Cause her name is AriAnd I'm so good with that (so good with that)She taught me love (love)She taught me patience (patience)How she handles pain (pain)That shit's amazing (yeah, she's amazing)I've loved and I've lost (yeah, yeah)But that's not what I see (yeah, yeah)'Cause look what I've found (yeah, yeah)Ain't no need for searching, and for that, I sayThank you, next (thank you, next)Thank you, next (thank you, next)Thank you, next (thank you)I'm so fuckin' grateful for my exThank you, next (thank you, next)Thank you, next (said thank you, next)Thank you, next (next)I'm so fuckin' grateful for my exThank you, nextThank you, nextThank you, nextI'm so fuckingOne day I'll walk down the aisleHolding hands with my mamaI'll be thanking my dad'Cause she grew from the dramaOnly wanna do it once, real badGon' make that shit lastGod forbid something happensLeast this song is a smash (song is a smash)I've got so much love (love)Got so much patience (patience)I've learned from the pain (pain)I turned out amazing (turned out amazing)I've loved and I've lost (yeah, yeah)But that's not what I see (yeah, yeah)'Cause look what I've found (yeah, yeah)Ain't no need for searchingAnd for that, I'll sayThank you, next (thank you, next)Thank you, next (thank you, next)Thank you, nextI'm so fuckin' grateful for my exThank you, next (thank you, next)Thank you, next (said thank you, next)Thank you, next (next)I'm.
$4.99 ≈
¥35.41
We Come to Say Thank You
We Come to Say Thank You
#
Chorale SATB
#
Musique Sacrée
#
Pepper Choplin
#
We Come to Say Thank You
#
Lorenz Publishing Company
#
SheetMusicPlus
Composed by Pepper Choplin. Ready to Worship. Sacred Anthem, General, Thanksgiving. Octavo. 16 pages. Lorenz Publishing Company #10/4658L. Published by Lorenz...
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Composed by Pepper Choplin. Ready to Worship. Sacred Anthem, General, Thanksgiving. Octavo. 16 pages. Lorenz Publishing Company #10/4658L. Published by Lorenz Publishing Company (LX.10-4658L). - octavo - Sacred Anthem, General, Thanksgiving - Lorenz Publishing Company
$2.75 ≈
¥19.51
Thank U, Next
Thank U, Next
#
Piano, Voix
#
Pop musique
#
Ariana Grande
#
Mario Stallbaumer
#
Thank U, Next
#
Mario Stallbaumer
#
SheetMusicPlus
Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By Ariana Grande. Arranged by Mario Stallbaumer. 9 pages. Published by Mario Stall...
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Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By Ariana Grande. Arranged by Mario Stallbaumer. 9 pages. Published by Mario Stallbaumer
Here?s how to play ?thank u, next? by Ariana Grande on piano!
With this piano sheet music, you can play ?thank u, next? on piano - you can use it as an instrumental arrangement, but also accompany singers, or sing along yourself.
It?s a piano arrangement in the song?s original key of Bb minor, and comes with all parts of the song, full lyrics included.
It?s not too hard to play and sounds fantastic!
Ariana Grande certainly knows what it's like if one's personal life is making headlines. In November 2018, she released "thank u, next", a surprisingly positive song about her past relationships and breakups (including Mac Miller, Pete Davidson and Big Sean), in which she comes to the conclusion that she learned from all of them!
?thank u, next? serves as the lead single from Ariana Grande?s fifth studio album.
