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The Masters of the Violin
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The Masters of the Violin
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The Masters of the Violin
The Masters of the Violin
#
Violon
#
Classique
#
Mathieu Crickboom
#
The Masters of the Violin
#
Schott Music - Digital
#
The Masters of the Violin. Composed by Mathieu Crickboom. This edition: Sheet music. Downloadable. Op. Vol. II. Schott Music - Digital #Q42355. Publis...
(+)
The Masters of the Violin. Composed by Mathieu Crickboom. This edition: Sheet music. Downloadable. Op. Vol. II. Schott Music - Digital #Q42355. Published by Schott Music - Digital
French.
The masters of the violin have left us an inheritance of numerous books of remarkable studies and caprices. But the very abundance of this precious inheritance makes that an important part of it remains without profit, because it is impossible for the pupils to acquire or study these few thousands studies scattered in fifty big volumes. Very frequently, however, these studies are not classified in a progressive manner. Result of an inspiration which the pedagogical spirit could not always dominate or guide as it liked to, the first studies address themselves sometimes to the pupils who conjugate yet their first shifts with the most easy bow strokes, while the last are always of transcendent difficulty. Whatever be the chosen studies, once the first step is sourmounted, the pupils must do great efforts to realize imperfectly and in divided movements, difficulties which are beyond them. The result of this is: a considerable loss of time and sometimes even much discouragement. It follows at all events, that instead of practising fifty or sixty caprice studies in one year\'s time, the pupils can hardly study thirty. It is the desire to remedy these multiple inconveniences, that has incited us to realize the present work and in order to accomplish it to search in the greatest works of the masters, the elements the most apt to insure rapidly to the young violinists, the most complete mecanism of the left hand and bow. These exceedingly numerous and diverse elements chosen in the old editions, have been re-examined, fingered and sometimes the nuances (shades) set by us, with the most care and then classified by degrees from the second to the eight year of study in a progressive manner. These books of studies will not bear their fruits however, unless the work is regulated from the second to the fifth year of teaching, by a good method and appropriated exercises. The studies cannot in reality during this period, replace neither a method nor the exercises, they have to be considered rather as an amplified rehearsal of elements learned elsewhere but still badly assimilated.
$15.99 ≈
14.90€
The Masters of the Violin
The Masters of the Violin
#
Violon
#
Classique
#
Mathieu Crickboom
#
The Masters of the Violin
#
Schott Music - Digital
#
Twelve books of Studies revised, annotated and fingered by Mathieu Crickboom. Composed by Mathieu Crickboom. This edition: Sheet music. Downloadable. ...
(+)
Twelve books of Studies revised, annotated and fingered by Mathieu Crickboom. Composed by Mathieu Crickboom. This edition: Sheet music. Downloadable. Op. IV. Schott Music - Digital #Q45248. Published by Schott Music - Digital
The masters of the violin have left us an inheritance of numerous books of remarkable studies and caprices. But the very abundance of this precious inheritance makes that an important part of it remains without profit, because it is impossible for the pupils to acquire or study these few thousands studies scattered in fifty big volumes. Very frequently, however, these studies are not classified in a progressive manner. Result of an inspiration which the pedagogical spirit could not always dominate or guide as it liked to, the first studies address themselves sometimes to the pupils who conjugate yet their first shifts with the most easy bow strokes, while the last are always of transcendent difficulty. Whatever be the chosen studies, once the first step is sourmounted, the pupils must do great efforts to realize imperfectly and in divided movements, difficulties which are beyond them. The result of this is: a considerable loss of time and sometimes even much discouragement. It follows at all events, that instead of practising fifty or sixty caprice studies in one year\'s time, the pupils can hardly study thirty. It is the desire to remedy these multiple inconveniences, that has incited us to realize the present work and in order to accomplish it to search in the greatest works of the masters, the elements the most apt to insure rapidly to the young violinists, the most complete mecanism of the left hand and bow. These exceedingly numerous and diverse elements chosen in the old editions, have been re-examined, fingered and sometimes the nuances (shades) set by us, with the most care and then classified by degrees from the second to the eight year of study in a progressive manner. These books of studies will not bear their fruits however, unless the work is regulated from the second to the fifth year of teaching, by a good method and appropriated exercises. The studies cannot in reality during this period, replace neither a method nor the exercises, they have to be considered rather as an amplified rehearsal of elements learned elsewhere but still badly assimilated.