Listen to the full arrangement here: https://youtu.be/yZWNKPCVvD0
Here are the song?s full lyrics:
?Thought I'd end up with Sean
But he wasn't a match
Wrote some songs about Ricky
Now I listen and laugh
Even almost got married
And for Pete, I'm so thankful
Wish I could say, "Thank you" to Malcolm
'Cause he was an angel
One taught me love
One taught me patience
And one taught me pain
Now, I'm so amazing
I've loved and I've lost
But that's not what I see
So, look what I got
Look what you taught me
And for that, I say
Thank you, next (next)
Thank you, next (next)
Thank you, next
I'm so fuckin' grateful for my ex
Thank you, next (next)
Thank you, next (next)
Thank you, next (next)
I'm so fuckin'
Spend more time with my friends
I ain't worried 'bout nothin'
Plus, I met someone else
We havin' better discussions
I know they say I move on too fast
But this one gon' last
'Cause her name is Ari
And I'm so good with that (so good with that)
She taught me love (love)
She taught me patience (patience)
How she handles pain (pain)
That shit's amazing (yeah, she's amazing)
I've loved and I've lost (yeah, yeah)
But that's not what I see (yeah, yeah)
'Cause look what I've found (yeah, yeah)
Ain't no need for searching, and for that, I say
Thank you, next (thank you, next)
Thank you, next (thank you, next)
Thank you, next (thank you)
I'm so fuckin' grateful for my ex
Thank you, next (thank you, next)
Thank you, next (said thank you, next)
Thank you, next (next)
I'm so fuckin' grateful for my ex
Thank you, next
Thank you, next
Thank you, next
I'm so fucking
One day I'll walk down the aisle
Holding hands with my mama
I'll be thanking my dad
'Cause she grew from the drama
Only wanna do it once, real bad
Gon' make that shit last
God forbid something happens
Least this song is a smash (song is a smash)
I've got so much love (love)
Got so much patience (patience)
I've learned from the pain (pain)
I turned out amazing (turned out amazing)
I've loved and I've lost (yeah, yeah)
But that's not what I see (yeah, yeah)
'Cause look what I've found (yeah, yeah)
Ain't no need for searching
And for that, I'll say
Thank you, next (thank you, next)
Thank you, next (thank you, next)
Thank you, next
I'm so fuckin' grateful for my ex
Thank you, next (thank you, next)
Thank you, next (said thank you, next)
Thank you, next (next)
I'm so fuckin' grateful for my ex
Thank you, next?
$4.99 ≈
¥35.41
Seeds to Grow On Too!
Seeds to Grow On Too!
#
Chorale 2 parties
#
Ruth Elaine Schram
#
Other Church
#
Seeds to Grow On Too!
#
Jubilate Music Group - Digital
#
SheetMusicPlus
Choir Sacred (2-Part choir) - SKU: JX.00-BSB02001 12 More Seasonal Songs for Young Singers. Composed by Ruth Elaine Schram. Christian Elementary ...
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Choir Sacred (2-Part choir) - SKU: JX.00-BSB02001 12 More Seasonal Songs for Young Singers. Composed by Ruth Elaine Schram. Christian Elementary Collection; Other Church; Performance Music Ensemble; Worship Resources. Children; Sacred. Book. 97 pages. Jubilate Music Group - Digital #00-BSB02001. Published by Jubilate Music Group - Digital (JX.00-BSB02001). English.Following the success of her first collection, Seeds to Grown on Too, Ruth Elaine Schram has created another book of praise for God's young singers. As with the first book, this compilation is again set in order of the church year, with anthems for Advent, Christmas, Epiphany, Lent, Palm Sunday, Easter, Baptism, Mother's Day or Father's Day (Parent Appreciation Sunday), and four general anthems to round out the season. These 12 new additions are as much fun as the original set and will spread joy in your choir room as well as to the congregation. Contains: I'M GONNA SING MY PRAISE (General) * SIMPLE GIFTS (General) * FOR EVERYTHING, A SEASON (General) * COME TO EARTH, O TINY KING (Advent) * MARY HAD A BABY BOY! (Christmas) * BY CANDLELIGHT (Christmas/Epiphany) * GOD LOVED US SO MUCH (Lent/General) * WE'RE LEADING THE WAY FOR THE KING OF KINGS (Palm Sunday) * JESUS IS RISEN! (Easter) * WILL YOU PRAY FOR ME? * (Baptism/Dedication/General) * WE JUST WANT TO SAY THANKS! (Parent Appreciation Sunday/Mother's Day/Father's Day) * DON'T WORRY ABOUT TOMORROW (General).
$8.99 ≈
¥63.80
James Arthur - Say You Won't Let Go
James Arthur - Say You Won't Let Go
#
Piano, Voix
#
INTERMÉDIAIRE
#
Pop musique
#
James Arthur
#
Mario Stallbaumer
#
James Arthur - Say You Won't L
#
Mario Stallbaumer
#
SheetMusicPlus
Piano/Vocal/Chords - Intermediate - Digital Download By James Arthur. Arranged by Mario Stallbaumer. 6 pages. Published by Mario Stallbaumer...
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Piano/Vocal/Chords - Intermediate - Digital Download By James Arthur. Arranged by Mario Stallbaumer. 6 pages. Published by Mario Stallbaumer
Here's how to play "Say You Won't Let Go" by James Arthur on piano!
With this piano sheet music, you get an accurate arrangement of the full song which is not too hard to play, and sounds fantastic!
These piano sheets come with an extra system for the singer, as well as the song's full lyrics. However, the full melody is included in the piano part, so it makes for a great instrumental (piano solo) version, too!
"Say You Won't Let Go" is the lead single from James Arthur's second studio album, "Back from the Edge".
It became one of his most successful songs, and has been streamed over 1 billion times on Spotify!
Here are the full lyrics to James Arthur's "Say You Won't Let Go":
I met you in the dark, you lit me up
You made me feel as though I was enough
We danced the night away, we drank too much
I held your hair back when
You were throwing up
Then you smiled over your shoulder
For a minute, I was stone-cold sober
I pulled you closer to my chest
And you asked me to stay over
I said, I already told ya
I think that you should get some rest
I knew I loved you then
But you'd never know
'Cause I played it cool when I was scared of letting go
I know I needed you
But I never showed
But I wanna stay with you until we're grey and old
Just say you won't let go
Just say you won't let go
I'll wake you up with some breakfast in bed
I'll bring you coffee with a kiss on your head
And I'll take the kids to school
Wave them goodbye
And I'll thank my lucky stars for that night
When you looked over your shoulder
For a minute, I forget that I'm older
I wanna dance with you right now
Oh, and you look as beautiful as ever
And I swear that everyday'll get better
You make me feel this way somehow
I'm so in love with you
And I hope you know
Darling your love is more than worth its weight in gold
We've come so far my dear
Look how we've grown
And I wanna stay with you until we're grey and old
Just say you won't let go
Just say you won't let go
I wanna live with you
Even when we're ghosts
'Cause you were always there for me when I needed you most
I'm gonna love you till
My lungs give out
I promise till death we part like in our vows
So I wrote this song for you, now everybody knows
Finally it's just you and me till we're grey and old
Just say you won't let go
Just say you won't let go
$4.99 ≈
¥35.41
Say You Won't Let Go - Piano Solo
Say You Won't Let Go - Piano Solo
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Piano seul
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INTERMÉDIAIRE
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Pop musique
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James Arthur
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Mario Stallbaumer
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Say You Won't Let Go - Piano S
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Mario Stallbaumer
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SheetMusicPlus
Piano Solo - Intermediate - By James Arthur. Arranged by Mario Stallbaumer. 3 pages. Published by Mario Stallbaumer...
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Piano Solo - Intermediate - By James Arthur. Arranged by Mario Stallbaumer. 3 pages. Published by Mario Stallbaumer
Here's how to play "Say You Won't Let Go" by James Arthur on piano!
With this piano sheet music, you get an accurate arrangement of the full song which is not too hard to play, and sounds fantastic!
The full melody is included in the piano part, so it makes for a great instrumental (piano solo) version!
"Say You Won't Let Go" is the lead single from James Arthur's second studio album, "Back from the Edge".
It became one of his most successful songs, and has been streamed over 1 billion times on Spotify!
Here are the full lyrics to James Arthur's "Say You Won't Let Go":
I met you in the dark, you lit me up
You made me feel as though I was enough
We danced the night away, we drank too much
I held your hair back when
You were throwing up
Then you smiled over your shoulder
For a minute, I was stone-cold sober
I pulled you closer to my chest
And you asked me to stay over
I said, I already told ya
I think that you should get some rest
I knew I loved you then
But you'd never know
'Cause I played it cool when I was scared of letting go
I know I needed you
But I never showed
But I wanna stay with you until we're grey and old
Just say you won't let go
Just say you won't let go
I'll wake you up with some breakfast in bed
I'll bring you coffee with a kiss on your head
And I'll take the kids to school
Wave them goodbye
And I'll thank my lucky stars for that night
When you looked over your shoulder
For a minute, I forget that I'm older
I wanna dance with you right now
Oh, and you look as beautiful as ever
And I swear that everyday'll get better
You make me feel this way somehow
I'm so in love with you
And I hope you know
Darling your love is more than worth its weight in gold
We've come so far my dear
Look how we've grown
And I wanna stay with you until we're grey and old
Just say you won't let go
Just say you won't let go
I wanna live with you
Even when we're ghosts
'Cause you were always there for me when I needed you most
I'm gonna love you till
My lungs give out
I promise till death we part like in our vows
So I wrote this song for you, now everybody knows
Finally it's just you and me till we're grey and old
Just say you won't let go
Just say you won't let go
$4.99 ≈
¥35.41
I Travel On for SAB choir
I Travel On for SAB choir
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Chorale 3 parties
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Christian contemporain
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Musique Sacrée
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Tara Islas
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I Travel On for SAB choir
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Tara Islas
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SheetMusicPlus
Choral Choir (SAB) - SKU: A0.840521 Composed by Tara Islas. Contemporary,Sacred. Octavo. 10 pages. Tara Islas #6857613. Published by Tara Islas (A0.8405...