$16.99 ≈
15.83€
The Masters of the Violin
The Masters of the Violin
#
Violon
#
Classique
#
Mathieu Crickboom
#
The Masters of the Violin
#
Schott Music - Digital
#
Twelve books of Studies revised, annotated and fingered by Mathieu Crickboom. Composed by Mathieu Crickboom. This edition: Sheet music. Downloadable. ...
(+)
Twelve books of Studies revised, annotated and fingered by Mathieu Crickboom. Composed by Mathieu Crickboom. This edition: Sheet music. Downloadable. Op. Vol. I. Schott Music - Digital #Q42354. Published by Schott Music - Digital
French.
The masters of the violin have left us an inheritance of numerous books of remarkable studies and caprices. But the very abundance of this precious inheritance makes that an important part of it remains without profit, because it is impossible for the pupils to acquire or study these few thousands studies scattered in fifty big volumes. Very frequently, however, these studies are not classified in a progressive manner. Result of an inspiration which the pedagogical spirit could not always dominate or guide as it liked to, the first studies address themselves sometimes to the pupils who conjugate yet their first shifts with the most easy bow strokes, while the last are always of transcendent difficulty. Whatever be the chosen studies, once the first step is sourmounted, the pupils must do great efforts to realize imperfectly and in divided movements, difficulties which are beyond them. The result of this is: a considerable loss of time and sometimes even much discouragement. It follows at all events, that instead of practising fifty or sixty caprice studies in one year\'s time, the pupils can hardly study thirty. It is the desire to remedy these multiple inconveniences, that has incited us to realize the present work and in order to accomplish it to search in the greatest works of the masters, the elements the most apt to insure rapidly to the young violinists, the most complete mecanism of the left hand and bow. These exceedingly numerous and diverse elements chosen in the old editions, have been re-examined, fingered and sometimes the nuances (shades) set by us, with the most care and then classified by degrees from the second to the eight year of study in a progressive manner. These books of studies will not bear their fruits however, unless the work is regulated from the second to the fifth year of teaching, by a good method and appropriated exercises. The studies cannot in reality during this period, replace neither a method nor the exercises, they have to be considered rather as an amplified rehearsal of elements learned elsewhere but still badly assimilated.
$15.99 ≈
14.90€
The Masters of the Violin
The Masters of the Violin
#
Violon
#
Mathieu Crickboom
#
The Masters of the Violin
#
Schott Music - Digital
#
Violin - SKU: S9.Q47525 Twelve books of Studies revised, annotated and fingered by Mathieu Crickboom. Composed by Mathieu Crickboom. This edition...
(+)
Violin - SKU: S9.Q47525 Twelve books of Studies revised, annotated and fingered by Mathieu Crickboom. Composed by Mathieu Crickboom. This edition: Sheet music. Schott Archive. Downloadable. Op. 8. Schott Music - Digital #Q47525. Published by Schott Music - Digital (S9.Q47525). These studies have been revised after the original editions. The author's indications of tempo or nuances are placed in parenthesis. Certain of these studies are preceded by examples demonstrating different ways of playing them. The professeur may choose amongst these the most appropriate for the work of each pupil, who should endeavour to produce in the study all the variety of tone possible. It is almost useless to say that the bowings, detached, martelé, smooth, staccato, may be executed in all parts of the bow, in employing a large of very small portion of it. Also only the most essential bowings are shown. It is quite evident that the metronomic movement indicated is at fault if the pupil executes the passage in a slower or more accelerated tempo, or again, with a different nuance. The pupil will remember also that if the little notes, dumb notes, are applied in the preparatory work, they must be perceptible only in the bar indicated by the expression of the melody. As an aid to expression, they should disappear entirely in the quick passages.