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Choral Choir (SAB) - SKU: A0.840521 Composed by Tara Islas. Contemporary,Sacred. Octavo. 10 pages. Tara Islas #6857613. Published by Tara Islas (A0.840521). This choral piece was written and dedicated to the loss of a partner, best friend or anyone who has had a profound loss in their lives. The lyrics were adapted from the poem To Those Whom I Love (Anonymous) Questions or comments? We're here to help! taraislasmusic@gmail.com Lyrics: When I am gone, please let me go I have so many things to see, although, You must not shed too many tears, I plea But thankful for those years you've given me. I gave my love, and you can guess How much you've given me in happiness I thank you for the love each have shown But now it is time I travelled on. I travel on, I travel on, but my love for you will carry on. I travel on, I travel on alone, I won't be far away. So grieve a while, grieve you must Then let your grief be comforted by trust It is only for a while that we must part So treasure memories in your heart. I travel on, I travel on, but my love for you will carry on. I travel on, then when you come this way alone, I'll greet you and say welcome home.
$1.99 ≈
¥14.12
Monody
Monody
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Christian F
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Stephen Cai
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Monody
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Stephen Cai
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1285185 Composed by Christian F. J. Buettner, John Tuananh Dang, and Rajan S. Arranged by Stephen Cai. 21st Century,Vid...
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Concert Band - Level 4 - SKU: A0.1285185 Composed by Christian F. J. Buettner, John Tuananh Dang, and Rajan S. Arranged by Stephen Cai. 21st Century,Video Game. Score and Parts. 66 pages. Stephen Cai #876297. Published by Stephen Cai (A0.1285185). Monody - TheFatRat (Christian F. J. Buettner) arr. Stephen Cai for Concert BandProgram Notes:MUSIC As a sequel to Pigstep by Lena Raine and Exodus by Ernest Gold, I have decided to take on the challenge of arranging the ever-famous glitch hop song, Monody by Christian Buettner (known more prominently by his online alias, TheFatRat).Similarly to Pigstep, my first arrangement, I ran into the challenge of instrumentation, as Monody’s original soundtrack almost entirely consisted of electronic instruments. However, I used the same technique I did with Pigstep to overcome this problem: assign basslines to low brass, treble melodies to mid-range instruments, and high parts to upper woodwinds. Unlike Pigstep, Monody pushed me to be more creative with the percussion section, as I had to puzzle out recreating all of the numerous sound effects throughout the piece with traditional percussion instruments. I even decided to notate a conch shell line for the war horn present at the beginning and the coda! At the end, however, it all came together nicely, and I came to realize that both this song and the process of arranging it represent a journey, albeit in different contexts. The word “Monody†refers to, in a literal sense, a song sung to mourn one’s death, which accordingly fits with my view of the piece as a journey where the narrator loses their companion. Writing the introduction measures (M.22) carried me through the genuine feelings of embarking on a mythical undertaking as the original soundtrack intends to portray. The lively middle section (M.70) was enjoyable to write as well, because the music itself is upbeat and full of energy. Finally, arranging the solo section was probably my most memorable experience. The slow and subtly melancholic character of the melody (the oboe solo) very closely alludes to the narrator’s mourning, and the enchanting lyrics originally written for this section further confirms their loss:    I still hear you in the breeze,    See your shadows in the trees;    Holding on, memories never change. The chords and harmonies that the original soundtrack provided were relatively simple to transcribe, and I found joy complementing them with luscious percussion effects. This is my interpretation of Monody, and I believe that it would be best performed as a journey, one which we can relate to as it encompasses the theme of loss; a monody. ARTWORK I also took up the challenge of creating original cover artwork for Monody, and I have to say, my level of appreciation for artists of any kind has skyrocketed ever since that endeavor. It took nearly two months of watching YouTube tutorials, onerous idea crunching, and using my sister’s drawing tablet, but I had nevertheless completed it with advice from some of my more experience peers (including my sister). Formal Credits: Cai, Stephen and Rachel Cai. “Monody†Arrangement for Concert Band cover. 2023 Lastly, I want to say thanks to my friend Matteo Sohn for being such a huge musical inspiration, and thank you for acknowledging my arrangement!