$23.99 ≈
22.35€
The Masters of the Violin
The Masters of the Violin
#
Violon
#
Mathieu Crickboom
#
The Masters of the Violin
#
Schott Music - Digital
#
Violin - SKU: S9.Q47526 Twelve books of Studies revised, annotated and fingered by Mathieu Crickboom. Composed by Mathieu Crickboom. This edition...
(+)
Violin - SKU: S9.Q47526 Twelve books of Studies revised, annotated and fingered by Mathieu Crickboom. Composed by Mathieu Crickboom. This edition: Sheet music. Schott Archive. Downloadable. Op. 10. Schott Music - Digital #Q47526. Published by Schott Music - Digital (S9.Q47526). These studies have been revised after the original editions. The author's indications of tempo or nuances are placed in parenthesis. Certain of these studies are preceded by examples demonstrating different ways of playing them. The professeur may choose amongst these the most appropriate for the work of each pupil, who should endeavour to produce in the study all the variety of tone possible. It is almost useless to say that the bowings, detached, martelé, smooth, staccato, may be executed in all parts of the bow, in employing a large of very small portion of it. Also only the most essential bowings are shown. It is quite evident that the metronomic movement indicated is at fault if the pupil executes the passage in a slower or more accelerated tempo, or again, with a different nuance. The pupil will remember also that if the little notes, dumb notes, are applied in the preparatory work, they must be perceptible only in the bar indicated by the expression of the melody. As an aid to expression, they should disappear entirely in the quick passages.
$23.99 ≈
22.35€
The Masters of the Violin
The Masters of the Violin
#
Violon
#
Mathieu Crickboom
#
The Masters of the Violin
#
Schott Music - Digital
#
Violin - SKU: S9.Q47528 Twelve books of Studies revised, annotated and fingered by Mathieu Crickboom. Composed by Mathieu Crickboom. This edition...
(+)
Violin - SKU: S9.Q47528 Twelve books of Studies revised, annotated and fingered by Mathieu Crickboom. Composed by Mathieu Crickboom. This edition: Sheet music. Schott Archive. Downloadable. Op. 11. Schott Music - Digital #Q47528. Published by Schott Music - Digital (S9.Q47528). These studies have been revised after the original editions. The author's indications of tempo or nuances are placed in parenthesis. Certain of these studies are preceded by examples demonstrating different ways of playing them. The professeur may choose amongst these the most appropriate for the work of each pupil, who should endeavour to produce in the study all the variety of tone possible. It is almost useless to say that the bowings, detached, martelé, smooth, staccato, may be executed in all parts of the bow, in employing a large of very small portion of it. Also only the most essential bowings are shown. It is quite evident that the metronomic movement indicated is at fault if the pupil executes the passage in a slower or more accelerated tempo, or again, with a different nuance. The pupil will remember also that if the little notes, dumb notes, are applied in the preparatory work, they must be perceptible only in the bar indicated by the expression of the melody. As an aid to expression, they should disappear entirely in the quick passages.
$23.99 ≈
22.35€
The Masters of the Violin
The Masters of the Violin
#
Violon
#
Mathieu Crickboom
#
The Masters of the Violin
#
Schott Music - Digital
#
Violin - SKU: S9.Q47527 Twelve books of Studies revised, annotated and fingered by Mathieu Crickboom. Composed by Mathieu Crickboom. This edition...
(+)
Violin - SKU: S9.Q47527 Twelve books of Studies revised, annotated and fingered by Mathieu Crickboom. Composed by Mathieu Crickboom. This edition: Sheet music. Schott Archive. Downloadable. Op. 12. Schott Music - Digital #Q47527. Published by Schott Music - Digital (S9.Q47527). These studies have been revised after the original editions. The author's indications of tempo or nuances are placed in parenthesis. Certain of these studies are preceded by examples demonstrating different ways of playing them. The professeur may choose amongst these the most appropriate for the work of each pupil, who should endeavour to produce in the study all the variety of tone possible. It is almost useless to say that the bowings, detached, martelé, smooth, staccato, may be executed in all parts of the bow, in employing a large of very small portion of it. Also only the most essential bowings are shown. It is quite evident that the metronomic movement indicated is at fault if the pupil executes the passage in a slower or more accelerated tempo, or again, with a different nuance. The pupil will remember also that if the little notes, dumb notes, are applied in the preparatory work, they must be perceptible only in the bar indicated by the expression of the melody. As an aid to expression, they should disappear entirely in the quick passages.
$23.99 ≈
22.35€
The Masters of the Violin
The Masters of the Violin
#
Violon
#
Mathieu Crickboom
#
The Masters of the Violin
#
Schott Music - Digital
#
Violin - SKU: S9.Q47524 Twelve books of Studies revised, annotated and fingered by Mathieu Crickboom. Composed by Mathieu Crickboom. This edition...
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Violin - SKU: S9.Q47524 Twelve books of Studies revised, annotated and fingered by Mathieu Crickboom. Composed by Mathieu Crickboom. This edition: Sheet music. Schott Archive. Downloadable. Op. 7. Schott Music - Digital #Q47524. Published by Schott Music - Digital (S9.Q47524). These studies have been revised after the original editions. The author's indications of tempo or nuances are placed in parenthesis. Certain of these studies are preceded by examples demonstrating different ways of playing them. The professeur may choose amongst these the most appropriate for the work of each pupil, who should endeavour to produce in the study all the variety of tone possible. It is almost useless to say that the bowings, detached, martelé, smooth, staccato, may be executed in all parts of the bow, in employing a large of very small portion of it. Also only the most essential bowings are shown. It is quite evident that the metronomic movement indicated is at fault if the pupil executes the passage in a slower or more accelerated tempo, or again, with a different nuance. The pupil will remember also that if the little notes, dumb notes, are applied in the preparatory work, they must be perceptible only in the bar indicated by the expression of the melody. As an aid to expression, they should disappear entirely in the quick passages.
$23.99 ≈
22.35€
He-man And The Masters Of The Universe - Opening Theme
He-man And The Masters Of The Universe - Opening Theme
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Quatuor à cordes: 2 violons, alto, violoncelle
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Film/TV
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Shuki Levy, Haim Saban and E
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Geronimo Oyenard
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He-man And The Masters Of The
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By Shuki Levy, Haim Saban and Erika Lane. Arranged by Geronimo Oyenard. Score, Set of Parts. 9 pages. Published by Geronimo Oyenard ...
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By Shuki Levy, Haim Saban and Erika Lane. Arranged by Geronimo Oyenard. Score, Set of Parts. 9 pages. Published by Geronimo Oyenard
Hereis a string quartet arrangement of the classic "He-Man and the Masters of the Universe" opening theme. It includes bowing and fingeringsuggestions and is suitable for both student and professional ensembles.Double-stops are idiomatic and mainly added to enrich the harmony and texture,but may be dropped by less advanced groups. Please feel free to contact me forcommissions or creating additional parts at: goyenard@yahoo.com.
$12.99 ≈
12.10€
The Masters of the Violin
The Masters of the Violin
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Violon
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Mathieu Crickboom
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The Masters of the Violin
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Schott Music - Digital
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Violin - SKU: S9.Q48159 Twelve books of Studies revised, annotated and fingered by Mathieu Crickboom. Composed by Mathieu Crickboom. This edition...
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Violin - SKU: S9.Q48159 Twelve books of Studies revised, annotated and fingered by Mathieu Crickboom. Composed by Mathieu Crickboom. This edition: Sheet music. Schott Archive. Downloadable. Op. 6. Schott Music - Digital #Q48159. Published by Schott Music - Digital (S9.Q48159).