$59.99 ≈
¥425.71
A Father's Day Song (in D)
A Father's Day Song (in D)
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David Kai
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David Kai
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A Father's Day Song
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David Kai
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SheetMusicPlus
Drum Set,Electric Bass Guitar,Piano Accompaniment - Level 1 - SKU: A0.1105007 By David Kai. By David Kai. Arranged by David Kai. Children,Christian,Come...
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Drum Set,Electric Bass Guitar,Piano Accompaniment - Level 1 - SKU: A0.1105007 By David Kai. By David Kai. Arranged by David Kai. Children,Christian,Comedy,Contemporary. Accompaniment. Duration 82. David Kai #708252. Published by David Kai (A0.1105007). A fun song for Father's Day for church and community. This is backing track to guide your singers. A FATHER'S DAY SONG F is for the Flapjacks that my father makes for me A is for the Armchair that we sit in comfort’bly T is for the “Thank you†I was always taught to say All of this is spelling out a Happy Father’s Day It’s Father’s Day, Happy Father’s Day *Thanking God for fathers on this Happy Father’s Day H is for the Haircut that my father tried to give E is for the Effort made to show me how to live R is for the Rules that keep me safe along the way All of this is spelling out a Happy Father’s Day It’s Father’s Day, Happy Father’s Day *Thanking God for fathers on this Happy Father’s Day (2x) * or “All of this is spelling out a Happy Father’s Day†for use in non-church settings.
$1.99 ≈
¥14.12
A Father's Day Song (in G)
A Father's Day Song (in G)
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David Kai
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David Kai
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A Father's Day Song
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David Kai
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SheetMusicPlus
Drum Set,Electric Bass Guitar,Flute,Piano Accompaniment - Level 1 - SKU: A0.1105006 By David Kai. By David Kai. Arranged by David Kai. Children,Christia...
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Drum Set,Electric Bass Guitar,Flute,Piano Accompaniment - Level 1 - SKU: A0.1105006 By David Kai. By David Kai. Arranged by David Kai. Children,Christian,Comedy,Contemporary. Full Performance. Duration 82. David Kai #708251. Published by David Kai (A0.1105006). A fun song for Father's Day for church and community. A FATHER'S DAY SONG F is for the Flapjacks that my father makes for me A is for the Armchair that we sit in comfort’bly T is for the “Thank you†I was always taught to say All of this is spelling out a Happy Father’s Day It’s Father’s Day, Happy Father’s Day *Thanking God for fathers on this Happy Father’s Day H is for the Haircut that my father tried to give E is for the Effort made to show me how to live R is for the Rules that keep me safe along the way All of this is spelling out a Happy Father’s Day It’s Father’s Day, Happy Father’s Day *Thanking God for fathers on this Happy Father’s Day (2x) * or “All of this is spelling out a Happy Father’s Day†for use in non-church settings.
$1.99 ≈
¥14.12
Gonna Shine Our Light
Gonna Shine Our Light
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Chorale 3 parties
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FACILE
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words and music by Glyn Lehman
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Gonna Shine Our Light
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Glyn Lehmann
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SheetMusicPlus
Choral Choir (SSA) - Level 2 - SKU: A0.510161 Composed by words and music by Glyn Lehmann. Graduation,Pop,R & B. Octavo. 9 pages. Glyn Lehmann #3507841....
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Choral Choir (SSA) - Level 2 - SKU: A0.510161 Composed by words and music by Glyn Lehmann. Graduation,Pop,R & B. Octavo. 9 pages. Glyn Lehmann #3507841. Published by Glyn Lehmann (A0.510161). A song to celebrate school graduation. Suitable for elementary, junior, primary, middle, senior and secondary graduations. A celebration of the successes, struggles and friendships of the school years - with hopes for a bright future!May be sung in unison, 2 or 3 parts.In a modern gospel/soul feel, sure to move the hearts and minds of both singers and audience.Gonna Shine Our Light (Graduation Song)Words and music by Glyn LehmannCHORUSWe’re moving on now The time is right We’re gonna shine Shine our light Learning from experience Living for today Looking to the futureEach in our own wayVERSE 1We’ve come a long way you and meSince we first learned our ABCThink of all the changes we’ve been throughThe good times and the badAll the memories we have VERSE 2There’s something we all want to sayTo those who’ve helped along the way We’re so glad you came into our lives So thanks for being thereFor your friendship and your careCHORUSBRIDGESometimes it seems we lose our wayNot sure which way to turn There’s so much more to learnAnd every day new challenges we faceAnd through it all we grow We’re here to let you knowCHORUSrepeat VERSE 1CHORUSOUTROWe’re gonna shine, shineShine our lightWe’re gonna make it, make itMake it bright We’re gonna shine, shineShine our lightWe’re gonna make it, make itMake it bright © 2014 Glyn Lehmann. All rights reserved.