$23.99 ≈
22.35€
The Masters of the Violin
The Masters of the Violin
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Violon
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Mathieu Crickboom
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The Masters of the Violin
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Schott Music - Digital
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Violin - SKU: S9.Q48158 Twelve books of Studies revised, annotated and fingered by Mathieu Crickboom. Composed by Mathieu Crickboom. This edition...
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Violin - SKU: S9.Q48158 Twelve books of Studies revised, annotated and fingered by Mathieu Crickboom. Composed by Mathieu Crickboom. This edition: Sheet music. Schott Archive. Downloadable. Op. 9. Schott Music - Digital #Q48158. Published by Schott Music - Digital (S9.Q48158).
$31.99 ≈
29.81€
Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
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Various
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Alastair Lodge
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Chording to the Dance Masters
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Wold Meridian
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Level 3 - SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainerio, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, and Tielman ...
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Level 3 - SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainerio, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, and Tielman Susato. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733808. Published by Wold Meridian (A0.1133711). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances. You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00 ≈
11.18€
Chording to the Dance Masters Full Score Version with chords Book 2 - Score Only
Chording to the Dance Masters Full Score Version with chords Book 2 - Score Only
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Various
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Alastair Lodge
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Chording to the Dance Masters
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Wold Meridian
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Level 3 - SKU: A0.1133721 By Various. By Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, Juan Del Encina,...
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Level 3 - SKU: A0.1133721 By Various. By Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, Juan Del Encina, Michael Praetorius, Pierre Attaignant, Pierre Phalese, Thoinot Arbeau, Tielman Susato, and William Cornysh. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733832. Published by Wold Meridian (A0.1133721). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances.  You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00 ≈
11.18€
Tchaikovsky: Dance of the Flutes from Nutcracker Suite for Violin & Piano
Tchaikovsky: Dance of the Flutes from Nutcracker Suite for Violin & Piano
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Violon et Piano
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Dance of the Flut
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jmsgu3
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Piano,Violin - Level 3 - SKU: A0.549791 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,St...
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Piano,Violin - Level 3 - SKU: A0.549791 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. 16 pages. Jmsgu3 #3538777. Published by jmsgu3 (A0.549791). Duration: ca. 2:10. Score: 9 pages. 77 measures in 2/4. Solo part: 2 pages, Piano part: 4 pages. A favorite Christmas selection from the Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most memorable melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five indeed rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95 ≈
30.70€
Tchaikovsky: Dance of the Sugar-Plum Fairy from Nutcracker Suite for Violin & Piano
Tchaikovsky: Dance of the Sugar-Plum Fairy from Nutcracker Suite for Violin & Piano
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Violon et Piano
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Dance of the Suga
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jmsgu3
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Piano,Violin - Level 3 - SKU: A0.549676 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,St...
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Piano,Violin - Level 3 - SKU: A0.549676 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. 14 pages. Jmsgu3 #3520219. Published by jmsgu3 (A0.549676). Duration: ca. 1:42, 52 measures, Score: 7 pages, solo part: 2 pages, piano part: 4 pages. A popular Christmas favorite from Tchaikovsky's Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95 ≈
30.70€
Tchaikovsky: Overture from Nutcracker Suite for Violin & Piano
Tchaikovsky: Overture from Nutcracker Suite for Violin & Piano
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Violon et Piano
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Overture from Nut
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jmsgu3
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Piano,Violin - Level 3 - SKU: A0.549611 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,St...
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Piano,Violin - Level 3 - SKU: A0.549611 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. 24 pages. Jmsgu3 #3514585. Published by jmsgu3 (A0.549611). Duration: ca. 3:20 Score: 13 pages, solo part: 3 pages, piano part: 7 pages, 182 measures in 2/4. Overture in Miniature to Tchaikovsky's Nutcracker Suite. Program for a recital, church meditation, school plays, and Christmas presentations of all kinds. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.Â
$32.95 ≈
30.70€
Tchaikovsky: Chinese Dance from Nutcracker Suite for Violin & Piano
Tchaikovsky: Chinese Dance from Nutcracker Suite for Violin & Piano
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Violon et Piano
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Chinese Dance fro
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jmsgu3
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Piano,Violin - Level 3 - SKU: A0.549765 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,St...
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Piano,Violin - Level 3 - SKU: A0.549765 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. 11 pages. Jmsgu3 #3534683. Published by jmsgu3 (A0.549765). Duration: ca 1:00 Score: 5 pages, Solo part: 2 pages, piano part: 3 pages. Short but fascinating Chinese Dance from the Nutcracker Suite. Program this for a recital encore or Christmas pageant.  Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95 ≈
30.70€
Scriabin: Prelude Op. 11 No. 2 for Violin & Piano
Scriabin: Prelude Op. 11 No. 2 for Violin & Piano
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Violon et Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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Piano,Violin - Level 3 - SKU: A0.549461 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacre...
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Piano,Violin - Level 3 - SKU: A0.549461 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. 12 pages. Jmsgu3 #3499709. Published by jmsgu3 (A0.549461). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95 ≈
18.59€
Praise Ye the Father (Easy Violin Solo with Piano Accompaniment)
Praise Ye the Father (Easy Violin Solo with Piano Accompaniment)
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Violon et Piano
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FACILE
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson
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Praise Ye the Father
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Sharon Wilson
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Piano,Violin - Level 2 - SKU: A0.565555 By Sharon Wilson. By Friedrich F. Flemming. Arranged by Sharon Wilson. Baroque,Classical,Holiday,Praise & Worshi...
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Piano,Violin - Level 2 - SKU: A0.565555 By Sharon Wilson. By Friedrich F. Flemming. Arranged by Sharon Wilson. Baroque,Classical,Holiday,Praise & Worship,Sacred. 6 pages. Sharon Wilson #4786493. Published by Sharon Wilson (A0.565555). Inspired by the stylings of the Baroque masters, this instrumental duet arrangement (for VIOLIN solo with PIANO accompaniment) weaves a classical sound throughout the familiar hymn tune FLEMMING. The lyrics typically associated with the tune were written by Elizabeth R. Charles and titled Praise Ye the Father. This bright and festive arrangement is equally fun for both performers as the piece creates a complex intertwining of patterns reminiscent of classical works.This arrangement includes two verses with the VIOLIN playing the melody throughout. All notes for the VIOLIN are playable in the first position making this arrangement an excellent choice for early-intermediate string players. The PIANO accompaniment is written for an intermediate player. The purchase price includes a 4-page combined score with both VIOLIN and PIANO parts on each page plus a separate 1-staff score for the VIOLIN solo (1 page).
$4.99 ≈
4.65€
Mendelssohn: Song Without Words Op. 109 for Violin & Piano
Mendelssohn: Song Without Words Op. 109 for Violin & Piano
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Violon et Piano
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INTERMÉDIAIRE
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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Piano,Violin - Level 3 - SKU: A0.549485 Composed by Felix Mendelssohn (1809 ??1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period...
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Piano,Violin - Level 3 - SKU: A0.549485 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. 20 pages. Jmsgu3 #3500555. Published by jmsgu3 (A0.549485). VIOLIN & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95 ≈
30.70€
This Boy (ringo's Theme)
This Boy (ringo's Theme)
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Rock
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The Beatles
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Jeff Tincher
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This Boy
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Jeff Tincher
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.584397 By The Beatles. By John Lennon and Paul McCartney. Arranged by Jeff Tincher....