$2.50 ≈
¥17.74
Three Thanksgiving Chorale Preludes for Organ
Three Thanksgiving Chorale Preludes for Organ
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Orgue
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INTERMÉDIAIRE
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Brian Joyce
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Three Thanksgiving Chorale Pre
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Brian Joyce
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SheetMusicPlus
Organ - Level 3 - SKU: A0.836713 Composed by Brian Joyce. 20th Century,Christian,Holiday,Sacred. Score. 9 pages. Brian Joyce #4776213. Published by Bria...
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Organ - Level 3 - SKU: A0.836713 Composed by Brian Joyce. 20th Century,Christian,Holiday,Sacred. Score. 9 pages. Brian Joyce #4776213. Published by Brian Joyce (A0.836713). These are very early works, sins of my youth, as the saying goes. They are written in a faux-baroque style and would be very accessible to all but the fussiest congregations. The hymn tunes involved are (1) We Gather Together [KREMSER], (2) Come, Ye Thankful People [ST. GEORGE’S WINDSOR], and (3) Now Thank We All Our God [NUN DANKET]. They are especially appropriate for the Thanksgiving season, but would not be out of place at any time of the year. The third prelude gives the tune to a 4’ reed stop in the pedal.Performance times: 0:45, 1:45, 1:25 (4 minutes for all).
$4.95 ≈
¥35.13
VALS FRÅN DREFVIKEN
VALS FRÅN DREFVIKEN
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Lars Ek
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VALS FRÅN DREFVIKEN
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
#
SheetMusicPlus
Accordion,Double Bass,Guitar - SKU: A0.1068894 Composed by Lars Ek. Folk,World. Full Performance. Duration 225. Lars Ek Cosmos Music c/o Musik & Underh...
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Accordion,Double Bass,Guitar - SKU: A0.1068894 Composed by Lars Ek. Folk,World. Full Performance. Duration 225. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921499. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068894). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99 ≈
¥14.12
LÄTTA FINGRAR
LÄTTA FINGRAR
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Lars Ek
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LÄTTA FINGRAR
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
#
SheetMusicPlus
Accordion,Double Bass,Guitar - SKU: A0.1068893 Composed by Lars Ek. Folk,World. Full Performance. Duration 154. Lars Ek Cosmos Music c/o Musik & Underh...
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Accordion,Double Bass,Guitar - SKU: A0.1068893 Composed by Lars Ek. Folk,World. Full Performance. Duration 154. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921497. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068893). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99 ≈
¥14.12
FORNUDDSVALSEN
FORNUDDSVALSEN
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Lars Ek
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FORNUDDSVALSEN
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
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SheetMusicPlus
Accordion,Double Bass,Guitar - SKU: A0.1068890 Composed by Lars Ek. Folk,World. Full Performance. Duration 259. Lars Ek Cosmos Music c/o Musik & Underh...
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Accordion,Double Bass,Guitar - SKU: A0.1068890 Composed by Lars Ek. Folk,World. Full Performance. Duration 259. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921479. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068890). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99 ≈
¥14.12
LOVELY THOUGHTS
LOVELY THOUGHTS
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Lars Ek
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LOVELY THOUGHTS
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
#
SheetMusicPlus
Accordion,Double Bass,Guitar - SKU: A0.1068892 Composed by Lars Ek. Folk,World. Full Performance. Duration 233. Lars Ek Cosmos Music c/o Musik & Underh...
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Accordion,Double Bass,Guitar - SKU: A0.1068892 Composed by Lars Ek. Folk,World. Full Performance. Duration 233. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921495. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068892). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99 ≈
¥14.12
SNÖKÄNGAN
SNÖKÄNGAN
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Lars Ek
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SNÖKÄNGAN
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
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SheetMusicPlus
Accordion,Double Bass,Guitar - SKU: A0.1068889 Composed by Lars Ek. Folk,World. Full Performance. Duration 206. Lars Ek Cosmos Music c/o Musik & Underh...