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.584397 By The Beatles. By John Lennon and Paul McCartney. Arranged by Jeff Tincher. Rock. Score and parts. 15 pages. Jeff Tincher #5731815. Published by Jeff Tincher (A0.584397). Here is another love song from The Beatles. In the original key from Past Masters cd, this song is about a boy who longs for a girl that he once broke up from and now wants her back. This song never appeared on a U.K. release until they released the Past Masters cd. However this song appeared on the U.S. release Meet The Beatles. The subtitle Ringo's Theme did not appear on the title until after George Martin composed an instrumental version used in their first movie A Hard Day's Night. It was also the B-side of the U.S. single All My Loving. This arrangement includes the live ending The Beatles performed on The Ed Sullivan Show February 16, 1964. Duration = 2:24. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99 ≈
12.10€
Byrd: The Queenes Alman for String Quartet
Byrd: The Queenes Alman for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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William Byrd
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James M
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Byrd: The Queenes Alman for St
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jmsgu3
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1290387 Composed by William Byrd. Arranged by James M. Guthrie. Chamber,Contest,Ear...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1290387 Composed by William Byrd. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 14 pages. Jmsgu3 #881099. Published by jmsgu3 (A0.1290387). William Byrd was an English composer and organist who lived during the Renaissance period. He is considered one of the greatest composers of the era and had a profound influence on composers both from his native country and on the Continent. Byrd is best known for his development of the English madrigal and his ability to elevate the English keyboard style through his compositions for virginal and organ music.He was a pupil and protégé of the organist and composer Thomas Tallis, and his first authenticated appointment was as organist at Lincoln Cathedral in 1563. Byrd's output of about 470 compositions amply justifies his reputation as one of the great masters of European Renaissance music.He was adept at attracting sponsorship, and his most important patrons were Roman Catholic sympathizers. Byrd was responsible for the publication of about 10 volumes of songs by other composers, his role as publisher allowing him to play an even more prominent part in making both literary and musical composition much more broadly available to a public audience.
$28.95 ≈
26.98€
Byrd: The Maidens Songe for String Quartet
Byrd: The Maidens Songe for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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William Byrd
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James M
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Byrd: The Maidens Songe for St
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jmsgu3
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1288686 Composed by William Byrd. Arranged by James M. Guthrie. Chamber,Contest,Ear...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1288686 Composed by William Byrd. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Wedding. 16 pages. Jmsgu3 #879581. Published by jmsgu3 (A0.1288686). William Byrd was an English composer and organist who lived during the Renaissance period. He is considered one of the greatest composers of the era and had a profound influence on composers both from his native country and on the Continent. Byrd is best known for his development of the English madrigal and his ability to elevate the English keyboard style through his compositions for virginal and organ music.He was a pupil and protégé of the organist and composer Thomas Tallis, and his first authenticated appointment was as organist at Lincoln Cathedral in 1563. Byrd's output of about 470 compositions amply justifies his reputation as one of the great masters of European Renaissance music.He was adept at attracting sponsorship, and his most important patrons were Roman Catholic sympathizers. Byrd was responsible for the publication of about 10 volumes of songs by other composers, his role as publisher allowing him to play an even more prominent part in making both literary and musical composition much more broadly available to a public audience.
$28.95 ≈
26.98€
Deutsches Gemüthsleben, Waltz for Violin and Piano, Op. 88
Deutsches Gemüthsleben, Waltz for Violin and Piano, Op. 88
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Violon et Piano
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Classique
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Bela Keler
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Pavel Burdych
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Deutsches Gemüthsleben, W
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Pavel Burdych
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Piano,Violin - SKU: A0.933384 Composed by Bela Keler. Arranged by Pavel Burdych. Romantic Period. 22 pages. Pavel Burdych #119401. Published by Pavel Bu...
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Piano,Violin - SKU: A0.933384 Composed by Bela Keler. Arranged by Pavel Burdych. Romantic Period. 22 pages. Pavel Burdych #119401. Published by Pavel Burdych (A0.933384). The violinist, conductor and composer Béla Kéler, by his birth name Albert Paul von Kéler, was born at 13th of February 1820 in the house No. 41 at town hall square of the city of Bartfeld (today´s Slovakian name: Bardejov). After his studies of music in LevoÄa, Debrecen and PreÅ¡ov, he obtained the position of first violinist at the „Theater an der Wien in Vienna. The same time he studied harmony, counterpoint and started to compose. Since 1854 he received the position as conductor of the orchestra of Johann Sommer in Berlin, he already used the name Béla Kéler. Later he became leader of the military band under count Mazzuchelli. The last twenty years of his life he spent as leader of the spa-orchestra in Wiesbaden and was devoted on composing. He performed in all European cultural centres, as London, Manchester, Copenhagen, Amsterdam, Paris, Munich, Dresden, Leipzig etc. Still he often and gladly returned to his home city Bartfeld. Kéler has written 27 big waltzes, 27 marches, 20 csárdás, 18 polkas, 15 songs, 13 galops, 12 overtures, a ballet and several „musical paintings, such as the idyllic Carpathians, his first important composition which praises the Slovakian nature. The most frequently played theme of Kéler´s work are the 32 bars from his csárdás Memory of Bartfeld, op. 31, which were used by Johannes Brahms for his Hungarian dance No. 5 in the original notation of the author. Kéler´s music, in the time of its creation, could hold his own with the Vienna masters Joseph Lanner and „king of waltzes Johann Strauss jun. Already in his lifetime his 138 compositions were edited in 12 European countries. His manuscripts now belong in parts to the collection of the Å ariÅ¡ museum at Bardejov. In the year 2014 the Béla-Kéler-society was founded in Bardejov. The purpose of the society is the presentation of the inheritance of Béla Kéler. More in: www.belakeler.eu
$6.95 ≈
6.48€
Am schönen Rhein gedenk ich dein, Waltz for Violin and Piano, Op. 83
Am schönen Rhein gedenk ich dein, Waltz for Violin and Piano, Op. 83
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Violon et Piano
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INTERMÉDIAIRE
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Classique
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Bela Keler
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Pavel Burdych
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Am schönen Rhein gedenk i
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Pavel Burdych
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Piano,Violin - Level 3 - SKU: A0.933382 Composed by Bela Keler. Arranged by Pavel Burdych. Romantic Period. 25 pages. Pavel Burdych #73859. Published by...
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Piano,Violin - Level 3 - SKU: A0.933382 Composed by Bela Keler. Arranged by Pavel Burdych. Romantic Period. 25 pages. Pavel Burdych #73859. Published by Pavel Burdych (A0.933382). The violinist, conductor and composer Béla Kéler, by his birth name Albert Paul von Kéler, was born at 13th of February 1820 in the house No. 41 at town hall square of the city of Bartfeld (today´s Slovakian name: Bardejov). After his studies of music in LevoÄa, Debrecen and PreÅ¡ov, he obtained the position of first violinist at the „Theater an der Wien in Vienna. The same time he studied harmony, counterpoint and started to compose. Since 1854 he received the position as conductor of the orchestra of Johann Sommer in Berlin, he already used the name Béla Kéler. Later he became leader of the military band under count Mazzuchelli. The last twenty years of his life he spent as leader of the spa-orchestra in Wiesbaden and was devoted on composing. He performed in all European cultural centres, as London, Manchester, Copenhagen, Amsterdam, Paris, Munich, Dresden, Leipzig etc. Still he often and gladly returned to his home city Bartfeld. Kéler has written 27 big waltzes, 27 marches, 20 csárdás, 18 polkas, 15 songs, 13 galops, 12 overtures, a ballet and several „musical paintings, such as the idyllic Carpathians, his first important composition which praises the Slovakian nature. The most frequently played theme of Kéler´s work are the 32 bars from his csárdás Memory of Bartfeld, op. 31, which were used by Johannes Brahms for his Hungarian dance No. 5 in the original notation of the author. Kéler´s music, in the time of its creation, could hold his own with the Vienna masters Joseph Lanner and „king of waltzes Johann Strauss jun. Already in his lifetime his 138 compositions were edited in 12 European countries. His manuscripts now belong in parts to the collection of the Å ariÅ¡ museum at Bardejov. In the year 2014 the Béla-Kéler-society was founded in Bardejov. The purpose of the society is the presentation of the inheritance of Béla Kéler. More in: www.belakeler.eu
$6.95 ≈
6.48€
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The Masters of the Violin