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Accordion,Double Bass,Guitar - SKU: A0.1068889 Composed by Lars Ek. Folk,World. Full Performance. Duration 206. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921477. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068889). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99 ≈
¥14.12
Rejoice the Lord is King
Rejoice the Lord is King
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Piano seul
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INTERMÉDIAIRE
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1746, Charles Wesley, and Lyri
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Rejoice the Lord is King
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Creating Music Joy
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1005688 Composed by 1746, Charles Wesley, and Lyrics. Arranged by 1770, 2021, Grace Joy Reid, and John Darwall. Christian...
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Piano Solo - Level 3 - SKU: A0.1005688 Composed by 1746, Charles Wesley, and Lyrics. Arranged by 1770, 2021, Grace Joy Reid, and John Darwall. Christian,Easter,Graduation,Sacred. Score. 4 pages. Creating Music Joy #6293813. Published by Creating Music Joy (A0.1005688). Rejoice, the Lord is King was originally written (lyrics) by Charles Wesley then arranged by John Darwall in 1770. In 2021, Grace Joy Reid has arranged this hymn for congregational singing.Lyrics:Rejoice, the Lord is King,Your Lord and King adore;Mortals, give thanks and sing,And triumph evermore;Lift up your heart, lift up your voice,Rejoice, again I say, rejoice!Jesus the Saviour reigns,The God of truth and love,When He had purged our stains,He took His seat above;Lift up your heart, lift up your voice,Rejoice, again I say rejoice!His kingdom cannot fail,He rules o'er earth and heaven;The keys of death and hellAre to our Jesus given;Lift up your heart, lift up your voice,Rejoice, again I say rejoice!He sits at God's right handTill all His foes submit,And bow to His command,And fall beneath His feet;Lift up your heart, lift up your voice;Rejoice, again I say, Rejoice!He all His foes shall quell,Shall all our sins destroy,And every bosom swellWith pure seraphic joy;Lift up your heart, lift up your voice,Rejoice, again I say, rejoice!Rejoice in glorious hope;Jesus the judge shall come,And take His servants upTo their eternal home;We soon shall hear the archangels voice,The trump of God shall sound, Rejoice!
$4.79 ≈
¥33.99
A Hymn A Day Volume 3
A Hymn A Day Volume 3
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Harpe, Voix
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Hugh Callison
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A Hymn A Day Volume 3
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SheetMusicPlus
Voice, Harp - Advanced Intermediate - Digital Download Arranged by Hugh Callison. Christian, Sacred, General Worship. 108 pages. Published by Afghan ...
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Voice, Harp - Advanced Intermediate - Digital Download Arranged by Hugh Callison. Christian, Sacred, General Worship. 108 pages. Published by Afghan Press Music for the Harp
This valuable collection of hymns is the third in a series of five! You will find many wonderful titles arranged for harp, from well-known favorites to songs that are lesser known yet equally important. Mr. Callison came to the harp as an adult after retiring from 40 years as a music educator. His arrangements are interesting and have lovely harmonies. The left hand in a few of the tunes is quite active.
Table of Contents: Lord Jesus Think on Me, Blessed Jesus, at Thy Word, All Praise to Thee, My God This Night, From Greenland?s Icy Mountains, Cleanse Me, Praise the Savior, Ye Who Know Him, O Master Let Me Walk with Thee, More Love to Thee, O Christ, Nearer, My God, to Thee, Come, Thou Font of Every Blessing, Rise Up, O Men of God, Sun of My Soul, My Faith has Found a Resting Place, The King of Love, My Shepherd Is, Savior, Like a Shepherd Lead Us, How Sweet the Name of Jesus Sounds, May the Grace of Christ Our Savior, At the Name of Jesus, Glorious Things of Thee Are Spoken, A Charge to Keep I Have, Join All the Glorious Names, Almighty God, Thy Lofty Throne, What a Friend We Have in Jesus, Blessing and Honor and Glory and Power, Great God, Attend, While Zion Sings, How Lovely Is Thy Dwelling Place, Trust and Obey, I Am Not Skilled to Understand, Jesus Loves Me, Brethren, We Have Met to Worship, Come, Let Us Tune Our Loftiest Song, Rescue the Perishing, Have Thine Own Way, Lord!, Thy Faithfulness, Lord, Each Moment We Find, To God Be the Glory, Fill Thou My Life, O Lord My God, God of Our Fathers, Known of Old, Jesus Call Us, Let Thy Blood in Mercy Poured, O Jesus, King Most Wonderful, Not What These Hands Have Done, Under His Wings I Am Safely Abiding, Shepherd of Eager Youth, Lamb of God!, Just a Closer Walk with Thee, Open My Eyes, That I May See, O Splendor of God?s Glory Bright, The Lord Is King, For All the Saints, A Mighty Fortress Is Our God, Thy Works, Not Mine, Thee Will I Love, My Strength, My God, How Wonderful Thou Art, O Christ, Our True and Only Light, Teach Me, My God and King, Zion to Thy Savior Singing, O Christ, Our King, Creator, Lord, God of the Earth, the Sky, the Sea, In Christ, There Is No East or West, How Lovely Shines the Morning Star, God, in the Gospel of His Son, Praise, My Soul, the King of Heaven, Gentle Jesus, Meek and Mild, Songs of Thankfulness and Praise, Who is This So Weak and Helpless, Savior of the Nations, Come, O Dearest Jesus, O Lord, How Shall I Meet Thee, O Lord of Heaven and Earth and Sea, Jesus, Thou Joy of Loving Hearts, O Perfect Love, I Heard the Voice of Jesus Say
$25.00 ≈
¥177.41
Rhythms of the Spirit
Rhythms of the Spirit
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Orchestre d'harmonie
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Contemporain
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James M
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Rhythms of the Spirit
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Jim Stephenson Music, Inc.
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SheetMusicPlus
Concert Band - SKU: A0.1030888 Composed by James M. Stephenson. Contemporary. Score and parts. 154 pages. Jim Stephenson Music, Inc. #48491. Published b...
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Concert Band - SKU: A0.1030888 Composed by James M. Stephenson. Contemporary. Score and parts. 154 pages. Jim Stephenson Music, Inc. #48491. Published by Jim Stephenson Music, Inc. (A0.1030888). Written by internationally renowned, Chicago-based composer, James M. Stephenson stephensonmusic.com Jim@Stephensonmusic.com Product info: http://stephensonmusic.com/product/rhythms-of-the-spirit Facebook: https://www.facebook.com/jim.stephenson.946 Twitter: https://twitter.com/ComposerJim YouTube: https://www.youtube.com/user/JimmyThird/featured Duration: 9' Commissioned by and dedicated to the Grand Symphonc Winds; Matthew George, Music Director. Premiered May 2, 2013. Notes about the Music: In the spring of 2012, I was in Minnesota attending some performances, and had the fortunate opportunity of catching up with Matthew George, conductor of the Grand Symphonic Winds. Matt had given the world premiere performance of my Concerto for Brass Quintet (Dodecafecta), and has always had a major presence in the formation of new works for winds, so I was very delighted when he brought up the idea of a new work for his group. The Grand Symphonic Winds, in honor of their 25th anniversary, were looking to celebrate the influx of many international cultures which had become a significant part of the landscape in Minnesota. This immediately called out to me in musical terms, namely in the forms of rhythms and spirituality (hence the title!) The piece opens and closes with heroic and beautiful music, signifying (to me) what most cultures seem to all be saying, but in different languages: we all just want peace, harmony and love. The entire middle section is very rhythmic, using many percussion instruments found in different cultures, also represented in Minnesota: Latin America (claves, bongos), Africa (Djembe) and if possible, Southeast Asia (Dholak). And just for fun, I even spelled out Minnesota in Morse code, but this was merely for my own enjoyment! I wish to thank Matt George, for all he has done for the field of music in Wind Ensembles, and specifically to him and the Grand Symphonic Winds for entrusting to me the responsibility of composing this new work, which I truly hope finds its home in the literature. Jim Stephenson March, 2013 Instrumentation: Wind Ensemble – one per part, except: 2 tubas recommended, French Horns doubled Recommended: Rhythm percussion sit in the middle of the ensemble, or immediately in front of the conductor, where visible to audience. Percussion instruments needed: Snare Drum, Bass Drum, Cymb. a2 Claves, Djembe, Marimba, Triangle, Vibes, Bongos (or Dholak) Xylophone, Glock., Tambourine, Sus. Cymb. (if desired, the Dholak could replace the Bongos, using high/low sounds).
$140.00 ≈
¥993.49
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We Come to Say Thank You
